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About the Author

Mel Gooding is currently Senior Research Fellow at Edinburgh College of Art.

Includes the name: Mel Gooding

Works by Mel Gooding

Abstract Art (2001) 57 copies
Patrick Heron (1994) 33 copies
Frank Bowling (1996) 24 copies
A2Z and More Signs (2006) — Editor — 23 copies
Artists, Land, Nature (2002) 21 copies
Song of the Earth (2002) 17 copies
Herman De Vries (2006) 14 copies, 1 review
John Hoyland (1990) 14 copies
Gillian Ayres (2001) 11 copies
William Alsop Buildings & Proj (1996) 10 copies, 1 review
Roger Hilton (1993) 7 copies
Ceri Richards (1979) 6 copies
Merlyn Evans (2010) 3 copies
Julian Trevelyan: The Artist and his World (2018) — Contributor — 3 copies
Kazimir Malevich: A Box (1990) 3 copies
High-abstract (2011) 3 copies
Sean Shanahan: Vidar (Irish Art) (2002) 3 copies, 1 review
Bruce McLean (1990) 3 copies
Mary Fedden (1995) 3 copies
Sylvia Edwards (2002) 2 copies
Terry Frost: Six Decades (2000) 2 copies
LIM, Kim 1 copy
Terry Frost (2000) 1 copy
Myron Stout (1988) 1 copy

Associated Works

A Book of Surrealist Games (1991) — Editor — 541 copies, 4 reviews

Tagged

Common Knowledge

Birthdate
1945
Date of death
2021-09-20
Gender
male
Education
University of Sussex (MA - English)
Occupations
professor
Organizations
Wimbledon College of Art

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Reviews

3 reviews
This is the first monograph on the work of the Dutch conceptual artist, ecologist and writer-publisher, also published in German. The purpose of the monograph is to map the coherence of every aspect of de vries’ projects and activities, and to demonstrate the philosophical basis of an art that has ecological, political and metaphysical implications.

The prologue defines the artistic project of de vries as pre-eminently concerned with the central problematic of human being within the natural show more world, and distinguishes it in critical terms from those of other artists who work with and in relation to nature. The first section of the book chronologically traces de Vries’ background as botanical scientist, and his development as a conceptual artist working with abstract mathematical issues of randomness and objectivity.

The following sections’, necessarily inter-related, arrangement is determined by de Vries’ modus operandi, and its connections with specific places and projects. ‘at eschenau’ deals with his life and work at his home in Northern Bavaria, close to the Steigerwald forest he describes as ‘his studio’. It describes and analyses the works made there: of found natural objects; earth rubbings; the cultivation, as a work of art, of his ‘meadow’, etc. It further discusses his philosophy and aesthetic in relation to historical precedents (Dürer, the Limbourg brothers, Thoreau, the poetics of Rilke etc.). ‘journeys and projects’ is concerned with the philosophical, historical and political discoveries of de vries as traveller, photographer, publisher, creator of ‘the earth museum’, and as compiler of natural relations, his encyclopaedic treatment of ‘mind-moving’ plants and their derivatives. The final section describes and analyses his various interventions in the alpine country around Digne in Haute Provence, discussing his work there in relation to earlier methodologies of botany and geology, and to the seminal philosophical differences between Descartes and Gassendi.
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Published on the occasion of Vidar exhibition at Dublin City Gallery, The Hugh Lane 26 September 2002 - 5 January 2003

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Statistics

Works
79
Also by
2
Members
521
Popularity
#47,686
Rating
3.8
Reviews
3
ISBNs
87
Languages
6

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