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Alternate chapters follow teenagers Todd and Viola, who become separated as the Mayor's oppressive new regime takes power in New Prentisstown, a space colony where residents can hear each other's thoughts.Tags
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Okay, okay, breathe, Mia, breathe.
Okay.
So many thoughts. So many feels. I'll be damned if I could coherently write them all down here in a clear and concise manner two minutes after reading that kick-in-the face ending. But I'd also be damned if I didn't try. So here goes:
All readers know that it is a very rare thing indeed when the sequel is even better than its predecessor. But it does happen, and The Ask and the Answer is, I believe, so much better than The Knife of Never Letting Go. (For those who haven't figured it out yet, this is the second book of the Chaos Walking Trilogy, The Knife of Never Letting Go being the first and Monsters of Men being the last. If you haven't read The Knife yet, you should get on it, because there are show more some very minor spoilers in this review that would ruin a few things for those who have not yet read the first. If you were as on the fence about it as I was, read on, because I promise this one is MUCH better.)
For me, what really made this book was the characters, so that's what I'm going to focus mainly on.
Todd: Oh, Todd. He hit some record lows in this book, but somehow he got back up. The dynamic between him and the Mayor is super fascinating, if utterly depressing on Todd's part. As you can see in my multiple progress updates, I really felt for Todd throughout this whole ordeal, but he made a few decisions that were questionable enough where I couldn't root for him for a while. Eventually I just gave up and let the book do what it does- totally engulf me- and I realized Todd's character does fluctuate much more in this book than in the last. You had me scared for a minute there, Todd!But he does come back somewhere around the middle and is more recognizable as the loyal Todd Hewitt we know from the first book.
Viola: Amazing. The dual narration of this book adds a whole new perspective to Viola, and I was pleasantly surprised at how awesome she actually is. Her fierceness, wit, and general badassery earned this book a spot on my "kickass heroines" shelf. Also, she and Todd are the best duo in YA science fiction.
Mayor Prentiss: Or should I say President Prentiss? It's the man we all know and f*cking hate: David Ruddy Prentiss. Yes, he's back, and with a vengeance, but he's definitely not your textbook antagonist:
Sure, the Mayor does all the things that villains do; he's cruel and cold and manipulative. But it's also undeniable that he's smart as a whip, and THAT'S what makes him so dangerous. He can find the very thing that will make you hold on and use it against you. He will have his henchmen beat you within an inch of death but just as they're about to deliver the final blow, he heals you. As Todd says, "He puts bandages on the people". He makes people trust him, makes the enemy seem so outlandish that joining him is the only logical choice. He keeps his friends close but his enemies closer. He's charming and brilliant in that sick, evil way of his, and it's nearly impossible to not hate him. AND to complete the image, he has a scary-ass horse and lives in an old cathedral. He is the prefect antagonist, psychotic and mad- and he knows it- but controlled. One of my top villains, hence the "best villains ever" shelf.
Davy Prentiss: The mayor's son, while absolutely a dunce in some points and a complete asshole in others, was a nice addition to this. I started out wanting to backhand him across the face, but eventually kind of wanted to hug him for being kind in his stupid way. By the end I genuinely liked his character: his lame jokes, his hopeless optimism, always trying to serve a father who won't notice him.
Mistress Coyle: The leader of the rebel group the Answer is a woman after my own heart. The fact alone that it's made up of mostly women is freaking awesome, but the fact that many of them are healers that fought in the Spackle War and know their way around a bomb is double awesome. Mistress Coyle started out as a bit of a prude in my opinion, but, like many other characters, I grew to like her.
THEN we find out more about her. We see how she uses Viola as an expendable pawn and, by the end of the book, I only hated the Mayor slightly more than I hated her.
Favourite Character: Weirdly enough, Mayor David Prentiss. Though it seems like I should hate him for all the shit he's put dear Todd and Viola through, I also love him. He's real and complex, a villain with so many dimensions that you can't simply classify him as just plain evil. He breaks the mold of the traditional antagonistic role in science fiction. First of all, the Mayor cannot be defeated easily. Second, he hides his evil under layers of cunning and charm and intelligence, keeping you just confused enough to wonder what his true intentions are, but knowing just enough for you to hate his guts.
