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On a luxurious Balinese island, the charismatic tycoon Marcus Brand entertains his six godchildren. By the end of the weekend, secrets will be revealed that will change everybody¿s life, a climax to the web of lies and betrayals spun over the course of four decades. The Godchildren are Charlie Crieff - aristocratic Old Etonian, fascinated and enthralled by Marcus¿s wealth and who devotes his life to securing an inheritance; Mary Merrett - daughter of one of Marcus¿s business colleagues, show more her life is blighted by tragedy; Jamie Temple - feckless but utterly charming, he drifts from one job to another, crossing Marcus¿s path just once too often for comfort; Saffron Weaver ¿ delicate and sensitive as well as stunningly beautiful, she is unaware of her power over men, and of Marcus¿s power over her; Abigail Schwartzman - insecure and gauche, she blames Marcus for the disaster of her life; Stuart Bolton - the working class son of Marcus¿s dead chauffeur, he is torn between admiration and hatred for his supremely successful, capitalist godfather. The story of the Godchildren is unputdownable. show less

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1 review
If Charlie and the Chocolate Factory had been written by Jeffrey Archer, the result would probably have been very much like this book. That's not a criticism.

Spanning nearly four decades, the book follows the six godchildren of a successful but morally bankrupt tycoon. I liked the way the book dipped into their lives at various stages, kept the momentum going, a mammoth juggling act given that there are six of them to keep up with. They can all be readily characterised (druggie, chancer, toff etc) but stay the right side of being caricatures.

There is a boldness about the writing, a willingness to incorporate real people (Margaret Thatcher turns up at one point, as does David Blunkett - the second book in a row that I've read with him in show more it, how weird is that?). Also an interesting theory about whether or not Mikhail Gorbachev likes Marmite.

I thought at some points the motivations of the characters were having to be manipulated to an extent that was positively gymnastic, just to make sure the plot stayed on track. Given the events in the story, there was no way some of the godchildren would have maintained links with their godfather, but there they were every time there was a meet-up. In spite of this, I was gripped, and had to read the last sixty pages locked in my bedroom to prevent any interruptions! Coleridge has a really really good writing style - lively, confident, easy to follow, and I'm amazed he is not a bigger name on the literary stage.
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18+ Works 563 Members
Nicholas Coleridge is Managing Director of the Conde Nast magazines in Britain.

Awards and Honors

Classifications

Genres
Fiction and Literature, General Fiction, Suspense & Thriller
DDC/MDS
823.914Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-1901-19991945-1999
LCC
PR6053 .O4218 .G63Language and LiteratureEnglishEnglish Literature1961-2000
BISAC

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Members
80
Popularity
396,654
Reviews
1
Rating
(3.79)
Languages
English
Media
Paper, Audiobook, Ebook
ISBNs
9
ASINs
5