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Cully Hamner

Author of Red

24+ Works 896 Members 39 Reviews 1 Favorited

About the Author

Includes the name: Cully Hammer

Image credit: Cully Hammer. Photo by Gage Skidmore.

Works by Cully Hamner

Red (2004) — Illustrator — 211 copies, 12 reviews
Blue Beetle: Shellshocked (2006) — Illustrator — 175 copies, 6 reviews
Blue Beetle: Road Trip (2007) — Illustrator — 138 copies, 3 reviews
The Shade (2013) — Illustrator — 63 copies, 6 reviews
Down (2006) 52 copies, 1 review
Superman Red & Blue (2021) — Illustrator — 49 copies, 1 review
The Question: Pipeline (2011) — Illustrator — 46 copies, 4 reviews
Black Lightning: Year One (2009) — Illustrator — 32 copies
Blue & Gold (2022) — Illustrator — 25 copies, 1 review
Batman Arkham: Black Mask (2020) — Illustrator — 17 copies
Batman: Tenses #2 (2003) — Illustrator — 15 copies, 1 review
Batman: Tenses #1 (2003) — Illustrator — 13 copies, 1 review
The Ride Volume 1 (New Printing) (v. 1) (2007) 12 copies, 1 review
Red Better Red Than Dead TP (2011) — Artist — 11 copies, 1 review
Convergence: Question #1 (2015) — Illustrator — 9 copies
Convergence: The Question (2015) #2 (2015) — Illustrator — 7 copies
Tom Strong #03 - Aztech Nights — Illustrator — 6 copies, 1 review
Shade #2 (2011) — Illustrator — 4 copies
Firearm #6 (1996) — Illustrator — 2 copies
The Uncanny X-Men #400 - Supreme Confessions (2001) — Illustrator — 2 copies
National Comics: Eternity (2012) — Illustrator — 2 copies
Red Eyes Only #1 (2010) 1 copy

Associated Works

Red [2010 film] (2010) — Original comic book — 717 copies, 2 reviews
Tom Strong: Book One (2000) — Illustrator — 484 copies, 14 reviews
The Big Book of Scandal! (1997) — Illustrator — 127 copies, 1 review
Batgirl: Batgirl Rising (2010) — Illustrator — 121 copies, 8 reviews
The Flintstones, Vol. 2 (2017) — Illustrator — 95 copies, 3 reviews
Young Justice Book One (2017) — Illustrator — 53 copies
DC One Million Omnibus (2013) — Illustrator — 51 copies
Convergence: Flashpoint Book One (2015) — Illustrator — 44 copies, 1 review
Batman - One Bad Day: Mr. Freeze (2022) — Illustrator, some editions — 38 copies, 1 review
Superman by Grant Morrison Omnibus (2014) — Illustrator — 35 copies
Batman & Robin: Year One (2025) — Illustrator, some editions — 34 copies, 1 review
Detective Comics # 855 (2000) — Illustrator — 13 copies, 1 review
Detective Comics # 856 (2009) — Illustrator — 13 copies, 1 review
Detective Comics #854 (2009) — Illustrator — 13 copies, 1 review
Detective Comics # 857 (2009) — Illustrator — 11 copies
Detective Comics # 858 (2009) — Illustrator — 11 copies
Detective Comics # 860 (2009) — Illustrator — 10 copies
Detective Comics # 859 (2009) — Illustrator — 9 copies
The Multiversity: Thunderworld Adventures #1 (The Multiversity, #5) (2014) — Cover artist, some editions — 4 copies
The Flintstones [2016] #08 (2017) — Cover artist, some editions — 3 copies
Wacky Raceland #6 (of 6) (2016) — Cover artist, some editions — 2 copies
Ignited #8 - Doxxed, Part 4: Dazed and Confused (2020) — Cover artist, some editions — 1 copy

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Reviews

38 reviews
Good short story/comic for someone who likes government malfeasance and intrigue. The main character is completely unbelievable, but that's okay. I'll happily suspend my disbelief and buy into the lie that anyone in our government has any scruples right now. There's a bit with him killing peasants that's totally believable.
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This book is still a blast. Co-writer Keith Giffen departs halfway through the volume, but John Rogers is so good on his own you wouldn't even notice. The book opens up with a semi-flashback issue that clarifies exactly what happened to Jaime leading up to the One Year Later gap for those who didn't read Infinite Crisis (or those of us whose memories are vague). As always, some of the best bits are the jokes, such as Batman show more telling Jaime that he should say Superman helped him out so he doesn't ruin his dour mystique, or Green Arrow and Black Canary bickering about GA's limitations as a superhero while kind-of helping Jaime.

That's not the only trip into the past here, as soon Jaime and Brenda are on the road with mysterious-gruff-and-lovable mercenary the Peacemaker to find out about the history of the Blue Beetle from Danielle Garrett, granddaughter of the original Blue Beetle. The book is good about dolling out both solutions and mysteries-- everything Jaime learns about the mysterious scarab fused to his spine only leaves him with more to learn.

But soon Jaime's going to outer space and tangling with the New Gods-- more hilarity ensues. Has Metron ever been this funny? You might fret it's disrespectful to Jack Kirby, but it's too good for me to complain.

Jaime may have not chosen to be the Blue Beetle, but by this point in the series, he has chosen to be a hero. I love that his parents have rules for when he can go out and fight crime, and I love that Paco has organized tech support for him, and I love that he loves being a hero. This is a book with a lot of heart, and so far it's moved from success to success and I can't wait to see what happens next.

