Keith Haring (1958–1990)

Keith Haring Journals, a title without unnecessary embellishment, brings together all journals by Keith Haring from 1977 to 2009.There were many years when very little or even nothing was written. The period 1980 to 1986 counts only 37 pages, as nothing was written for 1981 and 1985, while for some years only a single entry, for instance 1983. 1977 to 1979 is one of the most interesting sections, as it describes his formative years, and journal entries often reflect thinking about the show more development of his art.

Keith Haring started writing about the Aids epidemic early on, as he was right in the middle of it when the first cases started emerging and people all around started dying. His journals are a testament to the onset of the epidemic, describing how the disease was talked about and seen in the beginning of its emergence throughout the early 1980s. The journal for 1987 is one of the larger sections, but Haring does not mention that he tested HIV-positive during that year. Neither does he write about being diagnosed with Aids in 1988. The journal for 1988 has several entries for January and the jumps to the end of July. In August and September 1988, the journal only lists activities. However, most of the journal consists of running text.

On various pages, photos and sketches appear alonside text of the journals. Each year is followed by 1 - 3 pages listing exhibitions and publications in that year. The journals are preceded by a short introduction by Shepard Fairey.

Keith Haring's journals are a fascinating time document, describing the art scene from the late 1970 through the 1990s, and numerous other artists belonging to that scene. The journals are also a testament to the beginning and unfolding of the aids epidemic. show less

The journal of Keith Haring is simple but intense just like his painting : strong lines with a lot of conviction. If you want to know more about him, this is for you. An easy to read journal but full of hope and friendship.

Keith Haring was a brilliant artist working in the public sector, who believed art belonged in the public sector, not in private galleries and museums. His journals chronicle his evolving philosophy of what it means to be an artist and the role of art in the world.

This vibrant catalogue presents the complete collections of Haring's inspiring work, including many editions created right before his death from AIDS. This book is a tribute to his empowering graphic aesthetic.