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John Bunyan (1628–1699)

Author of The Pilgrim's Progress

703+ Works 38,677 Members 299 Reviews 34 Favorited

About the Author

John Bunyan was born in Elstow, Bedfordshire, England, in 1628. He learned to read and write at the village school and was prepared to follow his father's trade as a brazier when the English Civil War broke out in 1644 and he was drafted into the Parliamentary army. His military service brought him show more into contact with Oliver Cromwell's Puritan troops. Beginning in 1648, Bunyan suffered a crisis in religious faith that lasted for several years. He turned to the Nonconformist church in Bedford to sustain him during this period. His first writings were attacks against the Quakers. Then Charles II was restored to the throne and Bunyan was arrested for conducting services not in accordance with the Church of England. He spent 12 years in jail. During this time, he wrote his autobiography, Grace Abounding, in which he described his spiritual struggle and growth. During his last years in prison, Bunyan began his most famous work, The Pilgrim's Progress, a two-part allegorical tale of the character Christian and his journey to salvation. Part I was published in 1678 and Part II in 1684. The second part deals with the spiritual journey of Christian's wife and sons, as they follow in his footsteps. With its elements of the folktale tradition, The Pilgrim's Progress became popular immediately. Well into the nineteenth century it was a book known to almost every reader in England and New England, second in importance only to the Bible. So great was the book's influence that it even plays a major role in Little Woman by Louisa May Alcott. Such expressions as "the slough of despond" and "vanity fair" have become part of the English language. Bunyan's other works include The Life and Death of Mr. Badman and The Holy War. He also wrote A Book for Boys and Girls, verses on religious faith for children. Bunyan died in London on August 31, 1688. (Bowker Author Biography) show less
Image credit: From Wikimedia Commons

