Jason Reynolds
Author of Long Way Down
About the Author
Jason Reynolds is the author of When I Was the Greatest, for which he won the Coretta Scott King/John Steptoe Award for New Talent. His debut middle grade book, As Brave As You, was awarded the 2016 Kirkus Prize for young readers'. His other works include Boy in the Black Suit, and All American show more Boys. (Bowker Author Biography) show less
Image credit: 2018 National Book Festival By Avery Jensen - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=72641781
Series
Works by Jason Reynolds
Stamped: Racism, Antiracism, and You: A Remix of the National Book Award-winning Stamped from the Beginning (2020) 2,531 copies, 83 reviews
Jerk 3 copies
Soundtrack 2 copies
Daqui pra baixo mano 2 copies
Untitled 1 copy
La lunga discesa 1 copy
Un drum lung până jos 1 copy
Associated Works
Black Enough: Stories of Being Young and Black in America (2019) — Contributor — 652 copies, 15 reviews
You Are Your Best Thing: Vulnerability, Shame Resilience, and the Black Experience (2021) — Contributor — 324 copies, 4 reviews
Hope Nation: YA Authors Share Personal Moments of Inspiration (2018) — Contributor — 179 copies, 7 reviews
The Amazing Spider-Man (Penguin Classics Marvel Collection) (2018) — Foreword — 147 copies, 1 review
This Is the Honey: An Anthology of Contemporary Black Poets (2024) — Contributor — 69 copies, 1 review
Everyday People: The Color of Life--a Short Story Anthology (2018) — Contributor — 53 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Reynolds, Jason
- Birthdate
- 1983-12-06
- Gender
- male
- Education
- University of Maryland (BA|English)
- Awards and honors
- Margaret A. Edwards Award (2023)
MacArthur Fellowship (2024) - Agent
- Elena Giovinazzo
- Nationality
- USA
- Birthplace
- Washington, D.C., USA
- Places of residence
- Brooklyn, New York, New York, USA
Washington, D.C., USA - Map Location
- USA
Members
Reviews
"Everyone gets mad at hustlers, especially if you're on the victim side of the hustle. And Miles knew hustling was in his veins."
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He's even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he's Spider Man.
But lately, Miles's spidey-sense has been on the fritz. When show more a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and uncle were Brooklyn jack-boys with criminal records. Maybe kids like Miles aren't meant to be superheroes. Maybe Miles should take his dad's advice and focus on saving himself.
As Miles tries to get his school life back on track, he can't shake the vivid nightmares that continue to haunt him. Nor can he avoid the relentless buzz of his spidey-sense every day in history class, amidst his teacher's lectures on the historical benefits of slavery and the importance of the modern-day prison system. But after his scholarship is threatened, Miles uncovers a chilling plot, one that puts his friends, his neighborhood, and himself at risk.
It's time for Miles to suit up. show less
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He's even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he's Spider Man.
But lately, Miles's spidey-sense has been on the fritz. When show more a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and uncle were Brooklyn jack-boys with criminal records. Maybe kids like Miles aren't meant to be superheroes. Maybe Miles should take his dad's advice and focus on saving himself.
As Miles tries to get his school life back on track, he can't shake the vivid nightmares that continue to haunt him. Nor can he avoid the relentless buzz of his spidey-sense every day in history class, amidst his teacher's lectures on the historical benefits of slavery and the importance of the modern-day prison system. But after his scholarship is threatened, Miles uncovers a chilling plot, one that puts his friends, his neighborhood, and himself at risk.
It's time for Miles to suit up. show less
Finished this book and felt like I had to talk to someone about it. What happens when the elevator door opens? The lesson given is clear to the reader, but does it have the same impact on the main character?
After his brother is murdered, Will is following "The Rules" and feels the need to get revenge and kill the guy who killed his brother. Or at least the guy he thinks kills his brother. In a kind of "Christmas Carol" device he meets others in his life who have been killed on the elevator show more ride down to street level and interacts with them to kind of put a lens to his own situation. The cycle of violence his family has been in that is revealed during this ride is heartbreaking.
Sparse and powerful, a quick read I didn't want to put down. show less
After his brother is murdered, Will is following "The Rules" and feels the need to get revenge and kill the guy who killed his brother. Or at least the guy he thinks kills his brother. In a kind of "Christmas Carol" device he meets others in his life who have been killed on the elevator show more ride down to street level and interacts with them to kind of put a lens to his own situation. The cycle of violence his family has been in that is revealed during this ride is heartbreaking.
Sparse and powerful, a quick read I didn't want to put down. show less
Thank god for bookclub! It’s books like this that remind me how lucky I am to be in a club with such a great group of ladies who love to read and know their stuff about what’s out there. The only other Jason Reynolds book I read was for bookclub (was great), but per my norm, since he writes the type of fiction that I don’t usually pursue on my own, it’s likely I would have missed out on this great read as well.
