The Unhandsome Prince

by John Moore

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The author of Slay and Rescue turns the romantic fairy tale of the Frog Prince on its head in this comic fantasy adventure. Caroline's plan to live happily ever after has hit a snag. She's spent months mapping the swamp, building tadpole nets, and kissing every wriggling frog she could get her hands on, and one has finally turned into a prince. Unfortunately, Prince Hal is not, as promised in the fairy tales, particularly handsome. In fact, he's kind of dorky-looking. Hal himself isn't very show more eager to marry a girl so obsessed with appearances, but he finds that a lot of people have a stake in his impending nuptials--including a sorceress in training, an irritating dwarf, and Hal's own royal family, who seem to have misplaced large portions of the treasury. But the biggest reason for him to marry Caroline, true love be darned, is that if he doesn't, it's back to the lily pads for him--permanently . . . Praise for The Unhandsome Prince "Moore has a twisted take on fairytale cliches, which makes his work fun, unpredictable and a light-hearted read. The characters may seem like fairytale archetypes but they transcend the genre, coming close to broad winks at the reader without going over the line, even as the story accelerates steadily toward a satisfying (and, naturally, romantic) conclusion." --SFRevu "The plotting is solid, the pacing is pitch-perfect, and the heroes even more warm and likeable than they were in Heroics for Beginners." --SF Reviews "In this clever twist on the old fairy tale, Moore combines elements of The Frog Prince, Rapunzel, and Rumpelstiltskin into a fresh, modern whole." --RT Book Reviews show less

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Caramellunacy Similar sort of twisted or fractured fairy tales.

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3 reviews
This book is billed as a spoof on fairy tales, and it is certainly that. The humor sucked me in, but oddly enough, I found I was disappointed when it was over, not so much because the jokes were done, but because I liked the characters enough. I say "oddly enough" because the interest of most humor writing is not characters. After reading "Hitchhikers Guide to the Galaxy," for example, when you stop laughing, you don't particularly want to pal around with Arthur or Ford; but you might, with Caroline, Emily, and Hal in this book. At least I felt that way.

I think the reason is that, silliness aside, you find that the main characters are in fact quite admirably moral: the kind of people you really want good things to happen to.

As other show more reviewers have noted, some of the humor is a bit dark, but not all of it. And even in the dark parts, where the characters are making questionable moral choices, one can still see why someone might actually do that without being evil at the core. Fortunately, that was only a relatively minor part of the plot. show less
Handsome is as handsome does.
Surprisingly entertaining, but definitely YA, no younger, thus points subtracted for the childish cover. Characters do wrestle with their choices, but still in a stylized fashion. It’s a fascinating mix of fairy tale tropes and modern sensibilities and realities. Thus, when Caroline, after methodically sifting the swamp for 7 weeks and finally finding the correct frog, has an unhandsome prince, she threatens to sue the estate of the sorceress who spelled him.
Particularly good bits with the philosopher’s stone, which endows the holder with certain thoughts, and with Bungee, the city’s most respected sorcerer.
Prince Jeff rivals Price Hal as my favorite. He specializes in honorable actions in the everyday show more world. show less
½
This is the first book I’ve read by John Moore, and had actually stumbled upon it by accident, though am glad to say that I did find it.

It starts out with a young girl kissing frogs in order to find the one that transforms into a handsome prince. Though, as I’m sure you can guess from the title, the prince isn’t exactly what one would call handsome. In fact, he’s what one would call rather geeky. (Not that geeky is a bad thing at all. Not at all.)

I found the narration to be very witty and the characters extremely sarcastic. While it was completely predictable, it didn’t change the fact that the book was exciting and kept me reading. The only real thing that didn’t seem to sit too well with me in regards to the characters in show more this book was that they were using phrases from modern culture when it was supposed to take place back in the day. (Could you imagine a fairy tale prince’s older brother talking about getting himself a piece of ass? No, I didn’t think so.)

I found the last two chapters to be very rushed, however. It seemed as if Moore had just thrown them together at the last moment instead of taking the time to actually write what was happening. It had the feeling that after the big climax, he just went right to an epilogue and explained what happened in the next few weeks. As well, it left a loose end or two – he mentioned something about how the spell around the prince which caused him to be a frog didn’t have the feel of magic to it, so therefore it couldn’t be magic, but didn’t explain anything further, which I have to admit, am curious to see what the magic going on in the story actually was.

All in all, though, I always really enjoy books that take a number of fairy tales and tell a story revolving around them, and have a feeling I will be looking into Moore’s other books, in the case that they are as enjoyable as this one was.
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People/Characters
Caroline; Prince Hal; Rumpelstiltskin; Emily; Prince Jeffrey; Bungee the Sorcerer
Quotations
“Turning flax into gold isn’t really magic. It’s alchemy. See, magic is symbolic, but alchemy is allegorical.”
”What’s the difference?”
”Actually I’m not sure.”
Bungee pushed back the sleeves of his robe and stared nearsightedly at a brazier. He sprinkled a pinch of black powder over the coals, then nodded approvingly as a thin sheen of blue flame appeared and spread itself across th... (show all)e fuel. Over it he placed a small caldron of black iron. When the liquid inside began to bubble and roil, he stirred in two measures of finely ground gray leaves and watched with satisfaction as the water turned a deep orange-red.
”You don’t mind making the tea, I hope.”
Copper bowls and stoneware pestles were neatly stacked and arranged according to size. Pinned to the wall was a Periodic Table of the Elements, showing all four of them – earth, fire, wind and water.
Without warning he suddenly switched to Chaldean. (In the same way that Latin was the lingua franca of priests and scholars, Chaldean, the ancient tongue of Babylonia, was the language of sorcerers.)
“She was ahead of us in so many ways. Calling forth spirits from the darkness, for example. Sure, we can all communicate with the other side, one way or another, but only Amanda could do it for forty percent off the stand... (show all)ard rates.”
”She saved even more on evenings and weekends.”

Classifications

Genres
Fiction and Literature, Fantasy
DDC/MDS
813Literature & rhetoricAmerican literature in EnglishAmerican fiction in English
LCC
PS3563 .O619 .U5Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

Statistics

Members
323
Popularity
98,162
Reviews
3
Rating
½ (3.55)
Languages
Czech, English
Media
Paper, Audiobook, Ebook
ISBNs
5
ASINs
4