Series

Works by John Bunyan

The Pilgrim's Progress (1678) 20,347 copies, 197 reviews
Grace Abounding to the Chief of Sinners (1666) 1,754 copies, 8 reviews
The Pilgrim's Progress in Today's English (1964) 1,079 copies, 5 reviews
Prayer (1662) 912 copies, 3 reviews
Works of John Bunyan (3 Volume Set) (v. 1-3) (1853) 564 copies, 4 reviews
The Acceptable Sacrifice (2004) 482 copies
Come and Welcome to Jesus Christ (1681) 437 copies, 1 review
The Pilgrim's Progress (Moody Classics) (1941) 417 copies, 3 reviews
The Fear of God (1679) — Author — 383 copies
Pictorial Pilgrim's Progress (1960) 323 copies, 2 reviews
The Jerusalem Sinner Saved; or, Good News for the Vilest of Men (1691) — Author — 274 copies, 1 review
Visions of Heaven and Hell (1998) 124 copies, 1 review
Journey to Hell (1999) 119 copies, 2 reviews
The life and death of Mr Badman (1680) — Author — 115 copies, 3 reviews
Christian Behavior (2008) 76 copies
The Pilgrim's Progress and the Holy War (2011) 72 copies, 2 reviews
The barren fig-tree (2007) 70 copies, 3 reviews
The Pilgrims Progress in Pictures (1997) 66 copies, 2 reviews
Antichrist and His Ruin (1911) 63 copies
Saved by Grace (2008) 58 copies
The Work of Jesus Christ as an Advocate (2007) — Author — 58 copies, 1 review
Reprobation Asserted (1674) 50 copies
Your Victory in Christ (1997) 49 copies
Israel's Hope Encouraged (1994) 46 copies
Paul's Departure and Crown (1977) — Author — 43 copies
The Water of Life (1992) 41 copies
The Ressurection of the Dead and Eternal Judgment (2007) — Author — 39 copies
The Pharisee and Publican (1685) 37 copies
The Strait Gate (1995) 32 copies, 1 review
Bunyan's Last Sermon (2016) 25 copies
Continuation of Bunyan's Life 23 copies, 1 review
Bunyan's Prison Meditations (2016) — Author — 23 copies
Some Gospel Truths Opened — Author — 22 copies
A Confession of My Faith (2012) 21 copies
Treasury of Bunyan (1981) 21 copies
Bunyan's Dying Sayings (2016) 19 copies
The Pilgrim's Progress (1986) 19 copies, 3 reviews
Scriptural Poems (2010) 18 copies
Pilgrims Progress Retold (1993) 13 copies
The Struggler 11 copies
God's Knotty Log (1961) 7 copies
Memoir of John Bunyan (2016) 7 copies
The Groans of a Lost Soul (1971) 6 copies
Family Duty (2011) 5 copies
The Pilgrim's Progress for Everyone (2001) 5 copies, 1 review
Resurrection (2012) 5 copies
Bunyan's Catechism (1968) 5 copies
Jornada Para o Inferno (2011) 5 copies, 1 review
The Fear of God: Updated (2016) 4 copies
My Imprisonment (1992) 4 copies
Water of Life 3 copies
The Life of John Bunyan (1977) 3 copies
Bunyan's Awakening Works (2016) 3 copies, 1 review
Pilgrim's Progress, Part 1 [adaptation] (2004) 3 copies, 1 review
Salvos pela graça (2020) 3 copies
Piligrimo kelionė (2009) 2 copies
Bunyan's Inviting Works (2016) 2 copies
A Commencer Par Jerusalem (2001) 2 copies
Çarmıh Yolcusu (2015) 2 copies
Miscellaneous Pieces (2004) 2 copies
John Bunyan 2 copies
Det heliga kriget (2019) 2 copies
The White Devil 2 copies
Les Aventures du Pèlerin (2008) 2 copies
Holy Life 1 copy
House of God 1 copy
O peregrino 1 copy, 1 review
Oração 1 copy
John Bunyan 1 copy
Lov og Naade 1 copy
Touching Prayer (2018) 1 copy
pilgrim's progress (1984) 1 copy
Peregrina, A (2004) 1 copy
Selected Writings (1999) 1 copy
A szent háború (2002) 1 copy
Uusi Kristityn vaellus (2002) 1 copy
Wedrowka pielgrzyma (2014) 1 copy
Temor a Deus 1 copy
Milost přehojná 1 copy, 1 review
Jatrir Jatra 1 copy
O Trono da Graça (2022) 1 copy

Associated Works

The Norton Anthology of English Literature, Volume 1 (1962) — Contributor — 2,471 copies, 8 reviews
The Penguin Book of Hell (2018) — Contributor — 276 copies, 5 reviews
Seventeenth-Century Prose and Poetry (1946) — Author — 227 copies, 2 reviews
The Faber Book of Beasts (1997) — Contributor — 169 copies, 1 review
The Broadview Anthology of Seventeenth Century Verse & Prose (2000) — Contributor, some editions — 76 copies
The Junior Classics Volume 05: Stories That Never Grow Old (1912) — Contributor — 69 copies, 1 review
Poetry of Witness: The Tradition in English, 1500-2001 (2014) — Contributor — 53 copies, 1 review
The Victorian age: prose, poetry, and drama (1938) — Contributor — 40 copies, 1 review

Tagged

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Common Knowledge

Canonical name
Bunyan, John
Legal name
Bunyan, John
Other names
Bunjano, Johano
Birthdate
1628-11-28
Date of death
1688-08-31
Gender
male
Occupations
writer
author
tinker
preacher
soldier, English Civil War
Organizations
Parliamentary Army
Short biography
John Bunyan served in the Parliamentary army during the English Civil War. As a Puritan, he struggled with issues of faith and sin, and at times he experienced extreme depression. He had little formal education but read voraciously and became a famous preacher, for which he was arrested. It was during his imprisonment that he began writing The Pilgrim's Progress, one of the most important works in English literature.

John Bunyan (November 30, 1628 – August 31, 1688) was an English writer and Puritan preacher best remembered as the author of the Christian allegory The Pilgrim's Progress. In addition to The Pilgrim's Progress, Bunyan wrote nearly sixty titles, many of them expanded sermons.

