A Descent into the Maelström [short story]
by Edgar Allan Poe
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A Descent Into The Maelstrom is a short story by Edgar Allan Poe that first appeared in the May 1841 edition of Graham's Magazine. In the tale, a man recounts how he survived a shipwreck and a whirlpool. It has been grouped with Poe's tales of ratiocination and also labeled an early form of science fiction.Tags
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A fascinating tale of a man's near-death experience in a giant maelstrom or whirlpool at sea.
A man on a ship is being sucked slowly toward a massive whirling pool of water. The bottom equals death and there's no way out. So how does he respond? At first, he gives himself over to his fate. He knows he's doomed. But in a way this is liberating. He "became possessed with the keenest curiosity" about the whirlpool and "positively felt a wish to explore its depths, even at the sacrifice I was going to make." His principal grief? Not his own impending death but rather "that I should never be able to tell my old companions on shore about the mysteries I should see."
But once he slides into the whirlpool itself and begins whirling round and show more round its sides, getting ever lower to the bottom (and death), his reaction changes. Like in The Pit and the Pendulum, he begins to try to measure his predicament, seeing all "the numerous things that floated in our company" and seeking "amusement in speculating upon the relative velocities of their several descents toward the foam below." He then makes an observation that cylinders seem to descend most slowly, so he lashes himself to a water barrel and dives overboard to save himself.
But he's not just a rational scientist here. What's striking, throughout, is his appreciation not only of the terror of the maelstrom but of it's sublime beauty. The sides of the funnel are "perfectly smooth" and "might have been mistaken for ebony, but for the bewildering rapidity with which they spun around, and for the gleaming and ghastly radiance they shot forth, as the rays of the full moon...." And when the rays of the moon do reach the bottom he sees a thick mist "over which there hung a magnificent rainbow...." So he's drawn to this place much like Poe's narrators elsewhere are drawn to death: there's a fascination and even a beauty amid the horror that Poe is always keenly attuned to and that serves to elevate many of his tales. show less
A man on a ship is being sucked slowly toward a massive whirling pool of water. The bottom equals death and there's no way out. So how does he respond? At first, he gives himself over to his fate. He knows he's doomed. But in a way this is liberating. He "became possessed with the keenest curiosity" about the whirlpool and "positively felt a wish to explore its depths, even at the sacrifice I was going to make." His principal grief? Not his own impending death but rather "that I should never be able to tell my old companions on shore about the mysteries I should see."
But once he slides into the whirlpool itself and begins whirling round and show more round its sides, getting ever lower to the bottom (and death), his reaction changes. Like in The Pit and the Pendulum, he begins to try to measure his predicament, seeing all "the numerous things that floated in our company" and seeking "amusement in speculating upon the relative velocities of their several descents toward the foam below." He then makes an observation that cylinders seem to descend most slowly, so he lashes himself to a water barrel and dives overboard to save himself.
But he's not just a rational scientist here. What's striking, throughout, is his appreciation not only of the terror of the maelstrom but of it's sublime beauty. The sides of the funnel are "perfectly smooth" and "might have been mistaken for ebony, but for the bewildering rapidity with which they spun around, and for the gleaming and ghastly radiance they shot forth, as the rays of the full moon...." And when the rays of the moon do reach the bottom he sees a thick mist "over which there hung a magnificent rainbow...." So he's drawn to this place much like Poe's narrators elsewhere are drawn to death: there's a fascination and even a beauty amid the horror that Poe is always keenly attuned to and that serves to elevate many of his tales. show less
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Nawakum Press: A DESCENT INTO THE MAELSTRÖM in Fine Press Forum (November 2022)
THE DEEP ONES: "A Descent into the Maelstrom" by Edgar Allan Poe in The Weird Tradition (August 2019)
Author Information

3,811+ Works 107,502 Members
Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809. In 1827, he enlisted in the United States Army and his first collection of poems, Tamerlane and Other Poems, was published. In 1835, he became the editor of the Southern Literary Messenger. Over the next ten years, Poe would edit a number of literary journals including the show more Burton's Gentleman's Magazine and Graham's Magazine in Philadelphia and the Broadway Journal in New York City. It was during these years that he established himself as a poet, a short story writer, and an editor. His works include The Fall of the House of Usher, The Tell-Tale Heart, The Murders in the Rue Morgue, The Mystery of Marie Roget, A Descent into the Maelstrom, The Masque of the Red Death, and The Raven. He struggle with depression and alcoholism his entire life and died on October 7, 1849 at the age of 40. (Bowker Author Biography) show less
Some Editions
Series
Belongs to Publisher Series
Work Relationships
Is contained in
A Descent into the Maelstrom / The Fall of the House of Usher / The Pit and the Pendulum by Edgar Allan Poe
Edgar Allan Poe: Collected Stories and Poems (Collector's Library Editions) by Edgar Allan Poe (indirect)
The Fall Of The House Of Usher: And Other Tales And Prose Writings of Edgar Allan Poe by Edgar Allan Poe
The Works of Edgar Allen Poe in One Volume: Poems, Tales, Essays, Criticisms with New Notes by Edgar Allan Poe
The annotated tales of Edgar Allan Poe edited with an introduction, notes, and a bibliography by Edgar Allan Poe
The Complete Tales of Mystery and Imagination; The Narrative of Arthur Gordon Pym; The Raven and Other Poems by Edgar Allan Poe (indirect)
Inspired
Common Knowledge
- Canonical title
- A Descent into the Maelström [short story]
- Original title
- A Descent into the Maelström [short story]
- Alternate titles
- The Maelström [short fiction]
- Original publication date
- 1841-04
- Important places
- Lofgren, Nordland, Norway; Nordland, Norway
- Epigraph
- Die Wege Gottes in der Natur wie in den Anordnungen der Vorsehung sind nicht unsere Wege; und die Vorstellungen, die wir uns bilden, entsprechen keineswegs der Großartigkeit, Unermeßlichkeit und Unerforschlichkeit seiner... (show all) Werke, welche eine Tiefe in sich haben, die großartiger ist als der Brunnen des Demokritos.
Joseph Glanville
The ways of God in Nature, as in Providence, are not as our ways; nor are the models that we frame in any way commensurate to the vastness, profundity, and unsearchableness of His works, which have a depth in them greater ... (show all)than the well of Democritus.
Joseph Glanville - First words
- Wir hatten jetzt den Gipfel der höchsten Felsenklippe erreicht.
We had. now reached the summit of the loftiest crag. - Last words
- (Click to show. Warning: May contain spoilers.)Nun habe ich sie auch Ihnen erzählt und kann erwarten, daß sie diesselbe für wahrhaftig halten, als die zweifelsüchtigen Fischer von Lofodden.
(Click to show. Warning: May contain spoilers.)I now tell it to you--and I can scarcely expect you to put more faith in it than did the merry fishermen of Lofoden. - Original language*
- Englisch
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
- Genres
- Fiction and Literature, General Fiction, Horror, Science Fiction
- DDC/MDS
- 813.3 — Literature & rhetoric American literature in English American fiction in English Middle 19th Century 1830-1861
- LCC
- PS2618 .D47 — Language and Literature American literature American literature Individual authors 19th century
- BISAC
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