The Plain Dealer

by William Wycherley

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William Wycherley (1640-1716) was an English dramatist of the Restoration period. He was born at Clive, Shropshire near Shrewsbury. He spent his early years in France, where he was sent, at fifteen, to be educated in the heart of the "precious" circle on the banks of the Charente. While staying there, Wycherley converted to Roman Catholicism. He returned to England shortly before the restoration of King Charles II, and lived at Queen's College, Oxford. Pleasure and the stage were his only show more interests. His play Love in a Wood was produced early in 1671 at the Theatre Royal, Drury Lane, but was published the next year. It is, however, on his two last comedies -The Country Wife and The Plain Dealer- that Wycherley's fame rests. The Country Wife, produced in 1672 or 1673 and published in 1675, is full of wit, ingenuity, high spirits and conventional humour. show less

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This is a later Restoration play, and not one of my favorites. I've read others by Wycherly, such as the Country Wife, that I remember liking much better than this one. It's the man tests woman by leaving her lots of money while he's gone to fight a war (or whatever) type of play. But it's a highly cynical twist on that typical formula. Everyone is corrupt, and everything goes wrong, quite quickly.

I initially liked the fact that it was a twist on this stock story, but I found it poorly written. I love the intricate, elaborate language of restoration comedies, but this play's writing is just tortured and confused. And, what's worse, neither witty nor funny. There are lots and lots of insults and sketches of various "types" that the hero, show more Manly, hates, but they're just the typical sorts of insults (lawyers are bloodsuckers and liars, woman are inconstant, courtiers are flatters, wits are simply insultmongers) you find anywhere, with no imagination to gild them.

And the twist itself (that Olivia, the tested woman) is just a money-hungry seducer just really doesn't strike me as a clever subversion of the genre. Wycherly adds a single decent woman to the play, in the form of the breeches part Fidelia, who follows Manly around as he moons over and tries to be revenged on, Olivia. She's such a poorly drawn character, however, that the miraculous "happy" ending does little to save the play from feeling mysogynistic and bitter. The subplot in which Manly's friend tries to blackmail a pettifogging widow into marrying him is even less likely to arouse any sort of sympathy, in my opinion.

I know, the Restoration was a cynical time, but the better plays at least have some sort of spark to them--wit, sparkling language...something.
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Wycherley is best known for his dark comedy, which is strong, ironic, and complex. The character of Manly in The Plain Dealer (1677) was taken to be a portrait of the author, although Manly is clearly based on Alceste in Moliere's Misanthrope. The Country Wife (1675), Wycherley's most popular play, has a cynical vitality. Taking a hint from a show more comedy by Terence, Horner pretends that he is impotent in order to have his way with the ladies, but his success does little to please him. The play demonstrates curious contrasts between truth-speakers and feigners, neither of which can be classified as entirely good or bad. Wycherley's other comedies are Love in a Wood (1671) and The Gentleman Dancing Master (1673). (Bowker Author Biography) show less

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Original publication date
1676

Classifications

Genre
Fiction and Literature
DDC/MDS
822.4Literature & rhetoricEnglish & Old English literaturesEnglish drama1625-1702 Post-Elizabethan
LCC
PR3774 .P5Language and LiteratureEnglishEnglish Literature17th and 18th centuries (1640-1770)
BISAC

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64
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486,825
Reviews
1
Rating
(2.90)
Languages
English
Media
Paper, Ebook
ISBNs
12