Sarah Riggs

Sarah Riggs is the author of WATERWORK (Chax), CHAIN OF MINISCULE DECISIONS IN THE FORM OF A FEELING (Reality Street), 60 TEXTOS (Ugly Duckling), and 36 BLACKBERRIES (Juge Editions). Her book of essays, WORD SIGHTINGS: POETRY AND VISUAL MEDIA IN STEVENS, BISHOP, AND O’HARA, was published by Routledge in 2002. She has translated or co-translated from the French the poets Isabelle Garron, Marie Borel, Etel Adnan, Ryoko Sekiguchi, and, most recently, Oscarine Bosquet. A member of the bilingual poetry collective, Double Change (www.doublechange.org), and founder of the interart non-profit Tamaas (www.tamaas.org), she divides her time between the U.S. coasts and Paris, where she is a professor at NYU-in-France.