Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson
by P. Adams Sitney
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Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of show more Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. show lessTags
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Author Information
19+ Works 451 Members
P. Adams Sitney is Professor of Visual Arts in the Lewis Center for the Arts at Princeton University. His previous books include Eyes Upside Down and Visionary Film.
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- Genres
- Nonfiction, History, Literature Studies and Criticism, Art & Design
- DDC/MDS
- 791.430973 — Arts & recreation Recreation, sports, and performing arts Public performances Motion pictures, radio, television, podcasting Motion pictures Standard subdivisions History, geographic treatment, biography; description, critical appraisal of specific companies and studios {for specific films see 791.437} North America
- LCC
- PN1995.9 .E96 .S49 — Language and Literature Literature (General) Literature (General) Drama Motion pictures
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