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In If It Is Sweet, precisely etched characters collide, the blind suddenly seeing the blind. Mridula Koshy plumbs the chasms across which they stare, asking the question: what is it people see when they see one another? Her characters are proximate, though from vastly different class backgrounds. Servants and mistresses. Middle-class insomniacs wandering the same footpaths on which labourers wake to care for their sleepless infants. An old man, his maid, and a koodawallah, and a conversation that ends in both insight and blindness. If It is Sweet does not set out to transport the reader to another world. It is one rooted in an unsettled world.