Bunyan came from the village of Elstow, near Bedford. He had some schooling and at the age of sixteen joined the Parliamentary Army during the first stage of the English Civil War. After three years in the army he returned to Elstow and took up the trade of tinker, which he had learned from his father. He became interested in religion after his marriage, attending first the parish church and then joining the Bedford Meeting, a nonconformist group in Bedford, and becoming a preacher. After the restoration of the monarch, when the freedom of nonconformists was curtailed, Bunyan was arrested and spent the next twelve years in jail as he refused to give up preaching. During this time he wrote a spiritual autobiography, Grace Abounding to the Chief of Sinners, and began work on his most famous book, The Pilgrim's Progress, which was not published until some years after his release.

Bunyan's later years, in spite of another shorter term of imprisonment, were spent in relative comfort as a popular author and preacher, and pastor of the Bedford Meeting. He died aged 59 after falling ill on a journey to London and is buried in Bunhill Fields. The Pilgrim's Progress became one of the most published books in the English language; 1,300 editions having been printed by 1938, 250 years after the author's death.

He is remembered in the Church of England with a Lesser Festival on 30 August, and on the liturgical calendar of the United States Episcopal Church on 29 August. Some other churches of the Anglican Communion, such as the Anglican Church of Australia, honour him on the day of his death (31 August).
Nationality
UK
Birthplace
Elstow, Bedfordshire, England, UK
Places of residence
Harrowden, Northamptonshire, England, UK (birth)
Elstow, Bedfordshire, England, UK (birth, ref. Cambridge Biographical Encyclopedia, 1994)
Bedford, Bedfordshire, England, UK
Place of death
Snow Hill, London, Middlesex, England, UK
Burial location
Bunhill Fields Cemetery, London, Middlesex, England, UK
Map Location
England, UK

Members

Discussions

Was John Bunyan reformed? in Reformed Theology (November 2009)

Reviews

324 reviews
A good retelling of a great work for kids. It’s vivid and straight-forward. Gives reader a clear analogy to attach to virtues and vices that are good to spark discussion with early readers. Almost assuredly will produce kids who are Gnostic Pelagians, but that’s par for the course for American Christians, so how bad can that be? The two elements most missing are of being called into this world, not out of it and love. Christian’s dismissal of his family and other pilgrims on the road show more does nothing but reinforce the idea that piety is more important than love of neighbor. show less
Perhaps best remembered today as the author of The Pilgrim's Progress (1678), English writer and Puritan preacher John Bunyan also wrote close to sixty other books, including this 1686 collection of poetry for children. In his preface here, Bunyan concedes that rhymes are "foolish," and eschewed by the wise, but maintains that they are a useful teaching tool, when working with the young. He provides an introductory aid to children learning English, giving the alphabet in various fonts, and show more includes a discussion of vowels and consonants, syllables, spelling examples, and a list of boys and girls' names. The bulk of the book is taken up with the seventy-four poems, devoted to such topics as the Ten Commandmens, Original Sin, The Lord's Prayer, and other subjects of a religious and spiritual nature...

A Book for Boys and Girls; or, Country Rhimes for Children was an assigned text in the course I took on early children's literature, during the course of my masters, and was paired in the syllabus with Isaac Watts' Divine Songs Attempted in Easy Language for the Use of Children (1715), which is also a collection of poetry for children. On the whole, I did not enjoy the Bunyan quite as much as the Watts. The poetry itself is far less accomplished, and the author's evident contempt for the form, as expressed in his preface, is perhaps explained by his lack of skill with it. The text here consists mostly of awkwardly rhyming four-line stanzas - "My Filth grew strong, and boyled, / And me throughout defiled, / Its pleasures me beguiled, / My soul, how are thou spoyled" - and frequently has a nasty tone to it that is off-putting. A concern with sin and likely damnation is a theme one would expect from a Puritan, but not all such authors manage to convey such loathing, both of the sin and the sinner. Compare Bunyan's tone here to James Janeway, in his 1671 A Token for Children: Being an Exact Account of the Conversion, Holy and Exemplary Lives, and Joyful Deaths of Several Young Children. I think part of the problem is that Bunyan doesn't seem to sympathize with his audience. He realizes that educating the young is important - in this he is like many other Puritans, who were, as a group, the first in the Anglophone world to truly grasp the potential of a literature aimed at children - but he doesn't seem to like them, based on his prefatory remarks about the work being aimed at fools and children, and the necessity of using a "foolish" style to communicate with them.

