Crow Call
by Lois Lowry
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Nine-year-old Liz accompanies the stranger who is her father, just returned from the war, when he goes hunting for crows in Pennsylvania farmland.Tags
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I bought this book solely for the illustrations ......and the illustrations are lovely. I noticed that the Illustrator has dedicated his part of the book to Andrew Wyeth, his favourite American Artist.And there is a touch of Andrew Wyaeth about the illustrations too. Maybe it's the soft muted colours and the woodlands.
But having now read the book, I found myself captivated by the story as well as by the illustrations. It's the story (apparently true) of the author going hunting with her father. And father is recently returned from the war ....it's 1945. And the daughter does not know him...he's a stranger. And some lovely "getting to know you" moments in this little story about going hunting together to kill the crows that eat the show more crops. And summoning up the crows with the wooden "crow-caller"...such power to draw the crows out. But they eventually decline to shoot any crows which is a good outcome for the little girl..the narrator.
Really, a charming book in all ways. And great illustrations ...basically in watercolour with some gouache. Happy to give this little book five stars. show less
But having now read the book, I found myself captivated by the story as well as by the illustrations. It's the story (apparently true) of the author going hunting with her father. And father is recently returned from the war ....it's 1945. And the daughter does not know him...he's a stranger. And some lovely "getting to know you" moments in this little story about going hunting together to kill the crows that eat the show more crops. And summoning up the crows with the wooden "crow-caller"...such power to draw the crows out. But they eventually decline to shoot any crows which is a good outcome for the little girl..the narrator.
Really, a charming book in all ways. And great illustrations ...basically in watercolour with some gouache. Happy to give this little book five stars. show less
The prolific Lois Lowry, two-time winner of the Caldecott Medal for her children's fiction - Number the Stars was chosen in 1990, and The Giver in 1994 - made her picture-book debut with this lovely story from her own childhood, and the result is a distinct triumph! Lizzie, shy at first, spends the day with her father, who has recently returned home from fighting in World War II, and has become a stranger to her. Slowly, over the course of the day - cherry-pie breakfast at the diner, the gentle give-and-take of conversation during their drive, and then their crow hunt - they become acquainted once again. In a poignant moment made all the more moving for its quiet, understated presentation, they share their common experience of fear: the show more father during his wartime experience, Lizzie as she confronts this beloved stranger, with his quiet, and his gun. The gift that Lizzie's father gives her, in the end, is a powerful one, symbolizing his understanding of her needs, and commitment to provide for them. And so none of the crows that she calls into flight, that day, are killed...
A beautiful book that brought tears to my eyes on more than one occasion, Crow Call boasts both a skilfully written text - one that captures each nuance of meaning, each shade of emotion, in the give and take between Lizzie and her father - and gorgeously realized artwork. Bagram Ibatoulline is an illustrator whose work on various fairy-tale adaptations was already well known to me, and I was pleased to see that he handled this realistic story with the same aplomb. The scenes depicted here were gorgeous! The story itself addressed so many important topics - the absence and return of a parent, the reconnection sometimes necessary, even between loved ones, the healing that soldiers and their families need, when returning to civilian life - without ever abandoning its quiet narrative. There's even an old photo of a young Lois Lowry, in the very over-sized men's hunting shirt worn by Lizzie in the story, at the end of the book! Highly, highly recommended, to young readers who appreciate family stories, and for those, young and old, looking for narratives about soldiers returning home. show less
A beautiful book that brought tears to my eyes on more than one occasion, Crow Call boasts both a skilfully written text - one that captures each nuance of meaning, each shade of emotion, in the give and take between Lizzie and her father - and gorgeously realized artwork. Bagram Ibatoulline is an illustrator whose work on various fairy-tale adaptations was already well known to me, and I was pleased to see that he handled this realistic story with the same aplomb. The scenes depicted here were gorgeous! The story itself addressed so many important topics - the absence and return of a parent, the reconnection sometimes necessary, even between loved ones, the healing that soldiers and their families need, when returning to civilian life - without ever abandoning its quiet narrative. There's even an old photo of a young Lois Lowry, in the very over-sized men's hunting shirt worn by Lizzie in the story, at the end of the book! Highly, highly recommended, to young readers who appreciate family stories, and for those, young and old, looking for narratives about soldiers returning home. show less
Occasionally there are children's books that just hit a sweet spot. This one was such a treat and it's hard to even explain why. There are gorgeous illustrations, and a story that's based a the author's real life experiences, but there's no overarching lesson to be learned.
