Sarah Masters Buckey

Actually finished this last night/early this morning before going to sleep. An interesting premise, having two leads- I wonder if they got feedback from the Julie series about how Ivy could've been a co-lead? (see: all my Julie reviews where I gripe about how Ivy was functionally the protagonist of two books)

New Orleans has a unique history in the United States- much like Josefina's Santa Fe, it has its own identity and history prior to joining the union. Cecile and other characters express show more surprise that Marie-Grace "sounds American", who is in turn baffled that they call her that when technically, Louisiana's been part of US territory for the last 50 years.

It's nice to get in the head of a shy, reserved character! Julie acts on her thoughts and Nanea actively wanted to help with the war effort, but Marie-Grace is intimidated by being the new girl and not understanding French in a bilingual society. I also found it refreshing that she's from the middle class and Cecile, a free person of color, is the one from the wealthy family- more stories of all types for people of color instead of pigeonholing our historical roles into one kind of thing

Something felt a bit off in the illustrations- maybe the posing, or the way light reflected off of them? It felt less detailed and dynamic than previous series' work. show less

I am older than the age range for this book. I've never been "into" the American Girl dolls. I do think I might have read one other American Girl book (about a different character).

The book started off slowly for me but it did get interesting. I enjoyed learning about what a theater was like in 1935 and what it takes to put on a play.

I didn't understand why Stirling and/or Vinnie didn't tell an adult about the bullies--and adult who could help them.

I didn't guess who the thief was until it show more was revealed. show less

Marie-Grace Gardner has just arrived in New Orleans, and she hopes she never has to move again. The lively city is unlike any other place Marie-Grace has lived. When she meets Mademoiselle Océane, a talented opera singer, Marie-Grace longs to take lessons. She loves to sing, and she would like to get to know Cécile Rey, the confident girl who is Mademoiselle's student. But Marie-Grace is shy, and starting school reminds her how hard it is to make friends and fit in. Can an unexpected show more adventure help her feel as if she belongs in New Orleans? show less

Marie-Grace finds a baby on their doorstop (as her papa is a doctor, this isn't totally random I suppose) and feels like she can don the older sister role again, as her own baby brother and mother died in an epidemic five years ago. However, doctor single dad is unfortunately busy enough that they really can't take on an infant, though not before he figures out a way to keep the foundling safe from slave catchers who want to claim him as property.

Still not a fan of this illustrator, sorry- show more maybe it's the posing and the lighting? but it feels like some kind of different-pieces-pasted-on-one-backdrop piece. show less