He's also surrounded by a certain mystery- since Todd narrated the first book and Todd and Viola the second, we never know more than they do. So since the founding of Prentisstown and the Spackle War happened before Todd's lifetime, we don't know much about the Mayor's background or motives. The reader sees in him only what Todd and Viola see, and the fact that you never see what he does behind closed doors always keeps you guessing. Imagine a mix of President Snow, Professor Moriarty, Mustapha Mond, and every Disney villain. He has Snow's coldness and cruelty, Moriarty's smarts and cunning, Mond's manipulation of the public, and the classic Disney villains' outright evil. Yeah, that's Prentiss for ya.
Some Final Grievances: Manchee ;( RIP Little Buddy. Yes, I still miss Manchee, and his absence in this book (Poo, Todd? Poo? Todd? Good poo, Todd!) was noticeable. The only other thing that bothered me were the spelling deviancies in Todd's narration: while when it's him speaking or narrating he uses the same spelling and contractions as he did in the first book (conversayshun, confuzhun, etc.), when it's someone else talking, usually the Mayor, he uses the correct spelling and grammar. Is this supposed to represent the differences in their language patterns and, thus, their morals? Not sure.
Overall, this was a great read, if completely exhausting. The ending was awesome, and I can't wait to crack open the final book to the Chaos Walking Trilogy, Monsters of Men. Stay tuned for my review of that- as I'm sure there will be one- since if the second is better than the first, will the last be better than the second? IS IT EVEN POSSIBLE? I guess I'll find out soon enough.
Apologies for the long review (it was a long book with a lot of stuff in it) and for the scattering of thoughts. I try to write my reviews immediately after finishing a book so all my feelings and thoughts are still fresh in my mind, but maybe next time I'll wait a bit to try and sort them out.
Oh, and by the way, if you're reading this and you're a fan of Patrick Ness' work, I highly suggest you read A Monster Calls & More Than This, both by him and both fantastic. I've reviewed also both so pop on over there. show less
Okay.
So many thoughts. So many feels. I'll be damned if I could coherently write them all down here in a clear and concise manner two minutes after reading that kick-in-the face ending. But I'd also be damned if I didn't try. So here goes:
All readers know that it is a very rare thing indeed when the sequel is even better than its predecessor. But it does happen, and The Ask and the Answer is, I believe, so much better than The Knife of Never Letting Go. (For those who haven't figured it out yet, this is the second book of the Chaos Walking Trilogy, The Knife of Never Letting Go being the first and Monsters of Men being the last. If you haven't read The Knife yet, you should get on it, because there are show more some very minor spoilers in this review that would ruin a few things for those who have not yet read the first. If you were as on the fence about it as I was, read on, because I promise this one is MUCH better.)
For me, what really made this book was the characters, so that's what I'm going to focus mainly on.
Todd: Oh, Todd. He hit some record lows in this book, but somehow he got back up. The dynamic between him and the Mayor is super fascinating, if utterly depressing on Todd's part. As you can see in my multiple progress updates, I really felt for Todd throughout this whole ordeal, but he made a few decisions that were questionable enough where I couldn't root for him for a while. Eventually I just gave up and let the book do what it does- totally engulf me- and I realized Todd's character does fluctuate much more in this book than in the last. You had me scared for a minute there, Todd!
Viola: Amazing. The dual narration of this book adds a whole new perspective to Viola, and I was pleasantly surprised at how awesome she actually is. Her fierceness, wit, and general badassery earned this book a spot on my "kickass heroines" shelf. Also, she and Todd are the best duo in YA science fiction.
Mayor Prentiss: Or should I say President Prentiss? It's the man we all know and f*cking hate: David Ruddy Prentiss. Yes, he's back, and with a vengeance, but he's definitely not your textbook antagonist:
Sure, the Mayor does all the things that villains do; he's cruel and cold and manipulative. But it's also undeniable that he's smart as a whip, and THAT'S what makes him so dangerous. He can find the very thing that will make you hold on and use it against you. He will have his henchmen beat you within an inch of death but just as they're about to deliver the final blow, he heals you. As Todd says, "He puts bandages on the people". He makes people trust him, makes the enemy seem so outlandish that joining him is the only logical choice. He keeps his friends close but his enemies closer. He's charming and brilliant in that sick, evil way of his, and it's nearly impossible to not hate him. AND to complete the image, he has a scary-ass horse and lives in an old cathedral. He is the prefect antagonist, psychotic and mad- and he knows it- but controlled. One of my top villains, hence the "best villains ever" shelf.