A young girl heads out one morning with her father who has recently returned from World War II. Clad in a big flannel shirt with blonde pigtails,the girl is going crow hunting with her Dad. They stop at a diner for some breakfast and each scene gives us a little more insight into their dynamic.
There's something about the girl that just reminded me of myself when I was little. That tomboyish streak, the desire to be out in nature, I just loved it. Each illustration show more gave an added layer of depth to the story. They represent the budding relationship between the father and daughter, the understanding the find with few words, etc.
I had the opportunity to hear the author, Lois Lowry, speak in 2010. I grew up adoring her books, The Giver and Number the Stars. She spoke about her life and this was one of the books she discussed. She said this happened to her and she'd always wanted to tell the story in some way. I think she certainly did it justice. show less
A young girl heads out one morning with her father who has recently returned from World War II. Clad in a big flannel shirt with blonde pigtails,the girl is going crow hunting with her Dad. They stop at a diner for some breakfast and each scene gives us a little more insight into their dynamic.
There's something about the girl that just reminded me of myself when I was little. That tomboyish streak, the desire to be out in nature, I just loved it. Each illustration show more gave an added layer of depth to the story. They represent the budding relationship between the father and daughter, the understanding the find with few words, etc.
I had the opportunity to hear the author, Lois Lowry, speak in 2010. I grew up adoring her books, The Giver and Number the Stars. She spoke about her life and this was one of the books she discussed. She said this happened to her and she'd always wanted to tell the story in some way. I think she certainly did it justice. show less
I was originally drawn to this book because Lois Lowry wrote it. I love The Giver and thought anything else by her had to be great. The details from the story come from her own life. It is the story of a young girl and her dad who has just returned from WWII. They are strangers but family at the same time. They go crow hunting one morning. The little girl works up the courage to ask her dad if he was afraid during the war. They discuss fears and hunting and life. According to Lowry, we are all trying to understand one another and so this story is a story of all of us.
I think the fact that it isn’t a standard parent child relationship makes this story great. Her dad loves her and that’s clear, but he’s been gone and doesn’t show more really know her. I would love to see the conversations my students would have after this book. I think you could use it to bring up topics surrounding varying family dynamics and relationships with parents show less
I think the fact that it isn’t a standard parent child relationship makes this story great. Her dad loves her and that’s clear, but he’s been gone and doesn’t show more really know her. I would love to see the conversations my students would have after this book. I think you could use it to bring up topics surrounding varying family dynamics and relationships with parents show less
This is another currently relevant book that would be a great resource in a classroom today. It’s about the readjustment of a child to her father who has been away to long at war. The book leads the child from feeling uneasy about a father she really didn’t know to feeling the bond of love that was still lying underneath. I liked how the father stopped for breakfast with her and asked her what her favorite thing to eat was. Her reply was cheery pie, so he let her have cherry pie for breakfast. I liked the symbolism of cheery pie being an all American thing and that he was more interested in building a relationship than proper nutrition. The theme of the book was about the love between a father and his child and developing that show more special bond. I liked this book because I've been in this exact situation so the book really speaks to me. show less
I really enjoyed this book for the way it was written and the relationship between the father and daughter. This book used a lot of descriptive language and I felt like I was in the story. When they were walking through the woods the author describes the air, the feeling of the ground, and the silence around her. The reader can paint a picture in their mind of what is going on without looking at the pictures. The book also compared the characters to crows. Just like the crows cannot recognize their babies when they have grown up, the father does not fully know his daughter because he was away at war. Another aspect I liked was the father-daughter relationship. The main character and her father have a difficult and rather forced show more relationship at first. Eventually the father comes to understand his daughter and they have a great day bonding together. This story had an unexpected ending that develops a good message about family relationships. Instead of the father shooting the crows on the hunt, he understands his daughter’s feelings about killing animals and let’s them go. I think this is a great message for all family members to be more understanding of each other. On the last page, Lois Lowry states that this book was based on true events from her life. show less
