Eleven Sooty Dreams could also have been calledMeeting at Bolcho Pride, orFire Deep Down Below, orStation in the Heart of the Flames, orGranny Holgolde's Stories, orThe Liars' Bridge, orEve of Battle After the Defeat, orNever Without My Embers, orGood-Bye to Death, orFire Stories, orTerminal Childhoods, orGranny Holgolde's Childish Sickness, orEven the Nursing Home Is in the Line of Fire. In Manuela Draeger's poetic 'post-exotic' novel, a group of young leftists trapped in a burning building after one year's Bolcho Pride parade plunge back into their childhood memories, trading them with each other as their lives are engulfed in flames. They remember Granny Holgolde's stories of the elephant Marta Ashkarot as she travels through the Bardo, to find her home and be reincarnated again and again. They remember the Soviet folk singer Lyudmila Zykina and her melancholic, simple songs of unspeakable beauty. They remember the half-human birds Granny Holgolde called strange cormorants, the ones who knew how to live in fire, secrecy, and death, and as the flames get higher they hope to become them. Draeger, a heteronym for the acclaimed French writer Antoine Volodine, and a librarian in a dystopic prison camp, gives post-exoticism an element of tenderness, and a sense of nostalgia for children's tales, that is far less visible in the other authors' works.Eleven Sooty Dreams is her first book written for adults, a moving story of the constancy of brotherly, loving faithfulness.