Abarat: Days of Magic, Nights of War

by Clive Barker

Books of Abarat (2)

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Candy Quackenbush's adventures in the Abarat continue as she makes a startling realization as to who she is, and the forces of Night begin plans for war.

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44 reviews
It's not very often that I like the second book in a series more than the first. Whereas the first book in the Abarat series felt like a prologue, Days of Magic, Nights of War really takes off. I liked the first book enough to read this one, and I'm glad I did! The illustrations are amazing (but not for young kids!), and the plot really gains in complexity, making it a much more entertaining read and easier to become enamored with this magical world Clive Barker has created.
A good follow-up to the first book, much improved by my having access to the illustrated edition. I liked the development of Candy's family in this volume, particularly her mother. I continue to be a bit concerned that Candy has maybe been hit with some sort of honesty curse that makes her just blurt out her opinions and true identity uncontrollably, but it's gotten a bit better.
½
This is the second book in Clive Barker's Abarat series and I think he has created a wonderful and fantastical world in these stories. The world of Abarat is a vast archipelago where every island is a different hour of the day.

In the first book, we were introduced to Candy Quackenbush, a young girl from Chickentown, Minnesota who is swept away from Chickentown on a wave that takes her to the Abarat. In this second volume we find out more about Candy's links to the Abarat and the plans the forces of Night have for Absolute Midnight to descend on the islands.

My editions of these books are the hardcover, illustrated editions which each contain over a hundred paintings by Clive Barker of the islands and their inhabitants. I think the show more paperback editions of these books don't include these paintings and I would really recommend trying to get hold of a copy with the illustrations if possible because I think they add so much to the story.

These are children's books so although there are elements of horror and the grotesque in the stories it is toned down to an appropriate level for older children. The books don't have the fast pace of other popular young adult books like The Hunger Games series but I enjoyed being able to take the time to discover the Abarat and the wonderful world Clive Barker has created.

Sadly, book 2 was released in 2004 and there has been a long wait for the third book which still isn't released. But if you can cope with a wait for book 3 I would recommend this series.
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½
This is the second Abarat book by Clive Barker and starts shortly after where the last one left off. I listened to this book on audio book and, like audio book of Abarat, the audio book was very well done.

Once again we follow Candy on her efforts to elude Christopher Carrion. Candy bumps into a cast of great new quirky characters as she tries to flee Carrion’s minions. John Mischief and crew are still trying to find Fennigan Hob. Will Christopher Carrion be able to bring about Permanent Midnight? What is Candy Quackenbush’s real identity? These are all things that are visited in this book.

This is a great book, it is very creative, and still reminds me a bit of Alice in Wonderland. This book is definitely written by a horror author; show more there is a sort of cloud of evil or despair over the story as you read it. While this is a great book, really young children would probably find it too scary and some of the ending fight scenes are pretty-darn gory.

I really love Barker’s bad guys. I just can’t emphasize enough how much depth the bad guys have. Especially with Christopher Carrion; you can never figure out if he is really bad to the core or if maybe he was just born into a bad family. The ending surprised me a bit, as the whole mystery surrounding Candy didn’t end up exactly how I thought it would.

There were a couple things that really disappointed me; this book still had a very open ending. There is a lot in Abarat that needs to be resolved at the close of the book. That was very disappointing to me since I haven’t seen (or heard of plans for) another Abarat book. I didn’t like how it ended for Candy’s mother either. I guess I just have to live with that since Barker seems more about realism than happy endings. I was also curious as to why Rojo Pixler and the Commexo kid weren’t mentioned much in this book. In the last book Rojo looked like a big contender for a parallel bad guy; that was dropped in this book.

All the above being said; this was still a very good book and a great follow-up to Abarat.
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Oh my god! I loved this book just as much as the first! The heroine finally finding the answers to questions all through the first book and bravely taking on villains that you love to hate but can't help feeling sorry for. War, love, family, trust and friendship. This book will send your emotions making you feel as though you just might be bipolar or manic even if you are not. Every character had their own story and they all intertwine in some way. I cannot recommend this book anymore highly!
Darker, longer, not so standalone. Makes you wish it hadn't taken two extra years to get the next one. Loses a bit of wonder in favor of more plot, but should still have enough to go around.
The second in the Abarat series of a planned four (although I doubt we will see any more, at least in a long time). This one has more of a straightforward story than the first and the plotlines are easier to follow. The paintings are still outstanding - the burning of the Carrion Night Mansion being one of the best - and the characters are true Barker, i.e. genius. There aren't enough of them, though - not even close to as many as in the first book. Also, it feels as if the idea of the text following the paintings' lead is wearing out and, although it makes for an easier read, it also takes away some of the magic for me - the fantastic imagination is after all what I read Barker for. Still, for a YA novel, it's still a pretty great show more piece of fiction. show less
½