I really enjoyed this 1st person narrative by Lois Lowry. "Crow Call," which is a true story describing events from her childhood shows that children and their parents are always searching for a sense of understanding about one another. Lowry uses detailed descriptions and graphic imagery expertly throughout to really make the reader feel like they're there next to her. Her longing for a relationship with her father, who has been off at war, is one that many can relate to. "I sit shyly in the front seat of the car next to the stranger who is my father," this sentence in the beginning really drew me in as I just wanted to know more. Another aspect of this story that I really liked was the quality of the illustrations. They were all very show more life like and accurately portrayed a father and daughter spending quality time together, bonding and getting to know one another. show less
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Marilyn Courtot (Children's Literature)
The story opens with a young girl heading out on a hunting trip with a father she has not seen for some time. He has been off fighting a war and now he is home. Previously when in town, Lizzie had spied a hunting shirt in a store window. It was a beautiful rainbow plaid, but way to big for such a young girl. No matter, her father made the purchase noting show more that she would never outgrow the shirt. They stop at a diner and have cherry pie for breakfast--Lizzie’s favorite thing to eat. They discuss the war and his fears--as well as her fears, in particular going hunting. They discuss the cycle of life and how crows eat the crops to survive. In spite of that Lizzie just doesn’t have it in her heart to hunt them. She uses her crow call and they flock to her and surround her. Lizzie says “They think I’m their friend!” Her father refrains from shooting the crows and leaves that for another day or another hunter. Today, he and his daughter walk hand--in-hand and head back home. The illustration by Ibatoulline are evocative of a frosty autumn morning--soft browns with a sky that is just beginning to light up. The trees bare of leaves and mist rising from the hills add a sense of mystery and fear as the two wait to see if the crows will respond to Lizzie’s call. They are a perfect match for the story. Lowry’s story will resonate today as it did back in 1945 when she went through the experience of reacquainting herself with a father who had recently returned from World War II. Today’s children are separated not only from fathers but mothers who head off to places like Afghanistan and Iraq, risking their lives and then having to come home and try to re-establish relationships with family and life in general. As Lois Lowry says on the closing page “And so this story is not really just my story, but everyone’s.” 2009, Scholastic, $16.99. Ages 7 up. show less
The story opens with a young girl heading out on a hunting trip with a father she has not seen for some time. He has been off fighting a war and now he is home. Previously when in town, Lizzie had spied a hunting shirt in a store window. It was a beautiful rainbow plaid, but way to big for such a young girl. No matter, her father made the purchase noting show more that she would never outgrow the shirt. They stop at a diner and have cherry pie for breakfast--Lizzie’s favorite thing to eat. They discuss the war and his fears--as well as her fears, in particular going hunting. They discuss the cycle of life and how crows eat the crops to survive. In spite of that Lizzie just doesn’t have it in her heart to hunt them. She uses her crow call and they flock to her and surround her. Lizzie says “They think I’m their friend!” Her father refrains from shooting the crows and leaves that for another day or another hunter. Today, he and his daughter walk hand--in-hand and head back home. The illustration by Ibatoulline are evocative of a frosty autumn morning--soft browns with a sky that is just beginning to light up. The trees bare of leaves and mist rising from the hills add a sense of mystery and fear as the two wait to see if the crows will respond to Lizzie’s call. They are a perfect match for the story. Lowry’s story will resonate today as it did back in 1945 when she went through the experience of reacquainting herself with a father who had recently returned from World War II. Today’s children are separated not only from fathers but mothers who head off to places like Afghanistan and Iraq, risking their lives and then having to come home and try to re-establish relationships with family and life in general. As Lois Lowry says on the closing page “And so this story is not really just my story, but everyone’s.” 2009, Scholastic, $16.99. Ages 7 up. show less
