Dann McDorman

West Heart Kill is simultaneously an engrossing mystery and a dissection of the mystery genre. On one level, it’s a conventional variation on the “And Then There Were None” trope. Private Detective Adam McAnnis is on a case and finagles an invitation from a college friend to the 4th of July celebration at West Heart Kill, an exclusive lakeside hunting club in upstate New York. It’s seen better days but the descendants of the founding families continue to come to enjoy the lake and show more illicit hunting.

As soon as McAnnis arrives, it’s obvious these are not happy families. One man kills another’s dog and some suspect it was deliberate, revenge for a tragic accident that happened a few years back. McAnnis is clearly more than a casual visitor, his observant questioning riles some guests and attracts others. A torrential storm hits the area, washing out the bridge and cutting off contact. A woman’s body is found by the lakeshore, but it’s unclear whether it’s suicide or murder. However, the next body to fall leaves no doubt. Nor is there any doubt about the next murder.

West Heart Kill is one of the most fun, and direct, examples of metafiction I can think of. From the outset, we are part of the narrative as Dann McDorman treats us to the history, rules, and conventions of the mystery genre. He involves the Reader directly, demanding our participation in the solution.

I want to run down the street with this book hollering “Read this book!” to everyone I meet. It’s simply brilliant. I loved it from start to finish, a finish that surprised me completely.

I received a copy of West Heart Kill from the publisher through NetGalley.

West Heart Kill at Knopf | Penguin Random House
Dann McDorman on Twitter

https://tonstantweaderreviews.wordpress.com/2023/11/11/west-heart-kill-by-dann-m... show less

Set in the 1970s, the novel revolves around the members of an exclusive hunting club in upstate New York. Long-standing members gather to discuss and disagree on the club’s finances, the admission of a new member and much more. Joining them for the Bicentennial weekend is a detective who manipulates his old college friend whose family is among the members to invite him along. Unbeknownst to the friend or the others, the detective has been hired to gather information about the club and its show more members and report back on the goings-on to his client, whose identity is gradually revealed. The weekend festivities take a sinister turn when the club turns into the scene of crime for a series of deaths. With inclement weather cutting them off from outside assistance, it is up to the members to find the killer in their midst. As the narrative progresses, it becomes evident that more than one person has secrets they would kill to protect and nobody is above suspicion.

West Heart Kill by Dann McDorman is an interesting locked-room murder mystery that certainly keeps you guessing till the very end (and beyond). The novel pays homage to Golden Age murder mysteries with a few twists added to the mix, adding a touch of uniqueness. Shared from the perspective of the detective in the first part and an unknown narrator (we assume to be one of the guests) in the other also, the narrative is shared from multiple perspectives switching from the first-person to the third person, also featuring a metafictional element in the form of the author’s commentary, directly addressing the reader, interspersed throughout the narrative. Atmospheric and suspenseful with a healthy dose of wry humor thrown into the mix, the plot development was well executed, but I can’t say the same about the dénouement. While I can appreciate the author’s use of multiple formats to tell the story, the ending leaves much to the reader’s interpretation and imagination. I also had a few issues with the structure of this novel. I enjoyed reading the segments on classic mystery writers, the discussions on the format and tropes used in crafting stories in this genre and the author’s musings on the same. However, these segments interspersed throughout the primary narrative of this novel impacted the flow of the story, often distracting the reader. It is evident the author is a skillful storyteller who knows much about his craft and has not hesitated to demonstrate the same, but that does not necessarily translate into a particularly satisfying reading experience.

In short, while I did have fun following the mystery, I can’t say that I enjoyed this book in its entirety.

Many thanks to Knopf, Pantheon, Vintage, and Anchor for the digital review copy via NetGalley and the gifted hardcover edition. All opinions expressed in this review are my own. show less

West Heart is an exclusive country enclave owned by a number of wealthy families. As they gatehr for a bicentennial celebration, issues come to the surface and the body count rises. Can the detective purportedly hired by one of the members solve the crime, or is this story about something different after all.
This is a high concept book. McDorman wants to explore the whole genre of detective fiction and its rich heritage and he shows great learning and understanding. However the story is too show more disconnects from the concept and it becomes a little too clever for this reader. in fact I found it rather smug after a promising start. show less

“…for every writer is a murderer, and every reader is a sleuth.”

This is quite unique as it is not any sort of typical murder mystery. Nor is it suspenseful. It’s written more like a thesis that attempts to explain the art of writing this genre of fiction. The tropes, the various methods of murder, the possible motives, and even how a clever whodunit should be constructed. Much discussion of other authors and their canon. It’s described as metafiction. I found it disorienting.

The show more shifting point of view is crazy — starts out in second person with the narrator, who seems to be the author, speaking directly to the reader with explanations, literary references (primary sources), and hints guiding our reactions to the situation and the characters. Then, to third person limited, to first person singular, and to first person plural.

The plot: there is a detective, hired by someone, who is meant to report back on any suspicious or interesting observations that he makes while attending a 4th of July celebration at this wealthy enclave where the residents have known each other all their lives. Did I mention there are a ton of characters and I found them hard to keep straight. During the weekend there are deaths. Who is the killer?

And believe me, this moves along and I’m very interested in the detective’s process and the clues and red herrings. Totally invested. And then the big reveal at the end…doesn’t come. Now I’m the kind of person who feels cheated when faced with ambiguity.

So, despite all the pretentiousness and thought provoking commentary, I was frustrated and confused by the way the narrator pulls a one up at the end. I come away thinking, what in the heck did I just read. I wanted to like it but the unconventional ending just ruined it. Sure I can guess all day but I wanted the author to do the work for me. Maybe this is brilliant work, but I’m just not clever enough to get it.

I listened to the audio book while following along in the e-book ARC provided by the publisher. I liked the voice of the narrator, Robert Petkoff, and he did an excellent job. I did, however, find the redundancy of the question and answer interviews hard to listen to so had to fast forward thru that. It definitely enhanced my appreciation of the book. show less