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The End of the Line

by Brian Dillon

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The End of the Line: Attitudes to Drawing features 11 internationally acclaimed artists, including Jan Albers, Micha l Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorth y, Sandra V squez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas. Each of these artists treats drawing as a primary means of expression and a practice in its own right. Writer and Cabinet magazine editor Brian Dillon explores these ideas and the context of drawing within contemporary art.… (more)
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The End of the Line: Attitudes to Drawing features 11 internationally acclaimed artists, including Jan Albers, Micha l Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorth y, Sandra V squez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas. Each of these artists treats drawing as a primary means of expression and a practice in its own right. Writer and Cabinet magazine editor Brian Dillon explores these ideas and the context of drawing within contemporary art.

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