Picture of author.

Franz Grillparzer (1791–1872)

Author of The Poor Fiddler

174+ Works 1,165 Members 8 Reviews 4 Favorited

About the Author

Grillparzer was the first Austrian writer to achieve international standing. He was born and lived in Vienna, where music was all important and literature was strictly controlled by the church and the imperial court. His career as a playwright and as a minor government official was beset by show more difficulty. His plays repeatedly state his personal conviction that to be involved in love or in political power is to invite disaster. He never married his fiance, though he never released her from their betrothal, and died her lodger. An ardent patriot, he sought to glorify Austria in his historical plays but met with censorship from Prince Metternich's government. After the failure of his play Weh Dem, Der Lugt (Thou Shalt Not Lie) in 1838, he permitted no new play to be performed or published, though he continued to write for more than 30 years. (Bowker Author Biography) show less
Image credit: Franz Grillparzer (1791-1872)

Series

Works by Franz Grillparzer

The Poor Fiddler (1847) — Author — 224 copies, 6 reviews
King Ottokar's fortune and end (1825) — Author — 89 copies
Weh dem, der lügt (1838) — Author; Text — 88 copies
Sappho (1975) — Author — 76 copies
Der Traum ein Leben (1834) — Author — 69 copies
Medea (1966) — Author — 54 copies
Family Strife in Hapsburg (1872) — Author — 52 copies
The Golden Fleece (1995) — Author — 52 copies
Waves of the sea and of love (1986) 50 copies, 1 review
The Jewess of Toledo (1964) — Author — 31 copies, 1 review
The ancestress (2004) — Author — 27 copies
Libussa. (1900) — Author — 26 copies
Das Kloster bei Sendomir : Der arme Spielmann (1978) — Author — 21 copies
Das Kloster bei Sendomir (1986) — Author — 19 copies
Ein treuer Diener seines Herrn (1996) — Author — 13 copies
Plays on classic themes (1969) 7 copies
Selbstbiographie (1872) 6 copies
Erinnerungen an Beethoven (2012) 5 copies
Dramen: 1817-1828 (1986) — Author — 4 copies
Werke. Bd. 1. Dramen (1981) 4 copies
Gedichte (1998) 4 copies
Grillparzers Werke : in 3 Bänden (1990) — Author — 4 copies
Werke (1981) 3 copies
Esther (2018) — Author — 3 copies
Beethoven (1995) 3 copies
Sappho + Waves of the sea and of love (1965) — Author — 2 copies
Ausgewählte Werke (1962) 2 copies
Die Argonauten (2021) — Author — 2 copies
Grillparzer's Werke; Erster Band (1903) — Author — 2 copies
Grillparzer's Werke; Fünfter Band (1903) — Author — 2 copies
Werke : in 3 Bänden (1980) 2 copies
Teatro (1993) 1 copy
Griechen-Dramen (1946) 1 copy
Esther / Hannibal und Scipio — Author — 1 copy
Tagebücher (2009) 1 copy
Teatro (1983) 1 copy
Franz Grillparzer (1991) 1 copy
The golden fleece + Sappho (1903) — Author — 1 copy
The ancestress + Sappho — Author — 1 copy
Werke in Zwei Bänden (1950) 1 copy
Werke in vier Bänden (1984) 1 copy

Associated Works

Deutsche Gedichte (1966) — Contributor, some editions — 137 copies
Five German Tragedies (1969) — Author — 35 copies
Medea. Variazioni sul mito (2003) — Author — 16 copies, 1 review
Tyskland forteller : tyske noveller (1972) — Contributor — 12 copies
Verhalen uit de Duitse romantiek (1982) — Author, some editions — 8 copies
Deutsche Novellen von Tieck bis Hauptmann — Contributor — 8 copies
Selected Austrian short stories (1971) — Contributor — 2 copies
Auswahl aus der deutschen Literatur (1913) — Contributor — 2 copies
Beethoven : Fidelio : 2024/25 [programme] (2024) — Quotation — 1 copy
Deutsche Erzählungen (1957) — Contributor — 1 copy
Am Borne deutscher Dichtung (1927) — Contributor — 1 copy
Christmas Short Works Collection 2014 (2014) — Contributor — 1 copy

Tagged

Common Knowledge

Members

Reviews

15 reviews
Grillparzer (1791-1872) is perhaps Austria’s most famous dramatist and was named its national poet. He left only two prose works, including this one. This is a novella, partly autobiographical, set in nineteenth-century Vienna. The narrator meets a destitute fiddler whose passion in playing music is both concealment and exposure for the tragedy of his life. Most of the novella is the fiddler’s retelling of that story. The story is said to have been prized by both Stifter and Kafka and, show more though I don’t want to overrate it, this is a very moving tale about creativity and the place of art in our lives and even society and it is filled with pathos. It's a classic and clearly so for good reason. show less
½
Der arme Spielmann is a novella by the Austrian writer Franz Grillparzer. It was published in 1848, but its origins went back to the 1830s. Grillparzer worked on the novella for more than 10 years. The novella has characteristics of the Romantic period, gthose early decades of the Nineteenth century and Realism, as it describes the poverty of the main character, Jakob. However, the social condition described in the novella is not the result of class or inevitable circumstances, which are show more characteristics of the more sinister Naturalism later in the century.

The novella makes use of a framework. The narrator is a character in the story, who met the main character and relates his story as he was told by the fiddler. The atmosphere of the novella is like a fairy tale, like Grimm or Andersen or one could even think of Dickens's A Christmas Carol. With the latter it shares the idea that the condition of the main character is the result of choice or character. Through his choice for music, Jakob fell out of favour of his rich father, and had to rely of his own effort to scrape out a meagre existence as a musician and tutor. Courting the beautiful Barbara is another failed pursuit in love. In the end, he dies as a hero, after saving the lives of several children during a flood.

Despite his ill fortune and poverty, Jakob takes pride in his livelihood as a musician, even though his art is not appreciated very highly. While sneer was his share in life, in death he is held up as a pathetic hero, and even Barbara sheds a tear.

Source / edition:
Published by the German publisher Insel Verlag, this edition includes the chapter "'Der arme Spielmann'. Der Einbruch der Subjektivitaet" from the book "Wiklichkeit und Illusion. Studien ueber Gehalt und Grenzen des Begriffs Realismus fuer die Erzaelende Dichtung des Neunzehnten Jahrhunderts" by Richard Brinkmann.
show less
One of Kafka's favourites, and easy to see why. Melancholic story of a story of a man who disappointed his father and gradually slipped to the margins of society.
The story is allegedly based on some events in the life of Ferdinand Kauer (1751 – 1831). Kauer was a musician, composer, Kapellmeister working in Vienna. The Danube flooded in March of 1830 and Kauer’s works were largely lost in the waters. If I was not a strong reader, I would not have gotten very far into this story because the opening is so irrelevant and dull, and written in such a strangely unnecessarily esoteric way. I really like this story because unlike so many stories, this show more one feels very realistic. This is the story of our lives. This is the reality of the human condition.

Now, the ending is hard-hitting. By the ending I do mean the last two sentences – not just the overall wrap-up of the novella. I think one of the reasons is that it is very realistic/relatable and incredibly possible.
show less

Lists

Awards

You May Also Like

Associated Authors

Statistics

Works
174
Also by
18
Members
1,165
Popularity
#22,061
Rating
½ 3.5
Reviews
8
ISBNs
131
Languages
7
Favorited
4

Charts & Graphs