Takeshi Miyazawa
Author of Ms. Marvel Vol. 3: Crushed
About the Author
Works by Takeshi Miyazawa
Runaways, Vol. 5: Escape to New York (2005) — Cover artist, some editions; Illustrator — 577 copies, 13 reviews
Sidekicks — Illustrator — 1 copy
Associated Works
Marvel Mangaverse #4 (of 6): Liberty's Doom, Part 1 — Cover artist — 3 copies
Tagged
Common Knowledge
- Canonical name
- Miyazawa, Takeshi
- Birthdate
- 1978-04-19
- Gender
- male
- Education
- Queen's University, Kingston, Ontario, Canada
- Nationality
- Canada
- Birthplace
- Canada
- Associated Place (for map)
- Canada
Members
Reviews
I think this might have been my favorite Ms Marvel so far -- particularly the issue where the Big Bad is gentrification! So thoughtful and timely and relevant, but FUN!
I would happily give this five stars if it weren't for the fact that I find the art style a bit sloppy/inconsistent for my personal tastes.
I would happily give this five stars if it weren't for the fact that I find the art style a bit sloppy/inconsistent for my personal tastes.
Access a version of the below that includes illustrations on my blog.
Since vol. 3, issue #1 in April 2014, my wife and I have bought Ms. Marvel month by month at the comic book store in single-issue format. The series recently hit fifty issues, definitely the longest I have stuck with a monthly comic. (In fact, it's one of two monthly comics I buy as of this writing, and the other is about to come to an end, so I'll be down to just Ms. Marvel.) Because we own all the single issues, we show more haven't bought any of the collected editions, but the prospect of a Marvel Omnibus collecting the entirety of vol. 3 was too good to pass up, and I took the opportunity to reread them all in quick succession, as opposed to stretched out over almost two years. Plus, the book collects some related issues I hadn't already read, though annoyingly it places them all at the back, rather than in order.*
Anyway, Ms. Marvel is still in its fiftieth issue one of the best comic books, and these nineteen issues have almost no duds among them. Kamala Khan's origin story is excellent, a strong origin story doing all the things a teen superhero origin story should do. (Indeed, one of my reasons for rereading this book when I did is that I taught issues #1-5, No Normal, in my YA literature class.) Kamala is real and human, and book is grounded. This is a refinement of the model that made DC's Blue Beetle vol. 8 work so well, which I guess was in turn a refinement of Marvel's original Spider-Man model. Kamala has relatable everyday problems, and she's surrounded by a very real-feeling friends and family. I like Kamala, I like her parents, I like her brother's determination to be normal in the face of it all.
But she also gets to interact with the fantastic and the amazing. The Inventor is a fun villain, and her encounters with Wolverine and Loki are in particular excellent and hilarious. (By contrast, I didn't find her team-ups with Spider-Man or S.H.I.E.L.D. particularly well done, and the Inhumans will always be the least interesting thing Marvel does. Aside from Lockjaw, of course.) In classic Scott McCloud fashion, Kamala is relatable enough to be your vessel into an amazing world, but unlike his theory, she doesn't have to sacrifice her uniqueness to attain her universality.
I like comic books because of their chronological span. I like seeing a character and a concept be worked up and develop over time. That Ms. Marvel has worked in this regard is demonstrated in the book's final story arc, Last Days, where the world is ending. Writer G. Willow Wilson draws all its various threads together in one heart-warming storyline. Everything comes together here, and it's one of those works of fiction that makes you feel good about the world, because this book has earned its warm fuzzies. The characters are on point, the community of Jersey City unites, the jokes are excellent, Kamala is the best hero she can be, and she finally meets her hero as the inescapable doom of Earth arrives.
Also I can't believe I haven't mentioned him yet, but Adrian Alphona, who draws 14 of the 23 issues collected here, is seriously one of the best comic book artists there is. He has an enormous command of character, facial expressions, and humor, essential for a grounded comic book like this one, but he's also strong with the action sequences. I don't think Ms. Marvel would be Ms. Marvel without him, and he defines Kamala and her world. It's a shame that in vol. 4 his involvement diminishes, but what's here is excellent. Shout out too to Takeshi Miyazawa, who I've loved since his Spider-Man Loves Mary Jane days, and who does work almost as good as Alphona's here.
If you like superheroes and you like YA fiction, Ms. Marvel is the best take on the genre there is. Why has there been no Ms. Marvel Omnibus, Vol. 2 yet? This volume collects 23 issues, and there's been at least 34 issues since, so there's definitely enough content. Make it, Marvel, and I will buy it! show less
Since vol. 3, issue #1 in April 2014, my wife and I have bought Ms. Marvel month by month at the comic book store in single-issue format. The series recently hit fifty issues, definitely the longest I have stuck with a monthly comic. (In fact, it's one of two monthly comics I buy as of this writing, and the other is about to come to an end, so I'll be down to just Ms. Marvel.) Because we own all the single issues, we show more haven't bought any of the collected editions, but the prospect of a Marvel Omnibus collecting the entirety of vol. 3 was too good to pass up, and I took the opportunity to reread them all in quick succession, as opposed to stretched out over almost two years. Plus, the book collects some related issues I hadn't already read, though annoyingly it places them all at the back, rather than in order.*
Anyway, Ms. Marvel is still in its fiftieth issue one of the best comic books, and these nineteen issues have almost no duds among them. Kamala Khan's origin story is excellent, a strong origin story doing all the things a teen superhero origin story should do. (Indeed, one of my reasons for rereading this book when I did is that I taught issues #1-5, No Normal, in my YA literature class.) Kamala is real and human, and book is grounded. This is a refinement of the model that made DC's Blue Beetle vol. 8 work so well, which I guess was in turn a refinement of Marvel's original Spider-Man model. Kamala has relatable everyday problems, and she's surrounded by a very real-feeling friends and family. I like Kamala, I like her parents, I like her brother's determination to be normal in the face of it all.