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Critics of the horror story have frequently called Clive Barker the "British Stephen King". Born in Liverpool in 1952, Barker attended the University of Liverpool but moved to London in 1977, where he worked as a commercial artist and became involved with the avant-garde theatrical community. Primarily a playwright during this period, he also show more produced short fiction that he would eventually publish as part of his six-volume collection titled Books of Blood (1984-85). More than any other author of contemporary horror fiction, Barker has had a major impact on the direction of the genre. He has introduced strong elements of sex and graphic violence into his fiction, but these elements are employed with an artistic objective. Barker underscores his work with complex subtextual metaphors and artistic allusions. Preoccupied with the craft of writing and with its effect on the reader, Barker is an innovator of formula and genre, often parodying the former in order to change the philosophical contour of the latter. Barker has achieved commercial success not only with his short fiction but also with his novels, which tend to be epic in scope and to blend elements of horror with those of high fantasy. Barker is one of the more influential voices in horror cinema, having written and directed a number of films. His printed works include The Candle in the Cloud, Absolute Midnight, The Scarlet Gospels, and Black is the Devil's Rainbow: Tales of a Journeyman. His films include Dread, Tortured Souls: Animae Damanatae, and Hellraiser. (Bowker Author Biography) Clive Barker was born in October, 1952, in Liverpool, England, and graduated from Liverpool University. While a student, the resourceful Barker formed a theater company as an outlet for his career as a budding playwright. After minor success with several plays such as "Frankenstein in Love," Barker vaulted onto the horror fiction scene with the publication of his short stories, "The Books of Blood." Later books such as "The Damnation Game," "Imajica," and "Everville" have further established his reputation as a Master of Horror. Barker gained further popularity with several motion picture projects. Unhappy with previous film versions of his works, he chose to direct the successful movie "Hellraiser," which generated a string of sequels. In addition to writing and directing, Barker has produced several of the movies in both the "Hellraiser" and "Candyman" series. Besides his writing and film activities, the multitalented Barker is an actor and illustrator, with several published volumes of his artwork. Barker is a recipient of British Fantasy awards and a World Fantasy award, and resides in Los Angeles. (Bowker Author Biography) show less

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Common Knowledge

Canonical title*
Dagen voor magie, nachten vol strijd
Original title
Days of Magic, Nights of War
Original publication date
2004
People/Characters
Candy Quackenbush
Important places
Abarat
Dedication
For my mother,
Joan
First words
Otto Houlihan sat in the dark room and listened to the two creatures who had brought him here- a three-eyed thing by the name of Lazaru and its sidekick, Baby Pink-Eye- playing Knock the Devil Down in the corner.
Quotations
In mijn dromen sprak ik andere talen,
In mijn dromen werkte ik met andermans hand,
In mijn dromen was ik mijn eigen geliefde,
In mijn dromen was ik aan tijgers verwant.

In mijn dromen leefde het paradijs bi... (show all)nnen in me,
Zodat, als ik ademde, een tuin ontlook,
In mijn dromen kende ik heel de Schepping,
En de naam van de Schepper kende ik ook.

Mijn laatste droom - de allermooiste -
was dat alles wat ik droomde gebeuren zou,
dat wij altijd gelukkig samenleefden,
Jij in mij, en ik in jou.

C.B.
Last words
(Click to show. Warning: May contain spoilers.)And so it was that Candy Quackenbush and the Princess Boa came home, at last, to the islands of the Abarat.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Fiction and Literature, Fantasy, Teen, Young Adult
DDC/MDS
813Literature & rhetoricAmerican literature in EnglishAmerican fiction in English
LCC
PZ7 .B25046 .DLanguage and LiteratureFiction and juvenile belles lettresFiction and juvenile belles lettresJuvenile belles lettres
BISAC

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