During our meeting, there was a persistent theme of us all having read it show more in one sitting (most of us the very day of bookclub, my bad!) due to the story being written in verse. But this decision was so much more than a device that made the book quick to read! Reynolds masterfully binds together all the strengths that can be gleaned from versed-novels, while deftly avoiding some of the pitfalls, such as melodrama and pretentiousness.
Instead, the limited number of words created an almost claustrophobic atmosphere that mirrored Will’s journey down the elevator. From page to page, the words would be laid out differently across the page, sometimes mimicking the topic that was being discussed, such as a jagged splatter of words about an earthquake and a question mark shape drawn in words themselves. The line breaks, and even page turns, were also effective in giving weight to moments and certain words, leaving them to fall hard on the unsuspecting reader.
Beyond the style of the book, Reynolds tackles a tough and nuanced topic in his exploration of gun violence in a poor, black neighborhood. His story is a frank reveal of the limited choices and persistent cycles that exists, without casting judgement or freeing characters from the responsibility of their actions. Again, the decision to write in verse just further supported this exploration. As the number of words are limited, Reynolds’ language is precise, clear, and devastating.
My only criticism is with the very end, and even there, I’m not entirely sure how I feel. I like the ambiguousness, but I also feel like it wrapped up rather suddenly. However, I also don’t know how else a story like this could have been finished, and the ending itself speaks to the limited and challenging options available in these communities.
----
I had the distinct pleasure of meeting Jason Reynolds while at ALA’s Annual Conference in 2017, and when I met him I got an ARC of “Long Way Down”. I hadn’t known what to expect from that book, but I knew that the concept sounded very intriguing to me. When I finally opened it up a couple months later I was pretty much blown away. I hadn’t expected to be as taken with the book, only because it’s written in verse and DAMN am I not a poetry fan. But I read it one sitting and said ‘wow’ as I set it down at the end. So when we did the B-Sides theme, I KNEW that I needed to pick “Long Way Down”.
Will is a character that the reader can instantly relate to, even if your circumstances don’t match his. He’s a person who has just suffered a great personal loss, and his grief, rage, and helplessness are pushing him towards making a huge mistake: shooting the man who he thinks killed his brother Shawn. As mentioned, this entire story, from his brother’s murder to the aftermath to Will’s experiences in the elevator, is told in poetry form. The poems split up the story into little segments, and you get the full span of anger and deep grief that Will is experiencing. Even though I don’t like poetry, it’s use in this book is incredibly evocative, and in some ways makes it more powerful because of the way Reynolds structures each poem. You know that Will is a boy who deeply loves his brother, and is within a community where cycles of violence can affect, and embitter, anyone.
I also really appreciate the way that Reynolds shows the different victims of gun violence in Will’s life, from his brother to his father to his uncle to a childhood friend. They all have different scenarios that led to their deaths, some because of a direct choice, and others because of sheer circumstance and randomness. The one that hits the hardest is that of Dani, a girl who was friends with Will when they were eight, and who died because of a stray bullet meant for someone else. But that isn’t to say that Reynolds makes any of the other victims less of a victim by including her, no matter what choices they may have made. As Serena mentioned above, Reynolds shows that they are all victims in one way or another, be it victims of gun violence of victims of a society that has forgotten about them. There are lots of greys in this book, and, as Serena mentioned, lots of ambiguity, and I think that given that life is filled with greys it hits the point home.
Reading “Long Way Down” for the second time cemented it as one of my favorite YA books as of late, and Jason Reynolds is a master who is telling stories that really need to be told. I can’t wait to see what else he brings to the literary world. show less
During our meeting, there was a persistent theme of us all having read it show more in one sitting (most of us the very day of bookclub, my bad!) due to the story being written in verse. But this decision was so much more than a device that made the book quick to read! Reynolds masterfully binds together all the strengths that can be gleaned from versed-novels, while deftly avoiding some of the pitfalls, such as melodrama and pretentiousness.
Instead, the limited number of words created an almost claustrophobic atmosphere that mirrored Will’s journey down the elevator. From page to page, the words would be laid out differently across the page, sometimes mimicking the topic that was being discussed, such as a jagged splatter of words about an earthquake and a question mark shape drawn in words themselves. The line breaks, and even page turns, were also effective in giving weight to moments and certain words, leaving them to fall hard on the unsuspecting reader.
Beyond the style of the book, Reynolds tackles a tough and nuanced topic in his exploration of gun violence in a poor, black neighborhood. His story is a frank reveal of the limited choices and persistent cycles that exists, without casting judgement or freeing characters from the responsibility of their actions. Again, the decision to write in verse just further supported this exploration. As the number of words are limited, Reynolds’ language is precise, clear, and devastating.
My only criticism is with the very end, and even there, I’m not entirely sure how I feel. I like the ambiguousness, but I also feel like it wrapped up rather suddenly. However, I also don’t know how else a story like this could have been finished, and the ending itself speaks to the limited and challenging options available in these communities.
