When Harlem Was In Vogue

by David Levering Lewis

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"Tremendous optimism filled the streets of Harlem during the decade and a half following World War I. Langston Hughes, Eubie Blake, Marcus Garvey, Zora Neale Hurston, Paul Robeson, and countless others began their careers; Afro-America made its first appearance on Broadway; musicians found new audiences in the chic who sought out the exotic in Harlem's whites-only nightclubs; riotous rent parties kept economic realities at bay; and A'Lelia Walker and Carl Van Vechten outdid each other with show more glittering "integrated" soirees. When Harlem Was in Vogue recaptures the excitement of those times, displaying the intoxicating hope that black Americans could create important art and compel the nation to recognize their equality. In this critically-acclaimed study of race assimilation, David Levering Lewis focuses on the creation and manipulation of an arts and belles-lettres culture by a tiny Afro-American elite, striving to enhance "race relations" in America, and ultimately, the upward mobility of the Afro-American masses. He demonstrates how black intellectuals developed a systematic program to bring artists to Harlem, conducting nation-wide searches for black talent and urging WASP and Jewish philanthropists (termed "Negrotarians" by Zora Neale Hurston) to help support writers. This extensively-researched, fascinating volume reveals the major significance of the Renaissance as a movement which sprang up in Harlem but lent its mood to the entire era, and as a culturally-vital period whose after-effects continue to add immeasurably to the richness and character of American life."--Publisher's description. show less

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An exhaustive history of the Harlem Renaissance of the 1920's. Many readers may be surprised and disappointed that this survey is far more focused on the black literary scene than the Jazz scene that is more well known today, but this reflects the interests of the black intellectuals of that era. Writers like Langston Hughes, Jean Toomer, Countee Cullen, James Weldon Johnson, Alain Locke, Zora Neale Hurston, Wallace Thurman, are discussed in some detail. There are also explanations of various rival political and religious figures like W.E.B. Du Boise, Marcus Garvey, The NAACP, Father Devine and others. Music in Harlem can hardly be ignored of course so figures like James Reese Europe, Bessie Smith, Fletcher Hendrson, Ethel Waters, James show more P Johnson, Fats Waller, Black Swan Records and the nightclub scene make appearances but it is hard to deny that this highly durable and influential aspect of Harlem life deserves more space. There is also some mention given to art, dance and business leaders. Despite the glaring omissions of the music history (which are after all well documented elsewhere) this is an important and detailed snapshot of an important era. show less

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23+ Works 3,715 Members
David Levering Lewis is the Martin Luther King Professor of History at Rutgers University & was recently awarded a MacArthur Fellowship. "W.E.B. Du Bois: Biography of a Race, 1868-1919" received the Bancroft, Parkman, & Pulitzer prizes, & was a finalist for the National Book Award & National Book Critics Circle Award. He also wrote "W.E.B. Du show more Bois: A Reader." (Bowker Author Biography) show less

Common Knowledge

Canonical title
When Harlem Was In Vogue
Original publication date
1981
People/Characters
Paul Robeson; Louis Armstrong
Important places
Harlem, New York, New York, USA; New York, New York, USA
Important events
Harlem Renaissance
Disambiguation notice
Full title (1981): When Harlem was in vogue / David Levering Lewis

Classifications

Genres
Nonfiction, History, Art & Design, Literature Studies and Criticism
DDC/MDS
700.899607307471Arts & recreationArtsThe artsGroups of people
LCC
NX511 .N4 .L48Fine ArtsArts in generalArts in generalHistory of the arts
BISAC

Statistics

Members
340
Popularity
92,646
Reviews
1
Rating
(3.81)
Languages
English
Media
Paper
ISBNs
5
ASINs
2