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Simon Beaufoy

Author of Slumdog Millionaire [2008 film]

9+ Works 1,068 Members 8 Reviews

Series

Works by Simon Beaufoy

Associated Works

The Hunger Games: Catching Fire [2013 film] (2013) — Screenwriter — 1,076 copies, 6 reviews
The Hunger Games: Mockingjay: Part 1 [2014 film] (2014) — Screenwriter. — 814 copies, 2 reviews
The Hunger Games: Catching Fire, Mockingjay (Parts 1 & 2) (2016) — Screenwriter — 172 copies
Everest [2015 film] (2015) — Screenwriter — 142 copies, 3 reviews
127 Hours [2010 film] (2011) — Screenwriter — 131 copies, 5 reviews
The Full Monty [novelization] (1998) — Original screenplay — 97 copies, 1 review
Salmon Fishing in the Yemen [2011 film] (2012) — Screenwriter — 83 copies, 2 reviews

Tagged

2000s (6) 2008 (5) Anil Kapoor (4) Best Picture (4) Blu-ray (8) British (4) comedy (52) comedy films (4) crime (4) Dev Patel (5) drama (62) DVD (140) DVD-DRAMA (3) Feature Films (4) fiction (8) film (24) India (27) London (3) Mark Addy (3) motion pictures (4) movie (24) movies (16) Movies & TV (3) music (5) poverty (5) romance (30) romantic comedy (5) screenplay (10) VHS (6) video (5)

Common Knowledge

Birthdate
1966-12-26
Gender
male
Nationality
UK
Birthplace
Keighley, West Riding of Yorkshire, England
Associated Place (for map)
Keighley, West Riding of Yorkshire, England

Members

Reviews

8 reviews
Danny Boyle (Sunshine) directed this wildly energetic, Dickensian drama about the desultory life and times of an Indian boy whose bleak, formative experiences lead to an appearance on his country's version of "Who Wants to Be a Millionaire?" Jamal (played as a young man by Dev Patel) and his brother are orphaned as children, raising themselves in various slums and crime-ridden neighorhoods and falling in, for a while, with a monstrous gang exploiting children as beggars and prostitutes. show more Driven by his love for Latika (Freida Pinto), Jamal, while a teen, later goes on a journey to rescue her from the gang's clutches, only to lose her again to another oppressive fate as the lover of a notorious gangster.

Running parallel with this dark yet irresistible adventure, told in flashback vignettes, is the almost inexplicable sight of Jamal winning every challenge on "Who Wants to Be a Millionaire?," a strong showing that leads to a vicious police interrogation. As Jamal explains how he knows the answer to every question on the show as the result of harsh events in his knockabout life, the chaos of his existence gains shape, perspective and soulfulness. The film's violence is offset by a mesmerizing exotica shot and edited with a great whoosh of vitality. Boyle successfully sells the story's most unlikely elements with nods to literary and cinematic conventions that touch an audience's heart more than its head. --Tom Keogh
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The settings are realistic, the storyline unusual, and the acting mostly excellent. Inevitably there are caricatures, but it’s that kind of film: people behaved in character, if perhaps a bit exaggeratedly so. The pace was just right for our tastes, though it’s not going to appeal to those who want fast action. To lift a little from the humour, and show the serious setting of the frivolous lifestyles of nightclub singers, there are hints - and more than hints - of the coming world show more war.

There’s no real plot or storyline, it’s more a story of transformation: as Miss Pettigrew, as Delysia’s social secretary, gets her out of trouble repeatedly, she discovers new things about herself and makes new friends. The ending is unrealistic given that the events and meetings that take pace over a single day, but it doesn’t matter; it’s all highly satisfactory, and very nicely done.

We both enjoyed this film very much.
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An Indian boy from the slums is accused of cheating on a quiz show.

Immediately after watching it I was thinking I'd give it either a B or A. But the more I think about it, the less I like it. The movie spends a lot of time getting us good and appalled over the way the poor are treated in India, the idea that people who have nothing are worthless, but in the end it ends up reinforcing that same philosophy by having fate bend over backwards to give a nice guy fabulous wealth. Basically, the show more lesson to be learned isn't that the lower classes are people; it's that the protagonist won his money because he's better than the lower classes.

Concept: B
Story: C
Characters: C
Dialog: A
Pacing: B
Cinematography: D
Special effects/design: A
Acting: B
Music: B

Enjoyment: C plus

GPA: 2.7/4
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Awards

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Associated Authors

Statistics

Works
9
Also by
7
Members
1,068
Popularity
#24,099
Rating
3.9
Reviews
8
ISBNs
18
Languages
4

Charts & Graphs