I have wanted to read The Pilgrim's Progress ever since I was a little girl, and fell in love with Alcott's classic Little Women, which has copious references to it, and I still want to read it, despite my lukewarm response to this collection. I'm glad to have read this one, as it did offer me an additional 17th-century children's text to compare with the Janeway, but I'm not sure I'd strongly recommend it to other readers, unless they are interested in early Anglophone children's literature and/or the work of Bunyan and the Puritans at large.
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½
This 1678 work is Christian allegory with a capital C. It may not be necessary to be a Christian to love this, but I’m sure it helps. A lot. A whole lot. Particularly helps to be a “fire and brimstone” Christian who believes humans aren’t just fallen but completely depraved and not about to make it into Heaven unless they walk one narrow path. I’m not a Christian--I’m an atheist. That doesn’t stop me from loving Dante’s Divine Comedy, also a work suffused with Christian show more themes--but Bunyan is no Dante. There is something very human, let alone humanistic about Dante. Wonderful stories--often about real people and historic personages such as Vergil and Brutus with which Dante peopled his Hell, Purgatory and Heaven. Bunyan is much more abstract--his journey to the Celestial City is filled with such figures as “Pliance,” “Worldly Wiseman,” “Evangelist” and “Hopeful.” Dante’s a poet--Bunyan a preacher--and believe me, you can tell.

Honestly I’m surprised I didn’t completely hate it, especially since I don’t like allegory that is so blatant. I read it because it’s on Good Reading’s “100 Significant Books”--and because it keeps coming up over and over in books I’ve read. It provides the title and theme for Thackeray’s Vanity Fair and the theme and structure for Alcott’s Little Women where the March sisters play at taking up Christian’s “burden.” The Introduction of the edition I read tells us that “for two hundred years, The Pilgrim’s Progress was, after the Bible, the most widely read book in the English-speaking world” and the “most widely influential book ever written in English.” From time to time I’ve heard of the “Slough of Despond,” “Doubtful Castle” and the “Delectable Mountains.”

I think that kept my interest pretty keen through Part One, where Christian, taking up his “burden” of sin, climbs mountains and walks through such valleys as the Shadow of Death. Being raised a Christian as well as encountering the literary allusions to it meant I had enough of the context to keep me fairly engaged. Endnotes and footnotes and even sidenotes in the Barnes and Noble edition helped a lot in keeping the 17th century prose understandable. Without them a lot of the doctrinal squabbles between Catholics, Anglicans, Puritans, Quakers and other non-conformists alluded to in the work would have slipped right on by--although the spirit of intolerance towards those of Bunyan's coreligionists who don’t agree with him didn’t need footnotes to come through. There's only one way to Heaven--Bunyan's way. You go through the Wicket Gate, with your Robe and your Mark and your Roll or you fall into Hell. On the other hand, knowing Bunyan wrote this in prison, where he spent twelve years because he refused to abandon his Christian principles, did mean that when Christian encountered monsters and beasts and mobs I knew these weren’t just puffed up imaginary impediments. Bunyan walked the walk; I had to respect that. He lived this story. That came through too.