Davy Prentiss: The mayor's son, while absolutely a dunce in some points and a complete asshole in others, was a nice addition to this. I started out wanting to backhand him across the face, but eventually kind of wanted to hug him for being kind in his stupid way. By the end I genuinely liked his character: his lame jokes, his hopeless optimism, always trying to serve a father who won't notice him.
Mistress Coyle: The leader of the rebel group the Answer is a woman after my own heart. The fact alone that it's made up of mostly women is freaking awesome, but the fact that many of them are healers that fought in the Spackle War and know their way around a bomb is double awesome. Mistress Coyle started out as a bit of a prude in my opinion, but, like many other characters, I grew to like her.
THEN we find out more about her. We see how she uses Viola as an expendable pawn and, by the end of the book, I only hated the Mayor slightly more than I hated her.
Favourite Character: Weirdly enough, Mayor David Prentiss. Though it seems like I should hate him for all the shit he's put dear Todd and Viola through, I also love him. He's real and complex, a villain with so many dimensions that you can't simply classify him as just plain evil. He breaks the mold of the traditional antagonistic role in science fiction. First of all, the Mayor cannot be defeated easily. Second, he hides his evil under layers of cunning and charm and intelligence, keeping you just confused enough to wonder what his true intentions are, but knowing just enough for you to hate his guts.
He's also surrounded by a certain mystery- since Todd narrated the first book and Todd and Viola the second, we never know more than they do. So since the founding of Prentisstown and the Spackle War happened before Todd's lifetime, we don't know much about the Mayor's background or motives. The reader sees in him only what Todd and Viola see, and the fact that you never see what he does behind closed doors always keeps you guessing. Imagine a mix of President Snow, Professor Moriarty, Mustapha Mond, and every Disney villain. He has Snow's coldness and cruelty, Moriarty's smarts and cunning, Mond's manipulation of the public, and the classic Disney villains' outright evil. Yeah, that's Prentiss for ya.
Some Final Grievances: Manchee ;( RIP Little Buddy. Yes, I still miss Manchee, and his absence in this book (Poo, Todd? Poo? Todd? Good poo, Todd!) was noticeable. The only other thing that bothered me were the spelling deviancies in Todd's narration: while when it's him speaking or narrating he uses the same spelling and contractions as he did in the first book (conversayshun, confuzhun, etc.), when it's someone else talking, usually the Mayor, he uses the correct spelling and grammar. Is this supposed to represent the differences in their language patterns and, thus, their morals? Not sure.
Overall, this was a great read, if completely exhausting. The ending was awesome, and I can't wait to crack open the final book to the Chaos Walking Trilogy, Monsters of Men. Stay tuned for my review of that- as I'm sure there will be one- since if the second is better than the first, will the last be better than the second? IS IT EVEN POSSIBLE? I guess I'll find out soon enough.
Apologies for the long review (it was a long book with a lot of stuff in it) and for the scattering of thoughts. I try to write my reviews immediately after finishing a book so all my feelings and thoughts are still fresh in my mind, but maybe next time I'll wait a bit to try and sort them out.
Oh, and by the way, if you're reading this and you're a fan of Patrick Ness' work, I highly suggest you read A Monster Calls & More Than This, both by him and both fantastic. I've reviewed also both so pop on over there. show less
This is book 2 in the Chaos Walking trilogy, sequel to 'The Knife of Never Letting Go' which I had a few problems with. This volume is actually better in terms of plot as it deals with the situation once the nasty mayor from Todd's town makes himself President of the larger settlement, Haven, renaming it New Prentisstown after himself, and institutes a rule of terror. He starts off by arresting and torturing a few people, but gradually things escalate, and all women become 'the enemy'. However, he isn't the only villain, because the (mainly women) who form a resistance movement called the Answer, start off by bombing things at night or when they should otherwise be unoccupied, but a few soldiers are killed anyway, and gradually things show more escalate on their side also, as the new President's atrocities increase. The woman in charge of the Answer is in her own way just as ruthless as the President, and after Viola sees the President's evil at firsthand and is finally won over to the Answer, she is able to manipulate and use Viola without scruple.
