The Castle of Indolence: On Poetry, Poets, and Poetasters
by Thomas M. Disch
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I love Disch's writing on pretty much any subject. My enjoyment of this volume of his critical writing on poetry was slightly hindered by a few things: 1. I've read almost none of the work he's discussing— although that's also a good thing, because now I have a reading list. 2. It's very much a "here's a collection of reviews I wrote" kind of thing, with no particular structure or through-line as there is in, for instance, The Dreams Our Stuff Is Made Of. That means that some potentially interesting ideas, such as his take on writing workshops, are both repeated and under-explained. (In the case of the workshop thing, most of the repetitions are just drive-by sneers, but when he gets around to clarifying it's a little more nuanced: he show more thinks that even if workshops don't produce good poets, they're still worth doing because practicing any kind of writing and editing is good for people.) 3. I don't so much mind his occasional lapse into personal put-downs, but there's something disingenuous about it when, at the end, he claims not to understand why people took them as put-downs. (It reminded me of when I first became aware of Disch: his hilariously dismissive afterword to Philip K. Dick's The Penultimate Truth, which somehow managed to read like an appreciation and a hatchet job at the same time.)
Anyway, regardless of what you think about those things, this is totally worth reading just for the respectful but playful joy that comes through whenever he's writing about something he really liked. show less
Anyway, regardless of what you think about those things, this is totally worth reading just for the respectful but playful joy that comes through whenever he's writing about something he really liked. show less
Many great observations. Style is relatively witty, very erudite. A fair amount of repetition as the book is an assemblage primarily of previously published essays on poetry. The overall impact of the book is diminished by this fact.
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Thomas Disch was a popular & prolific poet, playwright, essayist, & novelist. He is the author of many works of science fiction & the poetry collections "Dark verses & Light" & "Yes, Let's: New & Selected Poems". (Publisher Provided) Thomas M. Disch was born in Des Moines, Iowa on February 2, 1940. He dropped out of the architecture program at show more Cooper Union, and then left New York University after he sold a short story entitled The Double Timer. His first novel, The Genocides, was published in 1965. His other novels include The House That Fear Built, 334, The M.D., The Priest, The Word of God: Or, Holy Writ Rewritten, and Clara Reeve written under the pseudonym Leonie Hargreave. He won several awards including the 1969 Ditmar Award for Camp Concentration, the O. Henry Award in 1975 for Getting into Death and in 1977 for Xmas, the 1980 John W. Campbell, Jr. Memorial Award for On Wings of Song, and the 1981 British Science Fiction Award for The Brave Little Toaster: A Bedtime Story for Small Appliances. He was also wrote poetry, opera librettos, plays, and criticism of theater, films and art. His collections of poetry include Here I Am, There You Are, Where Are We; The Dark Old House; Yes, Let's: New and Selected Poetry; and Dark Verses and Light. He won the 1999 biennial Michael Braude Award for Light Poetry for A Child's Garden of Grammar, the Locus and Hugo Awards for 1999 for The Dreams Our Stuff is Made Of: How Science Fiction Conquered the World, and the Puschcart Prize for The First Annual Performance Art Festival at Slaughter Rock Battlefield. His criticism appeared in several publications including The Nation, The New York Daily News, and The New York Sun. In 1987, he wrote a script for the television series Miami Vice. He shot himself on July 4, 2008 at the age of 68. (Bowker Author Biography) show less
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- Original publication date
- 1995
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