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What happens when a love story has an infinite number of possible endings? What if a computer re-sorts a novel so that no copy is the same? A radical assault upon the novel from one of Italy's most radical artists. The story involves two lovers, there is disruption on the streets of Milan, protesters by Porta Ticinese. Can they escape and be together? How will events change their destiny? In Tristano, Nanni Balestrini brilliantly experiments with form and storytelling to create a new type of show more novel in which technology, author and the reader themselves collaborate to create the narrative. Constructed of ten chapters, each consisting of twenty texts taken from guidebooks, atlases, newspapers and fiction, each printed edition of the novel is ordered uniquely. 'Goodbye Gutenberg. Many alternative ways of spreading the adventure of literature are emerging. This exercise by Balestrini is absolutely central.' La Stampa 'Finally the historical impasse between literature and new media ... turns into an opportunity to create something radically new.' Il Sole 24 Ore 'Balestrini has created with Tristano a kind of poetry of the language ... promoting language to the role of protagonist, that is of hero, and where in traditional novels language voices the hero's thoughts and actions, in this new Tristano language voices itself and celebrates its wide number of opportunities and movements.' L'Unita show less

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56 works; 12 members

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56+ Works 744 Members

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Genres
Fiction and Literature, General Fiction, Romance
DDC/MDS
853.914Literature & rhetoricItalian, Romanian & related literaturesItalian fiction1900-20th Century1945-1999
LCC
PQ4862 .A37 .T713Language and LiteratureFrench, Italian, Spanish and Portuguese literaturesItalian literatureIndividual authors, 1961-2000
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Members
87
Popularity
367,852
Rating
(3.17)
Languages
English, German, Italian
Media
Paper
ISBNs
3
ASINs
1