I did start finding it a slog in Part Two. That part, written years later, isn’t a continuation as much as a sequel. One where wife Christiana and kidlets follow the road already traveled; I found that too repetitive. I think I was also irked that while Christian, who abandoned his family, is able to strike out on his own, his distaff counterpart has to have a guide, Greatheart. While Christian gets to fight the monster Apollyon himself, his wife stands by while her champion slays all in their way. If all is allegory, what does that say about the weakness of women’s souls? On the other hand, this part of the story at least is more compassionate than hectoring, as pilgrims help those weaker to make the journey. I am glad I did finally read Pilgrim’s Progress, if only to better catch the frequent references in literature. I don't know that I can honestly say I liked Part One though, and I wasn't far into Part Two before I was soooo tired of this. Yet I can’t help think a lot of fantasy from The Wizard of Oz to Narnia owes a debt to Bunyan. At the least, it might give any rereads of Little Women a whole new layer of meaning...
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½
*Pilgrim's Progress* is one of those books I approached with high expectations for all the wrong reasons. My father recommended it enthusiastically, saying "It's great, you should definitely read it!" I also wanted to read it because it's such a major theme in *Little Women*, which I absolutely loved. Later, I discovered my father had barely started the book himself, and I have to keep reminding myself that *Little Women* is set in a very different time than mine—what resonated with the show more March sisters in the 1860s doesn't necessarily translate to a modern reader.

Regardless of some of the religious elements not aligning with my personal faith, what struck me most was how genuinely *weird* this book is. Rather than feeling like traditional religious fiction, it often reads more like horror or an absurd fairy tale. John Bunyan's allegorical journey is filled with disturbing, nightmarish imagery that caught me completely off guard.

For example, there's Apollyon, the hideous demon who confronts Christian in the Valley of Humiliation—a creature covered in scales like a fish, with dragon wings, bear feet, and a lion's mouth spewing fire. Their battle is described with shocking violence, with Apollyon hurling flaming darts and Christian fighting for his life. The grotesque imagery in some portions—hobgoblins, satyrs, terrible torturous giants, and dragons—feels more like something from a horror novel than inspirational religious literature.

These aren't gentle moral lessons—they're terrifying encounters designed to frighten readers into righteousness. Instead, they leave the reader feeling hopeless and inadequate, as if they can never love the Lord enough or maintain faith through such trials. I do appreciate this aspect in a way: the book reinforces my belief that persevering in faith depends solely on the Lord's strength when we depend on Him, not on any natural strength of our own mind or faith.

While I can appreciate the book's historical significance and literary influence, the reading experience itself was more unsettling than uplifting. It's certainly not what I expected based on its reputation or its role in *Little Women*.
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Associated Authors

Izaak Walton Contributor
Dan Larsen Adaptor
a Kempis Thomas Contributor
Warren W. Wiersbe Editor, Contributor
Alan Vermilye Revision
Jim Pappas Adapter
Steve Smallman Illustrator
Josiah Conder Contributor
George Cruikshank Illustrator
Stuart Sim Introduction
John Newton Preface
W. Small Illustrator
Nadia May Narrator
Oili Aho Translator
H. C. Selous Illustrator
Thomas Dalziel Illustrator
J.D. Linton Illustrator
Marta R. Pérez Translator
Paolo Priolo Illustrator
Pat Robertson Foreword
Robert Lawson Illustrator
Edward Dalziel Wood-Engraver.
R. Johnson Illustrator
Frank C. Papé Illustrator
R.L. Stevenson Introduction
George Dalziel Wood-Engraver.
Frederick Barnard Illustrator
Cheryl Ford Translator
John Sturt Illustrator
H. Elvet Lewis Introduction
G. K. Chesterton Introduction
Richard Westall Illustrator
David Hawkes Introduction
Rhona Pipe Editor
Thomas Stothard Illustrator
G. A. Wumkes Translator
Cadel John M. Illustrator
W.R. Owens Editor
Thomas Lewis Translator
Paul Michael Narrator
David Scott Illustrator
Byam Shaw Illustrator

Statistics

Works
703
Also by
20
Members
38,677
Popularity
#467
Rating
3.8
Reviews
299
ISBNs
1,413
Languages
26
Favorited
34

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