Harold L. Goodwin (1914–1990)
Author of The Rocket's Shadow
About the Author
Disambiguation Notice:
Hal Goodwin wrote books under pseudonym in addition to his own name. Please put the John Blaine books and the Blake Savage title under those names (they have been aliased to also appear here if properly entered under the author name they were printed under).
Image credit: Harold L. Goodwin (John Blaine pseud.)
Works by Harold L. Goodwin
Tagged
Common Knowledge
- Legal name
- Goodwin, Harold Leland
- Other names
- Blaine, John
Savage, Blake
Gordon, Hal
Goodwin, Hal
Goodwin, Harold L. - Birthdate
- 1914-11-20
- Date of death
- 1990-02-18
- Gender
- male
- Nationality
- USA
- Birthplace
- Ellenburgh, New York, USA
- Place of death
- Bethesda, Maryland, USA
- Map Location
- USA
- Disambiguation notice
- Hal Goodwin wrote books under pseudonym in addition to his own name. Please put the John Blaine books and the Blake Savage title under those names (they have been aliased to also appear here if properly entered under the author name they were printed under).
Members
Reviews
This is the 4th book in the Rick Brant Electronic Adventure series that I think is the best of the mid-20th century boys adventure series.
I've been a fan of this series ever since picking up a copy of "Sea Gold" at a library book sale when I was about 10 or so. I've been looking for other books in the series ever since.
This one features an archeology expedition to a south seas island to use a new submersible to uncover a sunken temple.
But of course, there's skullduggery afoot concerning show more some bad eggs and their desire to use the submersible to recover treasure seized in World War II by the Japanese and sunk near where the temple is located. We also have to face some savage natives.
All in all, it's a pretty pulpy adventure, although I thought the natives weren't as well developed as I would have liked and I would have liked to have more attention paid to the details of sailing on a tramp steamer in the South Pacific.
I do like that the heroes get to use a combination of scientific knowledge and good old fisticuffs to win the day. They even get some treasure out of it.
A satisfying old boy's adventure even if it was a bit light-weight. show less
I've been a fan of this series ever since picking up a copy of "Sea Gold" at a library book sale when I was about 10 or so. I've been looking for other books in the series ever since.
This one features an archeology expedition to a south seas island to use a new submersible to uncover a sunken temple.
But of course, there's skullduggery afoot concerning show more some bad eggs and their desire to use the submersible to recover treasure seized in World War II by the Japanese and sunk near where the temple is located. We also have to face some savage natives.
All in all, it's a pretty pulpy adventure, although I thought the natives weren't as well developed as I would have liked and I would have liked to have more attention paid to the details of sailing on a tramp steamer in the South Pacific.
I do like that the heroes get to use a combination of scientific knowledge and good old fisticuffs to win the day. They even get some treasure out of it.
A satisfying old boy's adventure even if it was a bit light-weight. show less
After reading Harold Goodwin's The Real Book About Space Travel, I tracked down some of his Rick Brandt Science-Adventure books. Written under the pseudonym John Blaine, I can imagine this would have thrilled a post-WWII 1947 boy - yes, they were gender-binary in their targeting back then; girls had Nancy Drew and boys had the Hardy brothers. Ten years before Sputnik, the rocket to the moon in this tends more toward Swift's or Verne's imagination. Still, there are the elements of science show more that do make this a "Science-Adventure". One serendipitous to only me cross-over, Blaine/Goodwin had the teen character Rick fiddling with a Model-T ignition coil and some batteries to deliver an electric shock and Thomas Willeford's Steampunk Gear, Gadgets, and Gizmos: A Maker's Guide to Creating Modern Artifacts used one in one of his steampunk creations. Not to shock, but for it's geek value, of course!
Fun stuff I never read as a kid. I'll keep the series in mind for a diversion or three this year. show less
Fun stuff I never read as a kid. I'll keep the series in mind for a diversion or three this year. show less
The Rick Brant Science-Adventures were already getting scarce, hard to find, when I was a kid devouring all the series mystery fiction I could. But I persisted, judging the Rick Brant books especially interesting, in no small part because of the science-based storylines. This book, "The Caves of Fear," in particular, stands out in my memory. This mystery begins with cryptography and soon there's mention of heavy water, which at the time this was written meant one thing: nuclear energy. show more Before the end, the team of science-minded sleuths are deep underground in a lake, racing against Chinese secret agents in what turns out to be a very clever espionage tale of nuclear proliferation, c. 1951. show less
review of
John Blaine's The Lost City
by tENTATIVELY, a cONVENIENCE - June 27, 2012
While written under a pseudonym, these Rick Brant stories were all written by the same author (or coauthors), unlike the similar Hardy Boys & Tom Swift series. As I explained in my review of the Hardy Boys' The Clue in the Embers ( http://www.goodreads.com/book/show/13583071-the-clue-in-the-embers ), I recently got interested in rereading bks that I read as a child thanks to an interview question posed to me show more by my friend & fellow writer Alan Davies. As I wrote in that review: "I find it moderately fascinating to reread something that I wd've last read 50 yrs ago to reappraise the culture that they represented at the time."
While I definitely read the Hardy Boys & Tom Swift bks, I'm not sure about this "Rick Brant Electronic Adventure". But given that it was published by the same publisher as the former 2 series & that the size & look of them is similar, it seems very familiar nonetheless.
I started reading this one b/c I'd hurt my leg & wanted to read something completely undemanding to while away my recovery time. I didn't bother to take notes for this review b/c it didn't seem worth the effort.