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Ilene Cooper (Booklist, Oct. 15, 2009 (Vol. 106, No. 4))
Starred Review* Drawing on a childhood memory, Lowry offers a story where the specific becomes universal. Lizzie’s father is back from the war, and to her, he is almost a stranger. He doesn’t even know how much she loves cherry pie. But he does understand when she picks out an unconventional adult-size hunting shirt, which at least show more she won’t outgrow. One cold morning, Lizzie dons her shirt and goes out with Daddy to hunt crows. Crows eat crops; of that there’s no doubt. Daddy has his shotgun. He’s given Lizzie a crow call so she can gather the birds together in the trees. In a subtle dialogue, Lizzie says things without saying the big thing on her mind: “I wish the crows didn’t eat the crops. . . . They might have babies to take care of.” Not wanting to disappoint her father, Lizzie calls the birds until they fill the sky, and then, after a breathless moment, her father, not wanting to disappoint Lizzie, takes her home. Each frame of the story is captured like an old-time movie in Ibatoulline’s tender watercolor and acrylic gouache artwork. Particularly effective is the double-page spread in which father and daughter walk among the leafless trees on that chilly autumn day, when their “words seemed etched and breakable on the brittle stillness.” In the end, words aren’t needed after all. Grades K-3 show less
Starred Review* Drawing on a childhood memory, Lowry offers a story where the specific becomes universal. Lizzie’s father is back from the war, and to her, he is almost a stranger. He doesn’t even know how much she loves cherry pie. But he does understand when she picks out an unconventional adult-size hunting shirt, which at least show more she won’t outgrow. One cold morning, Lizzie dons her shirt and goes out with Daddy to hunt crows. Crows eat crops; of that there’s no doubt. Daddy has his shotgun. He’s given Lizzie a crow call so she can gather the birds together in the trees. In a subtle dialogue, Lizzie says things without saying the big thing on her mind: “I wish the crows didn’t eat the crops. . . . They might have babies to take care of.” Not wanting to disappoint her father, Lizzie calls the birds until they fill the sky, and then, after a breathless moment, her father, not wanting to disappoint Lizzie, takes her home. Each frame of the story is captured like an old-time movie in Ibatoulline’s tender watercolor and acrylic gouache artwork. Particularly effective is the double-page spread in which father and daughter walk among the leafless trees on that chilly autumn day, when their “words seemed etched and breakable on the brittle stillness.” In the end, words aren’t needed after all. Grades K-3 show less
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Children's Books about World War II (1939-1945)
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Picture Books About States
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Author Information

100+ Works 118,429 Members
Lois Lowry (nee Lois Ann Hammersberg) was born on March 20, 1937, in Honolulu, Hawaii. She was educated at both Brown University and the University of Southern Maine. Before becoming an author, she worked as a photographer and a freelance journalist. Her first book, A Summer to Die, was published in 1977. Since then she has written over 30 books show more for young adults including Gathering Blue, Messenger, the Anastasia Krupnik series, and Son. She has received numerous awards including: The New York Times Best Seller,the International Reading Association's Children's Literature Award, the American Library Association Notable Book Award Citation and two Newberry Medals for Number the Stars in 1990, and The Giver in 1993. She was also awarded an honorary Doctorate of Letters by Brown University in 2014. The Giver is part of a Quartet of books; it is the first book, followed by Gathering Blue, messenger and Son. The Giver has been met with a diversity of reactions from schools in America, some of which have adopted it as a part of the mandatory curriculum, while others have prohibited the book's inclusion in classroom studies. It was also made into a feature film of the same name released in 2014. Lois Lowry also made the Hans Christian Andersen Awards 2016 finalists in the author category. (Bowker Author Biography) show less
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Common Knowledge
- Original publication date
- 2009
- Important places
- Kronenberg Store
- Important events
- World War II, American Home Front
- Dedication
- For my brother, Jon, and in temory of my sister, Helen--L.L.
In memory of Andrew Wyeth, my favorite American artist--B.I. - First words
- It's morning, early, barely light., cold for November.
- Last words
- (Click to show. Warning: May contain spoilers.)Then I put it into the pocket of my shirt and reach over, out of my enormous cuff, and take my father's hand.
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