Blue Beetle: « Previous in sequence | Next in sequence »
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Many people were mad and/or sad when the Ted Kord Blue Beetle was killed off in "Countdown to Infinite Crisis." But if you ask me, it was all worth it because it gave us the new Blue Beetle, Jaime Reyes. Jaime is an ordinary Latino high schooler who discovers the Blue Beetle scarab sometime after the death of Ted Kord (as seen in Infinite Crisis itself). The first couple chapters of this volume alternate between Jaime's show more life leading up to his involvement in the fight against Brother Eye in Infinite Crisis, and his return to Earth a year later, apparently during the timeframe of 52. Giffen, Rogers, and Hamner do great work here. The opening fight between Jaime and Guy Gardner (Guy is drawn to fight the Blue Beetle, but doesn't know why) is dark and intense, while Jaime's interactions with his friends (Paco, who learned six languages just to insult people in on-line FPSs, and Brenda, whose Dad hits her and wants to go to law school) are fun. Jaime wants to make extra money working at his dad's garage, but his dad wants a better life for him.

Much like Ms. Marvel a decade later, this is the perfect archetypal teen superhero comic: humor, good characters, fun dialogue, a little bit of angst but not too much. Jaime feels like a real person with real friends; take this exchange between a villain and Jaime's friends while Jaime fights a tree monster:
BRENDA: Hey, I know you! You're that guy's always hanging around trying to get in my aunt's pants!
VILLAIN: Why fine, thanks, and you?
PACO: You know this guy?
VILLAIN: Don't be difficult. I'm certain your aunt wouldn't approve of your lollygagging with ruffians--
BRENDA: Did he just say "lollygagging"?
PACO: What's a ruffian?
BRENDA: You don't even know what a "ruffian" is?
PACO: Well I don't go to some froufrou private school!

I laughed a lot throughout this book, which is the mark of (one of) the kind of superhero comic I look for. Giffen & Rogers recreate the classic formulas while also providing new variations: I like that Jaime's armor speaks to him in an alien language, and that there are aspects of it he doesn't entirely understand. I like the sense of a superheroic universe this story builds up, instead of being an ordinary universe with superheroes grafted on: La Dama, the local crimelord, doesn't just kidnap people, but specifically magic users, and the gang Jaime's friend Paco falls into is entirely made up of people with powers-- but they need the powerless Paco because sometimes they need someone who won't attract attention. There's a real sense of a world that's a lot like our own (I like that the story takes place in El Paso and not a fake city, and that almost all the characters are Latino), but not like ours in some logical ways. There's also some good twists on the usual formula-- Paco's gang has some redeeming value, the Blue Beetle comes to an understanding with La Dama, and I especially like that Jaime's family and friends know what he is right from the off. There's no lying to your loved ones stuff here.

This is a winning mixture for a superhero comic, and I hope to see it continue from strength to strength.

Blue Beetle: « Previous in sequence | Next in sequence »
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This books reunites Blue Beetle and Booster Gold... in the hands of Booster Gold's original creator, Dan Jurgens! I was a bit trepidatious about this going in because it seemed to me that Jurgens treated Booster more seriously during his JLA run than Giffen and DeMatteis did in their run that created the duo. Could he recreate their dynamic when he hadn't been particularly interested in the original version of it to begin show more with?

Well, I need not have worried. He very much leans into the goofier version of the characters—but in a good way. Here, they have decided to form a superhero team accessible to "regular" people, unlike the Justice League up in space (very much like in a previous JLI reunion book). But with Ted no longer in command of the Kord Industries money (he loses it here; I didn't know he had ever got it back, though, because last time I heard he had lost them... though admittedly that was the late 1980s!), they need to find crowdfunding!

It's a fun way to reinvent the fame- and money-obsessed Booster Gold for the twenty-first century. The book is peppered with comments from people watching the livestream of the duo, and I enjoyed this a lot; there's a lot of good interaction and cute hijinks. Some hope they do well, some think it's all faked, some are women stanning for one character or the other, some hope they die... and one is Guy Gardner just there to say mean things about them! But the book is not as cynical as some takes on Booster and Beetle have been, even ones penned by Giffen and DeMatteis. The two bicker, but they fundamentally get along; they seek fame, but it doesn't make them craven or obsessed with money. At their root, they're people trying to do good, and the book leans into that.

Maybe a little too much; I didn't want the book to put them through the wringer per se but it seemed to me it didn't quite challenge them to the extent it might have. But that's clearly not what Jurgens is up to here. The book is obviously meant to just be a light and charming return of some classic characters, and it succeeds perfectly at that.

Overall, I enjoyed the art by Ryan Sook and various others. Sook has a light, expressive style that communicates character very well, which is perfectly suited to Jurgens's writing. But why did Ted suddenly acquire black hair? This is redhead erasure! (Also on the collected edition, Kevin Maguire gets cover credit for drawing one-third of one issue. Nice work if you can get it, I guess.)

The first five issues weave in and out of one big story, about Ted and Michael fighting an alien warlord who has an ancient claim on the Earth. There's lots of room for side stuff, though, like a fun issue where Ted and Michael retell the story of how they first worked together, and they have very different memories of it. And it turns out that Guy Gardner of all people knows how things actually went down! (This is the story Maguire helps draw; he does the Beetle-narrated flashbacks while Jurgens himself does the Booster ones. Perfection. They've both still got it of course.)

After this, we get a shorter story about them going up against "Black Beetle." One thing that annoyed me was that throughout the series, there would be explanatory footnotes pointing you to issues you'd literally just read (e.g., "see Blue and Gold #2!" when reading issue #3) but when Black Beetle turns up, the characters talk about encountering him before... but I'd never encountered this guy before. I looked him up later, and he previously appeared in Booster's late 2000s ongoing... a comic from fifteen years prior. Why didn't that get a footnote?
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Statistics

Works
24
Also by
22
Members
896
Popularity
#28,592
Rating
½ 3.7
Reviews
39
ISBNs
35
Languages
5
Favorited
1

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