Ian Hislop
Author of Private Eye Annual 2008
About the Author
Image credit: Ian Hislop Signing the Private Eye annual / Photo by ian_fromblighty
Series
Works by Ian Hislop
Private Eye — Editor — 5 copies
Associated Works
The Silent State: Secrets, Surveillance, and the Myth of British Democracy (2010) — Foreword, some editions — 70 copies, 2 reviews
Tagged
Common Knowledge
- Birthdate
- 1960-07-13
- Gender
- male
- Education
- Ardingley College
University of Oxford (Magdalen College|English literature) - Organizations
- Private Eye (joined|1981|editor|1986)
- Nationality
- UK
- Birthplace
- Mumbles, Swansea, Wales, UK
- Places of residence
- Nigeria (0-4 years old)
Kuwait (childhood)
Saudi Arabia (childhood)
Hong Kong (childhood)
Sissinghurst, Kent, England, UK
Chelsea, London, England, UK - Associated Place (for map)
- Wales, UK
Members
Reviews
http://nwhyte.livejournal.com/1844973.html
it was quite amusing to be submerged again in the long-ago world of 2008, when Gordon Brown had just become Prime Minister and the US presidential campaign was just getting under way. A lot of the humour is childish rather than undergraduate, but some of the barbs are still telling: an advertisement for putting your money Under The Bed (instant access twenty-four hours a day, but not regulated under the financial services compensation scheme), for show more instance. I love the list of made-up facts about the Queen and Prince Philip: "Although the Duke comes from Greek. Danish, German and English stock, he speaks none of those languages."
And the story under the headline Nationwide Fury Erupts As Archbishop 'Converts To Islam' is actually an acerbic deconstruction of the political / media rhetoric on Islam generally, with this cutting sidebar: "That Shock Lecture In Full - The Words That Shook The Nation" followed by a spoof of opaque theological commentary.
I don't always agree with the Eye's target or line but I am glad that its sæva indignatio continues. show less
it was quite amusing to be submerged again in the long-ago world of 2008, when Gordon Brown had just become Prime Minister and the US presidential campaign was just getting under way. A lot of the humour is childish rather than undergraduate, but some of the barbs are still telling: an advertisement for putting your money Under The Bed (instant access twenty-four hours a day, but not regulated under the financial services compensation scheme), for show more instance. I love the list of made-up facts about the Queen and Prince Philip: "Although the Duke comes from Greek. Danish, German and English stock, he speaks none of those languages."
And the story under the headline Nationwide Fury Erupts As Archbishop 'Converts To Islam' is actually an acerbic deconstruction of the political / media rhetoric on Islam generally, with this cutting sidebar: "That Shock Lecture In Full - The Words That Shook The Nation" followed by a spoof of opaque theological commentary.
I don't always agree with the Eye's target or line but I am glad that its sæva indignatio continues. show less
I haven’t bought an annual since… oohh… probably since Beano days back in the early 80s. But having moved to a country where Private Eye is probably banned and would almost certainly not make it through customs if sent here, I decided that it was time to get hold of the best of British satire in another form.
If you’re not familiar with it, let me explain. Private Eye is a fortnightly British publication that, unlike newspapers, tells the news how it really is. From cartoons to show more investigative reporting, its incisive view of current affairs is second to none. Known for biting satire, it often has me in stitches. The annual is a collection of the best bits of the key central pages of the magazine.
Just to give you one example, for the edition that ran shortly after William and Kate had baby George when the British nation was drowning in a deluge of hype, they ran a cover with nothing else but the bold headline Woman Has Baby.
This is genius. Why? Because it succinctly challenges us to reflect on who we are, what we do and why we do it. I found myself returning again and again to parts so I could reflect on the issue concerned and question my own opinions. From the days of Cervantes and Swift, satire has played an essential role in societies that treasure free speech. I do and will be buying Private Eye annuals for many years to come it seems show less
If you’re not familiar with it, let me explain. Private Eye is a fortnightly British publication that, unlike newspapers, tells the news how it really is. From cartoons to show more investigative reporting, its incisive view of current affairs is second to none. Known for biting satire, it often has me in stitches. The annual is a collection of the best bits of the key central pages of the magazine.
Just to give you one example, for the edition that ran shortly after William and Kate had baby George when the British nation was drowning in a deluge of hype, they ran a cover with nothing else but the bold headline Woman Has Baby.
This is genius. Why? Because it succinctly challenges us to reflect on who we are, what we do and why we do it. I found myself returning again and again to parts so I could reflect on the issue concerned and question my own opinions. From the days of Cervantes and Swift, satire has played an essential role in societies that treasure free speech. I do and will be buying Private Eye annuals for many years to come it seems show less
Someone in my house got this as a Christmas gift and I read it while waiting for them to get out of the bathroom. As someone who tried to avoid the news as much as I can help it, I do kind of want the whole back-catalogue now.
One of the better Private Eye collections, which I still found immensely entertaining when I re-read it 20 years after its original publication.
Someone in the British Library either has a fine sense of humour or is woefully ignorant in describing the original language of this work as 'Italian'. I prefer to believe the former and therefore I'm not changing the metadata.
Someone in the British Library either has a fine sense of humour or is woefully ignorant in describing the original language of this work as 'Italian'. I prefer to believe the former and therefore I'm not changing the metadata.
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- Works
- 55
- Also by
- 6
- Members
- 969
- Popularity
- #26,569
- Rating
- 3.7
- Reviews
- 9
- ISBNs
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