----
I had the distinct pleasure of meeting Jason Reynolds while at ALA’s Annual Conference in 2017, and when I met him I got an ARC of “Long Way Down”. I hadn’t known what to expect from that book, but I knew that the concept sounded very intriguing to me. When I finally opened it up a couple months later I was pretty much blown away. I hadn’t expected to be as taken with the book, only because it’s written in verse and DAMN am I not a poetry fan. But I read it one sitting and said ‘wow’ as I set it down at the end. So when we did the B-Sides theme, I KNEW that I needed to pick “Long Way Down”.
Will is a character that the reader can instantly relate to, even if your circumstances don’t match his. He’s a person who has just suffered a great personal loss, and his grief, rage, and helplessness are pushing him towards making a huge mistake: shooting the man who he thinks killed his brother Shawn. As mentioned, this entire story, from his brother’s murder to the aftermath to Will’s experiences in the elevator, is told in poetry form. The poems split up the story into little segments, and you get the full span of anger and deep grief that Will is experiencing. Even though I don’t like poetry, it’s use in this book is incredibly evocative, and in some ways makes it more powerful because of the way Reynolds structures each poem. You know that Will is a boy who deeply loves his brother, and is within a community where cycles of violence can affect, and embitter, anyone.
I also really appreciate the way that Reynolds shows the different victims of gun violence in Will’s life, from his brother to his father to his uncle to a childhood friend. They all have different scenarios that led to their deaths, some because of a direct choice, and others because of sheer circumstance and randomness. The one that hits the hardest is that of Dani, a girl who was friends with Will when they were eight, and who died because of a stray bullet meant for someone else. But that isn’t to say that Reynolds makes any of the other victims less of a victim by including her, no matter what choices they may have made. As Serena mentioned above, Reynolds shows that they are all victims in one way or another, be it victims of gun violence of victims of a society that has forgotten about them. There are lots of greys in this book, and, as Serena mentioned, lots of ambiguity, and I think that given that life is filled with greys it hits the point home.
Reading “Long Way Down” for the second time cemented it as one of my favorite YA books as of late, and Jason Reynolds is a master who is telling stories that really need to be told. I can’t wait to see what else he brings to the literary world. show less
Miles Morales is a typical Brooklyn teenager - black and Puerto Rican, with superpowers bestowed by the bite of a radioactive spider. He studies to keep his scholarship at a fancy private school, has a crush on a girl, and dismantles a centuries-old secret society. All in a day's work.
A great book! It's not very superhero-y, but I didn't mind at all. It's a really good YA book and reminded me a lot of the latest Spider-Man movie, "Spider-Man: Homecoming" combined with recent popular YA books show more about the modern experiences of teens of color, like The Hate U Give. Reynolds does a great job of showing that even super powers are not enough break the cycle of poverty and imprisonment in communities of color, because they still exist within a racist society. That racist society is the real antagonist of this book, because it allows villains to take advantage of the system and use disadvantaged populations however they want. It's simply GENIUS and adds an extra interesting layer to a somewhat overexposed superhero. The book is very funny, and fun to read, and Miles is a great main character (and all the other characters are great too.) I hope Reynolds writes more Spider-Man books, and I definitely plan to check out more of his work AND more Marvel YA novels. Highly recommended, especially if you enjoy YA books about racial issues, even if superheroes don't interest you. show less
A great book! It's not very superhero-y, but I didn't mind at all. It's a really good YA book and reminded me a lot of the latest Spider-Man movie, "Spider-Man: Homecoming" combined with recent popular YA books show more about the modern experiences of teens of color, like The Hate U Give. Reynolds does a great job of showing that even super powers are not enough break the cycle of poverty and imprisonment in communities of color, because they still exist within a racist society. That racist society is the real antagonist of this book, because it allows villains to take advantage of the system and use disadvantaged populations however they want. It's simply GENIUS and adds an extra interesting layer to a somewhat overexposed superhero. The book is very funny, and fun to read, and Miles is a great main character (and all the other characters are great too.) I hope Reynolds writes more Spider-Man books, and I definitely plan to check out more of his work AND more Marvel YA novels. Highly recommended, especially if you enjoy YA books about racial issues, even if superheroes don't interest you. show less
Lists
BLM (1)
READ IN 2021 (1)
To Read (1)
Edgar Award (1)
Boy Protagonists (1)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 53
- Also by
- 16
- Members
- 22,688
- Popularity
- #934
- Rating
- 4.2
- Reviews
- 850
- ISBNs
- 457
- Languages
- 12
- Favorited
- 6

































































































































































































































