Truus Matti

This novel, set in New York City, opens and closes in March 1945 with Linus, in his new shoes, distracted enough by a familiar image in a poster to attend the art show it advertises. The narrative then moves to September 1943 where we learn that Linus's older brother, Albie, is off to war in new boots, leaving a cascade of hand-me-down shoes for his younger siblings to grow into. Linus, who promises to mind Albie's comic books while he fulfills his superhero-like soldier role, develops a show more superhero of his own ("Mr. Superspeed") who serves as a sort of guide until Linus's dawning realization, based on Albie's letters home and losses suffered by neighbors, of the truth about war.

In addition to minding the comic books, Linus takes over Albie's delivery route for his family's market, including managing the elderly Mrs. de Winter's senescent searches for her keys, as well as taking a bi-weekly crate of oranges to an elderly artist, whom Linus dubs "Mr. Orange" because he can't recall Piet Mondrian's name. When he leaves after an inspiring visit with Mr. Orange (who lives in a white apartment he decorates by moving and changing colored squares), Linus "moved slowly because his head felt so heavy with all the things he'd just seen and heard. He didn't want all of his new thoughts to get all tangled up. He wanted to hang on to them so that he could take them out later and explore them from lots of different angles." (p.64) In addition to work at the store, Linus experiences the usual ups and downs of school and friendship, punctuated by the profound anticipation of letters from his brother, read at the table by his father, who edits the content for the younger children.

It is through these letters, his changing relationships, and his brief friendship with Mr. Orange, whose boat he learns crossed Albie's when the artist fled occupied Holland, that Linus grows in his perception of war's brutality and in his ability to transcend despair and envision a peaceful future. And, in the closing section of the book which brackets the opening, set in 1945, we see Linus learn a little more about art, color and imagination from the work and memory of his old friend, Mr. Orange.

Backmatter provides lots of information about life in New York, boogie-woogie (a favorite of Mondrian's), and the artist Mondrian himself. Overall, the writing, historical veracity and translation are excellent. Highly recommended for readers who enjoy a bit of art history (a la Konigsburg) or who might benefit from a different take on World War II or who just want to read a satisfying coming-of-age story. This could be paired with Konigsburg's "The Mysterious Edge of the Heroic World." show less

This novel, set in New York City, opens and closes in March 1945 with Linus, in his new shoes, distracted enough by a familiar image in a poster to attend the art show it advertises. The narrative then moves to September 1943 where we learn that Linus's older brother, Albie, is off to war in new boots, leaving a cascade of hand-me-down shoes for his younger siblings to grow into. Linus, who promises to mind Albie's comic books while he fulfills his superhero-like soldier role, develops a show more superhero of his own ("Mr. Superspeed") who serves as a sort of guide until Linus's dawning realization, based on Albie's letters home and losses suffered by neighbors, of the truth about war.

In addition to minding the comic books, Linus takes over Albie's delivery route for his family's market, including managing the elderly Mrs. de Winter's senescent searches for her keys, as well as taking a bi-weekly crate of oranges to an elderly artist, whom Linus dubs "Mr. Orange" because he can't recall Piet Mondrian's name. When he leaves after an inspiring visit with Mr. Orange (who lives in a white apartment he decorates by moving and changing colored squares), Linus "moved slowly because his head felt so heavy with all the things he'd just seen and heard. He didn't want all of his new thoughts to get all tangled up. He wanted to hang on to them so that he could take them out later and explore them from lots of different angles." (p.64) In addition to work at the store, Linus experiences the usual ups and downs of school and friendship, punctuated by the profound anticipation of letters from his brother, read at the table by his father, who edits the content for the younger children.

It is through these letters, his changing relationships, and his brief friendship with Mr. Orange, whose boat he learns crossed Albie's when the artist fled occupied Holland, that Linus grows in his perception of war's brutality and in his ability to transcend despair and envision a peaceful future. And, in the closing section of the book which brackets the opening, set in 1945, we see Linus learn a little more about art, color and imagination from the work and memory of his old friend, Mr. Orange.

Backmatter provides lots of information about life in New York, boogie-woogie (a favorite of Mondrian's), and the artist Mondrian himself. Overall, the writing, historical veracity and translation are excellent. Highly recommended for readers who enjoy a bit of art history (a la Konigsburg) or who might benefit from a different take on World War II or who just want to read a satisfying coming-of-age story. This could be paired with Konigsburg's "The Mysterious Edge of the Heroic World." show less

It's 1943 and Linus' oldest brother, Albert, is going to war. Everything is new and hopeful, from the new shoes handed down to Albie's younger brothers to Linus' new job as delivery boy. He has Albie's superhero, Mister Superspeed, his best friend Liam, and unbounded confidence. When he meets a new customer, Mister Orange, who has a whole new way of looking at art and the world, he's on top of the world.

But the realities of war intrude and Linus realizes that being grown-up isn't as easy or show more simple as he thought. What difference does Mister Orange's art or Albie's imagination in his superhero drawings make? Could they have made things worse? With some help from Mister Orange, Linus regains his hope for the future, although he's lost his naivety and childhood innocence.

This is different from any other historical fiction title about World War II that I've read. It focuses on both the art and vision of Mr. Orange (Piet Mondrian) and the inner imaginative life of Linus as he grows up. Linus' interactions with his family, Mondrian, and friends are interspersed with dreams and daydreams about Mister Superspeed. It's very introspective, focusing on how Mondrian thinks his art envisions the future and how Linus interacts with that art and it becomes part of his new maturity. End notes about Mondrian and his life and work are included.

Verdict: This isn't going to be of interest to most middle grade readers. It presupposed a certain amount of contextual knowledge of life in New York during World War II and the story moves at a slow, steady pace. Most kids are going to want stories with more action and less inner thought. However, for the thoughtful child and those who like historical fiction, this would be a good choice. It's not something I'd add to my small library, but would definitely be a good purchase for a larger library with more space and variety.

ISBN: 9781592701230; Published January 2013 by Enchanted Lion; Galley provided by publisher for review; Added to summer reading prizes. show less

Alternating chapters take the reader from the present, where a young girl is trying to cope with losing her father and her guilt about sending an angry letter to him just before his accidental death, to a story that the two had been writing together. The story, about a girl who has lost her memory and finds herself in a hotel that is deserted except for two animal proprietors, is interesting, intriguing, and gentle. There's a lot to puzzle over and the author does a good job of bringing the show more two parts of the book together in the end. So while it is yet another book about the death of a parent, it is handled in a new way and the embedded story feels like it's not about death at all until the very end. I thought it was very well done. show less