Paul Dini

Wow. This book was very poignant. The story is well-told, and Alex Ross' magnificent illustrations really add punch to the storytelling. It starts out with Superman helping one homeless girl, and seeing that he can do more, reaches out to the world to help feed the hungry. Of course, he himself volunteers to deliver donated food to needed locations. Many are grateful for his aid, but of course there are these jerks who don't want to see him doing any good, including a dictator who insists show more that Superman leave the food with him so that he can then distribute the food to his own people. Naturally, Superman knows he is lying.

This is a beautifully-told story, but with some very harsh truths which leave the reader thinking a good while after they have read this book. I applaud the people responsible for this book, it truly was a worthy project. show less

Do you remember when Earth-51 was destroyed in volume three of Countdown to Final Crisis? Well, apparently none of the writers or characters in volume four do, because here it's destroyed all over again! I think because the account of its destruction in volume three was inconsistent with that of its destruction in Final Crisis, they rolled the events back and did it all over again to make it match up with the account that was given in Final Crisis. Sloppy plotting at its finest!

Other things show more that don't matter:

• Harley Quinn and Holly Robinson are given superpowers by the Amazonian gods. No one cares!
• Mary Marvel is arbitrarily given her powers back. Then she loses them. Then she turns evil again. Then she's fine. What is the point of all this? I have absolutely no idea. This character has essentially been brainwashed off-and-on for 52 issues. What on Earth could even be interesting about that? We haven't learned a thing about Mary as a character. No one cares!
• Various members of the Legion of Super-Heroes are killed off. No one cares!
• The cover of issue #4 is a close-up on Mary Marvel's giant boobs. No one cares!
• Darkseid and Orion have a final showdown. Again. No one cares!
• The Challengers from Beyond (that utterly dull group of characters including Jason Todd, Donna Troy, and some others I don't even remember) tell the Monitors that they'll be monitoring them. You can expect this to literally never be followed up on despite the fact that it really ought to impact Final Crisis because... No one cares!

Really, the only joy you can take in Countdown to Final Crisis at this point is mocking it. It's astounding that talented people like Paul Dini, Keith Giffen, and Jim Starlin got together and produced 1,159 pages of sheer worthlessness. But at least it was always fast-paced, I guess?

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Forget anything nice I said about Volume One, because as soon as you have time to think about it, Countdown to Final Crisis is terrible. In this volume:

• Jimmy Olsen learns that his powers only activate when he's in danger for the fourth or fifth time.
• Mary Marvel acts like a spoiled brat; upon learning she's gone evil, Zatanna's reaction is to shrug her shoulders and do nothing about it.
• All sorts of terrible and uninteresting and incomprehensible stuff happens revolving around whether or

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• not Jason Todd is evil, whether or not the Monitors are evil, whether or not you can tell the Monitors apart, whether or not anyone cares abut Monarch (stop trying to make Monarch happen, DC), whether or not Donna Troy has a personality, whether or not anyone has ever cared about Lord Havok and the Extremists, and it's just painful and dull through and through.
• Mary Marvel is duped by Klarion the Witch-Boy like a rank amateur. Grant Morrison reinvents a character for you, DC, and the only thing you can think to do with him is put him in Countdown!?
• The story ties into The Battle for Blüdhaven, I can only assume because God hates us. (Jack Kirby's Buddy Blank of OMAC fame is living under Blüdhaven.)
• Karate Kid is sick for some reason. 
• Jimmy Olsen and a bug-woman fall in love with each other, seemingly just because she's hot. No one ever explains what she might see in him.

I'll admit I did kind of like Supergirl and Stargirl trying to get into Black Canary's bachelorette party.

At least we're halfway through!

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And so begins the long run to Final Crisis, with the beginning of a miniseries disowned seemingly by everyone involved. In retrospect, this had pretty much nothing at all to do with Final Crisis, or less than nothing, even. But it begins with us following a number of parallel plotlines: two of the Rogues on the run for murdering (or not murdering, it's very unclear) Bart Allen, the fourth (I think) Flash; Jason Todd and Donna Troy being recruited to scour the multiverse (recently revealed to show more exist, or perhaps re-exist, in 52); Holly Robinson, friend of Catwoman (and former Catwoman herself) joining the Amazons along with a reformed Harley Quinn; Jimmy Olsen investigating the deaths of the New Gods; Darkseid is playing with action figures; and Karate Kid and Una (who used to be Duo Damsel who used to be Triplicate Girl) of the Legion of Super-Heroes traveling the 21st century in search of... something.

Despite also being a weekly series of 52 issues, this is pretty different from 52 in one key way. While each issue of 52 corresponded to a week, this series has no such chronological restriction; each issue covers a short span of time, and is pretty much picked up right after in the next one. This gives Countdown to Final Crisis a certain energy that actually made it a pretty enjoyable read, as each issue is a series of crazy events that throws you right into the next issue's series of crazy events, with no time to reflect on what's going on.

Which is good, because what's going on doesn't always make a lot of sense. Countdown weaves in and out of some other comics (most notably, I think, The Lightning Saga, Amazons Attack, and the death of Bart Allen), none of which I've actually read. Sometimes you can follow it, but sometimes you can't at all-- though I gather from reading on-line that the links to The Lightning Saga with Karate Kid were incoherent even to people who'd read both. Why is Karate Kid on a quest? How did he get sick? None of these things that seem like they are important to this story are actually explained in it; I finally figured it out by reading the character description in volume two!

And then there are the incoherences within the series, like the fact that none of the writers and artists seem to be on the same page about many of the details of the Rogue plotline, where things such as their powers, appearances, and plight fluctuate between each issue collected here. And I think Jimmy Olsen does the same thing essentially three times!

But it's all so fast, the book almost gets away with it... for now. I'll admit I had fun reading this, and didn't think it was quite as bad as the world made it out to be.

Yes, that's damning with faint praise.

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