Four Screen Plays of Ingmar Bergman: Smiles of a Summer Night - The Seventh Seal - Wild Strawberries - The Magician
by Ingmar Bergman
On This Page
Description
The Magician : a traveling magician deceives his disbelievers. The Seventh seal : Set in Sweden during the Black Death, it tells of the journey of a medieval knight and a game of chess he plays with the personification of Death. Smiles of a summer night : involves some couples who switch partners on a summer night. Wild strawberries : During the trip Stockholm to Lund, 78-year-old widower Isak is forced by nightmares, daydreams, old age ,and impending death to reevaluate his life.Tags
Recommendations
Member Reviews
When this first edition was published in 1960, Ingmar Bergman had already been winning awards for his films mostly in Europe (e.g. at Cannes) for a few years, and rightfully so. He had an extraordinary string of films in the 1950’s (and of course beyond) which explored a wide range of topics, e.g. religion, life’s meaning, marriage, relationships, aging, and death, and did so in such a deeply personal and honest way. He did not shy away from showing the somber and dark aspects of life, but he was also lyrical and playful, particularly in his earlier films. This collection of screenplays includes Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), and The Magician (1958), as well as stills from the show more films and introductory material from Carl Anders Dymling, his producer, and Bergman himself. It’s quite simply a treasure to read, particularly those center two works, which are true masterpieces. show less
My exposure to art films in Manila was a series of films in this book. I was so inspired I bought it to remember how these films affected me and change my view of cinema.
Slant Magazine's Joseph Jon Lanthier wrote: ¨This piquant control over cinematic grammar doesn’t quite rescue the film from a laughably zombie-tinged climax and an anomalous deus ex machina denouement, but it makes The Magician one of Bergman’s more accessible failures, and collapses any suspicious connection between him and the fretful Vogler.¨
Feb 6, 2025Portuguese (Brazil)
Ratings
Members
- Recently Added By
Published Reviews
ThingScore 50
The translators have not given the dialogue the care and polish that would (hopefully) be given to plays they were preparing for performance; still, Bergman’s considerable dramatic gifts and accomplishments can be detected even in the inelegant English. Taken simply and loosely as dramatic literature, as story outlines plus dialogue, these screenplays are surprisingly rich reading.
Just on show more the basis of the printed ‘page, Bergman is revealed to be a modern dramatist of considerable stature, a man whose sense of theatrical “effectiveness” is comparable with that of Tennessee Williams or Edward Albee. “Smiles of a Summer Night” is a beautiful film and the screenplay reads beautifully. The extraordinary film “The Seventh Seal” is somewhat diminished in the reading; the ideas are too transparent, while the visual imagery is only barely suggested. The screenplay for “The Magician” is perhaps even worse than the movie, which was humbug about humbug. “Wild Strawberries,” which is written with a great deal of descriptive detail in addition to the rather full narration, reads better than it played: without all the tricky effects and the sharp contrasts and the unconvincing look of the flashbacks, it seems a more serene contemplation of a man s life—not great, but fairly interesting. show less
Just on show more the basis of the printed ‘page, Bergman is revealed to be a modern dramatist of considerable stature, a man whose sense of theatrical “effectiveness” is comparable with that of Tennessee Williams or Edward Albee. “Smiles of a Summer Night” is a beautiful film and the screenplay reads beautifully. The extraordinary film “The Seventh Seal” is somewhat diminished in the reading; the ideas are too transparent, while the visual imagery is only barely suggested. The screenplay for “The Magician” is perhaps even worse than the movie, which was humbug about humbug. “Wild Strawberries,” which is written with a great deal of descriptive detail in addition to the rather full narration, reads better than it played: without all the tricky effects and the sharp contrasts and the unconvincing look of the flashbacks, it seems a more serene contemplation of a man s life—not great, but fairly interesting. show less
added by SnootyBaronet
Author Information
Some Editions
Work Relationships
Has as a commentary on the text
Common Knowledge
- Canonical title
- Four Screen Plays of Ingmar Bergman: Smiles of a Summer Night - The Seventh Seal - Wild Strawberries - The Magician
- Original publication date
- 1949
- People/Characters
- Ingmar Bergman
Classifications
- DDC/MDS
- 791.437 — Arts & recreation Recreation, sports, and performing arts Public performances Motion pictures, radio, television, podcasting Motion pictures Films; screenplays
- LCC
- PT9875 .B533 .A25 — Language and Literature German, Dutch and Scandinavian literatures Swedish literature Individual authors or works 1900-1960
- BISAC
Statistics
- Members
- 295
- Popularity
- 109,431
- Reviews
- 3
- Rating
- (4.20)
- Languages
- English, Greek
- Media
- Paper
- ISBNs
- 5
- ASINs
- 8




























