The President has found a way to use 'Noise' (the uncontrolled telepathy inflicted on human males by a native virus) as a weapon, controlling those under him, including Todd. Initially Todd goes along with the duties he is given, because he believes Viola's life depends on it and is desperate to see her. Prentiss seems to be lining Todd up for greater things and preferring him to his own son, Davy, yet he is also capable of letting Todd be beaten and tortured on occasion. He constantly promises that people won't be harmed, then we see them being beaten/tortured/killed and it becomes obvious that this is with his full sanction.
Despite his best intentions, Todd finds himself drawn into inflicting cruelty on the captive natives, the Spackle, and then on human women, all the while telling himself that others would be more cruel to them, or trying to tell himself he feels nothing. Meanwhile, the lies and doublethink around both him and Viola escalate until it is impossible to tell if anyone is telling the truth. Although it is obvious that their friendship has deepened into love, both doubts the other at times, yet both are capable of acting against their own best judgment and accepting the evil which the other has committed, because of that love. And their love is also the thing which both Prentiss and the Answer's leader use to manipulate them.
The book deals with torture, genocide, scapegoating of racial groups, misogyny, and other dark themes. It doesn't do to get fond of any of the characters given the body count. As the story is unrelentingly grim, I've decided to have a rest between this and volume 3, although I might tackle the short story which I believe comes between the two. The unrelenting grim tone, and the escalation of one horror after another, means there is no light and shade in this story, and I do think it could do with some just to avoid exhausting the reader. For that reason, I've decided to award 3 stars as I can't say I 'really liked' the book. show less
The President has found a way to use 'Noise' (the uncontrolled telepathy inflicted on human males by a native virus) as a weapon, controlling those under him, including Todd. Initially Todd goes along with the duties he is given, because he believes Viola's life depends on it and is desperate to see her. Prentiss seems to be lining Todd up for greater things and preferring him to his own son, Davy, yet he is also capable of letting Todd be beaten and tortured on occasion. He constantly promises that people won't be harmed, then we see them being beaten/tortured/killed and it becomes obvious that this is with his full sanction.
Despite his best intentions, Todd finds himself drawn into inflicting cruelty on the captive natives, the Spackle, and then on human women, all the while telling himself that others would be more cruel to them, or trying to tell himself he feels nothing. Meanwhile, the lies and doublethink around both him and Viola escalate until it is impossible to tell if anyone is telling the truth. Although it is obvious that their friendship has deepened into love, both doubts the other at times, yet both are capable of acting against their own best judgment and accepting the evil which the other has committed, because of that love. And their love is also the thing which both Prentiss and the Answer's leader use to manipulate them.
The book deals with torture, genocide, scapegoating of racial groups, misogyny, and other dark themes. It doesn't do to get fond of any of the characters given the body count. As the story is unrelentingly grim, I've decided to have a rest between this and volume 3, although I might tackle the short story which I believe comes between the two. The unrelenting grim tone, and the escalation of one horror after another, means there is no light and shade in this story, and I do think it could do with some just to avoid exhausting the reader. For that reason, I've decided to award 3 stars as I can't say I 'really liked' the book. show less
Absolutely gripping from beginning to end. It's deeply unpleasant but doesn't flinch away from the atrocities of war, or the endless moral questions that inevitably rise out of following orders and searching for reason. Affiliations come and go, the goodness and the badness of certain people is revealed, and all with a sickening gut twisting feeling. Brilliant. Can't wait to go home and pick up book 3!
This stunning sequel to The Knife Of Never Letting Go manages to measure up to its predecessor in a way I never thought possible. After reading the first book, I felt sure that Ness would be incapable of delivering something equally brilliant. But he did.
This is an even more important book than part one, though admittedly not quite as fast-paced. It deals with very grown up issues like feminism, terrorism, war and genocide; another reason why I have to reiterate my point that this trilogy should not be solely aimed at kids. The alternating narrative works well and develops the reader's bond with the character of Viola. For me, it was an even darker novel than the first book with Ness sparing no details on the violence and torture show more undergone by those suspected of being members of the Answer.