As w/ the Hardy Boys, the main protagonist is a young 'white' male whose father has an exciting profession that's both led to extraordinary knowledge at an early age & to adventures few are ever likely to encounter. Like The Clue in the Embers, this adventure takes the characters to another continent where 'exotic' people live. Also like The Clue in the Embers, mysterious people try to sabotage their mission. In other words, this is formulaic writing meant to encourage 'white' boys to be resourceful in 'conquering' the world - wch is, of course, their oyster.
This isn't really as 'bad' as my use of the word 'conquering' implies. The use of far-flung locales (in relation to the New Jersey origins of the young men) is a way of introducing parts of the world to the readers to get their imaginations 'out of the box' & into a wider world. In this story, the main villain is an impeccably dressed 'white' man from the Netherlands wearing a clean white suit - & 'our heros' fall for him as someone to be trusted b/c of this appearance. On the other hand, the most helpful character is an impoverished young Indian lad who's dirty & ragged & who speaks pigeon-English & who the protagonists make the mistake of not taking seriously. SO, there's a bit of parody of American stereotyping.
Nonetheless, there's a bit of 'yellow peril' here w/ such torrid passages as "Rick looked into the greasy, Oriental faces with their black, animal-like eyes and knew he could expect no mercy." This latter in reference to the descendants of Ghenghis Khan - by all accounts an extremely nasty fellow.
All in all, I enjoyed it & wd recommend it to practically no-one. Why? As w/ the Hardy Boys, this story was written for a particular time & place & wd have to be revised to reserve the same function as it originally did. As literature in & of itself, it's not that great. For one thing, the villains are so transparent to the reader that they're immediately recognizable while the heros blunder on stupidly. That, of course, can be a technique for making the reader feel smarter & making the reader get emotional about the ongoing foolishness of the protagonists but I just found it annoying.
I wonder if there are any equivalent series today? & how naive & Polly Purebred wd the characters be if there were one? I think of Thomas Pynchon's Against the Day ( http://www.goodreads.com/book/show/277017.Against_the_Day ). Wd Grosset & Dunlop (the original publisher of many of these series) be as daring as Pynchon & have their heros be young anarchist train-hoppers fighting greedy corporate villains? show less
John Blaine's The Lost City
by tENTATIVELY, a cONVENIENCE - June 27, 2012
While written under a pseudonym, these Rick Brant stories were all written by the same author (or coauthors), unlike the similar Hardy Boys & Tom Swift series. As I explained in my review of the Hardy Boys' The Clue in the Embers ( http://www.goodreads.com/book/show/13583071-the-clue-in-the-embers ), I recently got interested in rereading bks that I read as a child thanks to an interview question posed to me show more by my friend & fellow writer Alan Davies. As I wrote in that review: "I find it moderately fascinating to reread something that I wd've last read 50 yrs ago to reappraise the culture that they represented at the time."
While I definitely read the Hardy Boys & Tom Swift bks, I'm not sure about this "Rick Brant Electronic Adventure". But given that it was published by the same publisher as the former 2 series & that the size & look of them is similar, it seems very familiar nonetheless.
I started reading this one b/c I'd hurt my leg & wanted to read something completely undemanding to while away my recovery time. I didn't bother to take notes for this review b/c it didn't seem worth the effort.
As w/ the Hardy Boys, the main protagonist is a young 'white' male whose father has an exciting profession that's both led to extraordinary knowledge at an early age & to adventures few are ever likely to encounter. Like The Clue in the Embers, this adventure takes the characters to another continent where 'exotic' people live. Also like The Clue in the Embers, mysterious people try to sabotage their mission. In other words, this is formulaic writing meant to encourage 'white' boys to be resourceful in 'conquering' the world - wch is, of course, their oyster.
This isn't really as 'bad' as my use of the word 'conquering' implies. The use of far-flung locales (in relation to the New Jersey origins of the young men) is a way of introducing parts of the world to the readers to get their imaginations 'out of the box' & into a wider world. In this story, the main villain is an impeccably dressed 'white' man from the Netherlands wearing a clean white suit - & 'our heros' fall for him as someone to be trusted b/c of this appearance. On the other hand, the most helpful character is an impoverished young Indian lad who's dirty & ragged & who speaks pigeon-English & who the protagonists make the mistake of not taking seriously. SO, there's a bit of parody of American stereotyping.
Nonetheless, there's a bit of 'yellow peril' here w/ such torrid passages as "Rick looked into the greasy, Oriental faces with their black, animal-like eyes and knew he could expect no mercy." This latter in reference to the descendants of Ghenghis Khan - by all accounts an extremely nasty fellow.
All in all, I enjoyed it & wd recommend it to practically no-one. Why? As w/ the Hardy Boys, this story was written for a particular time & place & wd have to be revised to reserve the same function as it originally did. As literature in & of itself, it's not that great. For one thing, the villains are so transparent to the reader that they're immediately recognizable while the heros blunder on stupidly. That, of course, can be a technique for making the reader feel smarter & making the reader get emotional about the ongoing foolishness of the protagonists but I just found it annoying.
I wonder if there are any equivalent series today? & how naive & Polly Purebred wd the characters be if there were one? I think of Thomas Pynchon's Against the Day ( http://www.goodreads.com/book/show/277017.Against_the_Day ). Wd Grosset & Dunlop (the original publisher of many of these series) be as daring as Pynchon & have their heros be young anarchist train-hoppers fighting greedy corporate villains? show less
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- 40
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- 1,921
- Popularity
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- Rating
- 3.6
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- ISBNs
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