The Return of the Visible in British Romanticism
by Professor William Galperin
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In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that show more a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema. show lessTags
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- Genres
- Literature Studies and Criticism, Fiction and Literature
- DDC/MDS
- 820.9 — Literature & rhetoric English & Old English literatures English and Old English (Anglo-Saxon) literatures History, description, critical appraisal of works in more than one form
- LCC
- PR457 .G35 — Language and Literature English English Literature By period Modern 19th century
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- Languages
- English
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