It's a very shocking story and it questions what makes a person 'good' and whether an individual is solely responsible for their actions or if society and social factors can be blamed. Ness openly tackles the possibility of redemption in the most dire cases and he carefully blurs the lines between hero and villain. Is it okay to sacrifice one innocent person for the greater good? How about a thousand? Is terrorism a crime or a fight for freedom? The answers you think you have now may not be so easily applied when reading this book, it has the ability to question all which you've ever believed in. show less
This is an even more important book than part one, though admittedly not quite as fast-paced. It deals with very grown up issues like feminism, terrorism, war and genocide; another reason why I have to reiterate my point that this trilogy should not be solely aimed at kids. The alternating narrative works well and develops the reader's bond with the character of Viola. For me, it was an even darker novel than the first book with Ness sparing no details on the violence and torture show more undergone by those suspected of being members of the Answer.
It's a very shocking story and it questions what makes a person 'good' and whether an individual is solely responsible for their actions or if society and social factors can be blamed. Ness openly tackles the possibility of redemption in the most dire cases and he carefully blurs the lines between hero and villain. Is it okay to sacrifice one innocent person for the greater good? How about a thousand? Is terrorism a crime or a fight for freedom? The answers you think you have now may not be so easily applied when reading this book, it has the ability to question all which you've ever believed in. show less
I was expecting to suffer from the traditional middle book of trilogy blues when I picked this up. There was no way Patrick Ness could continue with the unrelenting pace of The Knife of Never Letting Go. He didn't, but the slower pace of The Ask and the Answer worked to increase the tension and had me reading faster in the hope that Todd and Viola would find a way to stop playing right into the hands of Mayor/President Prentiss and Mistress Coyle.
A fantastic read that kept me guessing to the end, wide awake at 1.30am. So wide awake that I seriously considered going and getting the final book of the trilogy Monsters of Men for just one chapter.
A fantastic read that kept me guessing to the end, wide awake at 1.30am. So wide awake that I seriously considered going and getting the final book of the trilogy Monsters of Men for just one chapter.
For me, books one and three in the trilogy slightly weaker, but The Ask and the Answer is a perfect ten (or five Goodreads stars).
It's a riveting read from start to finish and pulls no punches. It's quite raw in places, emotionally, and because Ness draws his characters so realistically, you ride the wave with each of them. The characters here are many and varied. When good they are less than perfect, and when bad they often have redeeming features, or at least hints at them. And there are plenty of characters whom you are not sure whether they are good or bad.
This is a 5* book. It's exceptional. But reading 'The Knife of Never Letting Go' is required beforehand.
It's a riveting read from start to finish and pulls no punches. It's quite raw in places, emotionally, and because Ness draws his characters so realistically, you ride the wave with each of them. The characters here are many and varied. When good they are less than perfect, and when bad they often have redeeming features, or at least hints at them. And there are plenty of characters whom you are not sure whether they are good or bad.
This is a 5* book. It's exceptional. But reading 'The Knife of Never Letting Go' is required beforehand.
Warning: If you haven't read the first book in this trilogy The Knife of Never Letting Go - don't read this, rush out and get a copy Book One, then read the second.
Book two starts immediately where the first left off; teenagers Todd and Viola are pitched into a living hell that doesn't let up for 519 thrilling and chilling pages and it is not for the faint-hearted - there are graphic scenes of torture and manipulation.
Haven turns out to be the exact opposite of what they'd hoped, as the Prentisstown army led by the evil Mayor got there first, and eventually the women led by Mistress Coyne revolt - The battle between them reminds me strangely of the relationship between Sarastro and the Queen of the Night in Mozart's Magic Flute. This show more leads to countless double-crosses and betrayals, yet through it all shines the beacon of Todd and Viola's need for each other. The other key element is the treatment of the native alien, the Spackle. They are literally treated like animals in a concentration camp by the charismatic Fuhrer Prentiss. That's I'm going to say about the plot, to avoid spoiling it for you.
... Yet, the overall feel for me is still that of the Wild West frontier, with the Spackle as the native American Indians. It's Fort Apache meets Gunfight at the OK Corral in a nouveau-Puritan version of Deadwood.
