Music as Social Life: The Politics of Participation

by Thomas Turino

Chicago Studies in Ethnomusicology (2008)

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People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.             Turino begins by developing tools to think about the special properties of music and dance that make them show more fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old-time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide-ranging, accessible to anyone with an interest in music's role in society, and accompanied by a compact disc, Music as Social Life is an illuminating initiation into the power of music. show less

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Canonical title
Music as Social Life: The Politics of Participation

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Genres
Music, Nonfiction, Anthropology
DDC/MDS
781.1Arts & recreationMusicGeneral principles and musical formsBasic principles of music
LCC
ML3916 .T87MusicLiterature on musicLiterature on musicPhilosophical and societal aspects of music. PhysicsSocial and political aspects of music
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Languages
English
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Paper
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2
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1