Ethel Merman: A Life

by Brian Kellow

61 Members 1 Review ½ (3.64)

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A biography equal to the outsized personality of one of Broadway's best-loved stars. From her breakout rendition of "I Got Rhythm" in 1930 to her triumphant performance as Gypsy's Mama Rose in 1959, Ethel Merman defined Broadway stardom for two generations of music lovers. Merman's singing voice--brassy, penetrating, and undeniably American--has transcended genre and era to become a cultural icon. As an entertainer she burned with unstoppable energy; offstage she was the original diva, a show more woman who knew what she wanted and brooked no interference. Her spats and zingers have become part of theater lore. In an era dominated by outsized personalities and egos, none was more vibrant and powerful than Merman's, yet beneath the tough-dame image was an enormously vulnerable and often lonely woman. Kellow's book, which includes recollections from Merman's friends, colleagues, and family members, stands as the definitive biography and an affectionate portrait of an unforgettable star.--From publisher description. show less

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1 review
How sad to exist in a world where no one younger than you knows about the Best of Broadway, Ethel Merman, a/k/a The Belter. An Astoria, Queens native (and frequently mistaken for being Jewish because of it, making her much less popular outside the New York metropolitan area), Merman starred in such musicals as Annie Get Your Gun (twice, twenty years apart), Anything Goes, Call Me Madam, and her most famous role as Mama Rose in Gypsy. She worked with the finest songwriters - Cole Porter, Irving Berlin, Vincent Youmans, and even Sondheim (they did NOT get along) - and her strong and distinctive voice, untrained, unenhanced by amplification (she WAS the amplifier!), made her the Queen of Broadway, when melodies and boy-gets-girl plots show more ruled muscial theater, from the 1930s to the 1960s. The changes in theater and in the country left her as an anachronism before she was ready to leave the stage and the spotlight. The author does an excellent job of balancing her trumphs with her romantic miseries (a pitiful 30 day union with Ernest Borgnine that was ended by his violence towards her, among four total marriages) and, as an only child, her touching closeness to and dependence on her parents. Not an intellectual by any means, Merman's strength was her ability to conquer a song quickly and to know exactly what was right for her voice, her limited acting talent, and which musical numbers would make a show a guaranteed hit. The author's success is in his acknowlegment of her commanding strengths and her debilitating stubborness. This should be a textbook read for any fan of musical theater history and denizens of used bookstores. show less

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8+ Works 302 Members
Brian Kellow is the features editor of Opera News.

Common Knowledge

People/Characters
Ethel Merman

Classifications

Genres
Music, Biography & Memoir, Nonfiction, General Nonfiction
DDC/MDS
782.1Arts & recreationMusicVocal Music, SingingOperas and related dramatic vocal forms; concert versions
LCC
ML420 .M39 .K45MusicLiterature on musicLiterature on musicHistory and criticismBiography
BISAC

Statistics

Members
61
Popularity
505,308
Reviews
1
Rating
½ (3.64)
Languages
English, Korean
Media
Paper, Ebook
ISBNs
6
ASINs
2