This is a book you'll devour - but it will leave you gnawing with hunger for the third and final installment. I checked out Ness's website, but there are no clues as yet to the title. It'll be out next year - (bites knuckles) I can't wait! show less
Book two starts immediately where the first left off; teenagers Todd and Viola are pitched into a living hell that doesn't let up for 519 thrilling and chilling pages and it is not for the faint-hearted - there are graphic scenes of torture and manipulation.
Haven turns out to be the exact opposite of what they'd hoped, as the Prentisstown army led by the evil Mayor got there first, and eventually the women led by Mistress Coyne revolt - The battle between them reminds me strangely of the relationship between Sarastro and the Queen of the Night in Mozart's Magic Flute. This show more leads to countless double-crosses and betrayals, yet through it all shines the beacon of Todd and Viola's need for each other. The other key element is the treatment of the native alien, the Spackle. They are literally treated like animals in a concentration camp by the charismatic Fuhrer Prentiss. That's I'm going to say about the plot, to avoid spoiling it for you.
... Yet, the overall feel for me is still that of the Wild West frontier, with the Spackle as the native American Indians. It's Fort Apache meets Gunfight at the OK Corral in a nouveau-Puritan version of Deadwood.
This is a book you'll devour - but it will leave you gnawing with hunger for the third and final installment. I checked out Ness's website, but there are no clues as yet to the title. It'll be out next year - (bites knuckles) I can't wait! show less
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Author Information
44+ Works 29,537 Members
Patrick Ness was born on October 17, 1971 near Fort Belvoir, Virginia. He studied English Literature and is a graduate of the University of Southern California. He was a corporate writer before moving to London in 1999. He taught creative writing at Oxford University and is a literary critic and reviewer for the Guardian and other major show more newspapers. He is the author of eight novels including The Rest of Us Just Live Here and a short story collection entitled Topics About Which I Know Nothing. His young adult novels include the Chaos Walking trilogy, More Than This, and Monsters of Men, which won the Carnegie Medal. A Monster Calls won the Kate Greenaway Medal for illustration, the Carnegie Medal, and was made into a movie and released in October 2016. (Bowker Author Biography) show less
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Awards
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Gallimard, Folio SF (493)
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Common Knowledge
- Canonical title
- The Ask and the Answer
- Original title
- The Ask and the Answer
- Original publication date
- 2009-05-04; 2009
- People/Characters
- Todd Hewitt; Viola Eade; Mayor Prentiss; David 'Davy' Prentiss Jr; Mistress Nicola Coyle; Wilf (show all 17); 1017; Angharrad; Ivan Farrow; Con Ledger; Corinne Wyatt; Lee; Magnus; Mistress Lawson; Mistress Braithwaite; Mr Collins; Sergeant Hammar
- Important places
- New Prentisstown, New World
- Epigraph
- Battle not with monsters lest you become a monster and if you gaze into the abyss the abyss gazes into you. Friedrich Nietzsche
- Dedication
- For Patrick Gale
- First words
- "Your Noise reveals you, Todd Hewitt."
- Quotations
- We are the choices we make.
"You are either forgetting or do not know that we already fought a great war, a war to end all wars, at just about the time you would have been born. If any repeat of that can be avoided—" (p. 36)
She looks at me carefully. "Appeasement," she says. "That's what it's called. Appeasement. It's a slippery slope."
"What does it mean?"
"It means you want to work with the enemy. It means you'd... (show all) rather join him than beat him, and it's a sure-fire way to stay beaten."
(p. 153)
"You've got to be practical," Mayor Ledger says, "even in the face of tyrants."
(p. 301)
"I was only following orders," the Mayor mocks. "The refuge of scoundrels since the dawn of time."
(p. 454) - Last words
- (Click to show. Warning: May contain spoilers.)He rubs his hands together and his eyes flash as he says the word. "WAR"
- Blurbers*
- Vendel, Edward van de
- Original language
- Engels; English; English UK
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- Genres
- Teen, Fiction and Literature, Young Adult, Science Fiction
- DDC/MDS
- 813.6 — Literature & rhetoric American literature in English American fiction in English 2000-
- LCC
- PZ7 .N43843 .A — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
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