But she also gets to interact with the fantastic and the amazing. The Inventor is a fun villain, and her encounters with Wolverine and Loki are in particular excellent and hilarious. (By contrast, I didn't find her team-ups with Spider-Man or S.H.I.E.L.D. particularly well done, and the Inhumans will always be the least interesting thing Marvel does. Aside from Lockjaw, of course.) In classic Scott McCloud fashion, Kamala is relatable enough to be your vessel into an amazing world, but unlike his theory, she doesn't have to sacrifice her uniqueness to attain her universality.
I like comic books because of their chronological span. I like seeing a character and a concept be worked up and develop over time. That Ms. Marvel has worked in this regard is demonstrated in the book's final story arc, Last Days, where the world is ending. Writer G. Willow Wilson draws all its various threads together in one heart-warming storyline. Everything comes together here, and it's one of those works of fiction that makes you feel good about the world, because this book has earned its warm fuzzies. The characters are on point, the community of Jersey City unites, the jokes are excellent, Kamala is the best hero she can be, and she finally meets her hero as the inescapable doom of Earth arrives.
Also I can't believe I haven't mentioned him yet, but Adrian Alphona, who draws 14 of the 23 issues collected here, is seriously one of the best comic book artists there is. He has an enormous command of character, facial expressions, and humor, essential for a grounded comic book like this one, but he's also strong with the action sequences. I don't think Ms. Marvel would be Ms. Marvel without him, and he defines Kamala and her world. It's a shame that in vol. 4 his involvement diminishes, but what's here is excellent. Shout out too to Takeshi Miyazawa, who I've loved since his Spider-Man Loves Mary Jane days, and who does work almost as good as Alphona's here.
If you like superheroes and you like YA fiction, Ms. Marvel is the best take on the genre there is. Why has there been no Ms. Marvel Omnibus, Vol. 2 yet? This volume collects 23 issues, and there's been at least 34 issues since, so there's definitely enough content. Make it, Marvel, and I will buy it! show less
Wowza. I love this volume; my favorite yet. It started off a bit disjointed since the last volume ended with the world ending, and this one starts with the world past that. (Apparently there were things going on at the Marvel editorial board level that started this series from number one again, even though the continuity hadn't changed? Ugh, stupid editorial board.) Though the crucial things that happened during that non-event still has repercussions, and Kamala isn't sure how to handle it show more all. Particularly Bruno's new girlfriend.
Oh, and she's now an Avenger. I'm not sure how that happened...
Anyway, Kamala has to juggle school, Ms. Marvel stuff, being an Avenger, and family commitments. And it turns out... badly, to put it mildly. There's also a shady redevelopment corporation moving into Jersey City, but really, the big thing is her getting in way over her head because the girl just can't say no.
It's fantastic. I loved Mike, and hope to see more of her. Also, I hope Kamala makes up with her friend Nakia soon. show less
Oh, and she's now an Avenger. I'm not sure how that happened...
Anyway, Kamala has to juggle school, Ms. Marvel stuff, being an Avenger, and family commitments. And it turns out... badly, to put it mildly. There's also a shady redevelopment corporation moving into Jersey City, but really, the big thing is her getting in way over her head because the girl just can't say no.
It's fantastic. I loved Mike, and hope to see more of her. Also, I hope Kamala makes up with her friend Nakia soon. show less
I'm not sure I've ever read a Seanan McGuire Hugo finalist that I've unreservedly liked, but this collection of comics about Ghost-Spider (the hero formerly known as Spider-Gwen) came the closest. This was pretty delightful superhero stuff: Gwen Stacy is trying to be in a band and fight crime in her own universe of Earth-65 while also trying to attend college and make a friendship with an older version of Peter Parker on Earth-616. It's pretty typical "young superhero" tropes with just show more enough novelty to make it enjoyable; in the Marvel multiverse, Deans of Admission just shrug off when new students are transfers from other timelines! I've been a fan of Takeshi Miyazawa ever since Spider-Man Loves Mary Jane, and he is as dependable here as always, a perfect match for what McGuire is doing on writing. Overall a cute package that made me want to go back and read all the Spider-Gwen comics.
My main reservation is that the story basically just stops; this collects the first five issues of a ten-issue series. Assuming McGuire sticks the landing in the last five issues, I would recommend this unreservedly, but until I read it, who knows. show less
My main reservation is that the story basically just stops; this collects the first five issues of a ten-issue series. Assuming McGuire sticks the landing in the last five issues, I would recommend this unreservedly, but until I read it, who knows. show less
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