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Michael Curtiz (1886–1962)

Author of Casablanca [1942 film]

134+ Works 4,569 Members 80 Reviews 1 Favorited

About the Author

Series

Works by Michael Curtiz

Casablanca [1942 film] (1942) — Director — 1,374 copies, 24 reviews
White Christmas [1954 film] (1954) — Director — 757 copies, 12 reviews
The Adventures of Robin Hood [1938 film] (1938) — Director — 387 copies, 5 reviews
Mildred Pierce [1945 film] (1945) — Director — 151 copies, 2 reviews
Captain Blood [1935 film] (1935) — Director — 103 copies, 2 reviews
Yankee Doodle Dandy [1942 film] (1942) — Director — 101 copies, 3 reviews
The Comancheros [1961 film] (1961) — Director — 92 copies, 2 reviews
We're No Angels [1955 film] (1955) — Director — 87 copies, 1 review
The Sea Hawk [1940 film] (1940) — Director — 80 copies
Santa Fe Trail [1940 film] (1940) — Director — 73 copies
Francis of Assisi [1961 film] (2004) — Director — 62 copies, 3 reviews
Life with Father [1947 film] (1947) — Director — 60 copies, 1 review
This is the Army [1943 film] (1943) — Director — 55 copies
The Kennel Murder Case [1933 film] (1933) — Director — 54 copies, 3 reviews
Dodge City [1939 film] (1939) — Director — 51 copies, 3 reviews
Night and Day [1946 film] (1946) — Director — 51 copies, 1 review
5-Film Collection: Musicals (2015) — Director — 45 copies
Angels with Dirty Faces [1938 film] (1938) — Director — 42 copies
The Private Lives of Elizabeth and Essex [1939 film] (1939) — Director — 41 copies
Classic Features: 50 Movies: Mystery Classics (2008) — Director — 37 copies, 1 review
King Creole [1958 film] (1958) — Director — 33 copies
Passage to Marseille [1944 film] (1944) — Director — 30 copies, 2 reviews
Forbidden Hollywood Collection, Volume 2 (1930) — Director — 27 copies
10 Movie Adventure Pack, Vol. 1 — Director — 27 copies
Trouble Along the Way [1953 film] (1953) — Director — 26 copies
Mystery of the Wax Museum [1933 film] (1933) — Director — 25 copies
Young Man with a Horn [1950 film] (1950) — Director — 25 copies
Black Legion [1937 film] (1937) — Director — 24 copies, 2 reviews
The Egyptian [1954 film] (1954) — Director — 23 copies, 1 review
The Charge of the Light Brigade [1936 film] (1936) — Director — 23 copies
The Breaking Point [1950 film] (1950) — Director — 21 copies, 2 reviews
Cary Grant Signature Collection (2004) — Director — 20 copies
Romance on the High Seas [1948 film] (1948) — Director — 20 copies, 1 review
My Dream Is Yours [1949 film] (1949) — Director — 16 copies
I'll See You in My Dreams [1951 film] (1951) — Director — 15 copies
Kid Galahad [1937 film] (1937) — Director — 14 copies
Captains of the Clouds [1942 film] (1942) — Director — 14 copies
The Unsuspected [1947 film] (1947) — Director — 13 copies, 1 review
Humphrey Bogart: The Essential Collection (2010) — Director — 13 copies
The Sea Wolf [1941 film] (1941) — Director — 12 copies, 1 review
Hollywood Legends of Horror Collection (2016) — Director; Director — 12 copies
Dive Bomber [1941 film] (2014) 11 copies
The Proud Rebel [1958 film] (1958) — Director — 11 copies
20 Wild Westerns: Marshals and Gunmen (2010) — Director — 9 copies
John Wayne: Film Collection (2012) — Director — 8 copies
Four's a Crowd [1938 film] (2011) — Director — 8 copies
Philo Vance Murder Case Collection (2013) — Director — 8 copies
Female [1933 film] (1933) — Director — 7 copies
Doctor X [1932 film] (1932) — Director — 7 copies
Jim Thorpe – All-American [1951 film] (1951) — Director — 6 copies
20,000 Years in Sing Sing [1932 film] (1932) — Director — 6 copies
The Great American Western: Volume 09 (4 movies) (2003) — Director — 5 copies
The Walking Dead [1936 film] (1936) — Director — 5 copies
TCM Greatest Classic Films Collection: Classic Moms (2014) — Director; Director — 5 copies
Four Daughters [1938 film] (1938) — Director — 5 copies
John Wayne: The Epic Collection (2014) — Director — 4 copies
Flamingo Road [1949 film] (1949) — Director — 4 copies
A Breath of Scandal [1960 film] (1960) — Director — 4 copies
British Agent [1934 film] (2012) — Director — 4 copies
Black Fury [1935 film] (2015) — Director — 4 copies, 1 review
Mission to Moscow [1943 film] (1943) — Director — 3 copies
The Jazz Singer [1952 film] (1952) — Director — 3 copies, 1 review
The Helen Morgan Story [1957 film] (1957) — Director — 3 copies
Hollywood Western Collection — Director — 3 copies
Life with Father / Father's Little Dividend (2011) — Director — 2 copies
The Case of the Curious Bride [1935 film] (1935) — Director; Director — 2 copies
Holiday Inn / White Christmas — Director — 2 copies
Best of West: Outlaw & Santa Fe Trail (2000) — Director — 2 copies
Force of Arms [1951 film] (1951) — Director — 2 copies, 1 review
The Best Things in Life are Free [1956 film] (2013) — Director — 2 copies
Noah's Ark [1928 film] (2011) — Director — 2 copies
Front Page Woman [1935 film] (2013) — Director — 2 copies
The Office Wife [1930 film] (1930) — Director — 1 copy
Anthony Adverse [1936 film] (1936) — Director — 1 copy
5 Star Mystery: Volume 2 — Director — 1 copy
John Wayne: American Hero • Hollywood Legend (2006) — Director — 1 copy
Sons of Liberty [1939 film] — Director — 1 copy
The Undesirable [1915 film] (2016) — Director — 1 copy
Bright Lights [1930 film] (1930) — Director — 1 copy
Private Detective 62 (1933) — Director — 1 copy, 1 review
Mammy 1 copy
Stolen Holiday [1937 film] (1937) — Director — 1 copy
the Moon of Israel 1 copy, 1 review
The Hangman [1959 film] (1959) — Director — 1 copy

Associated Works

TCM Greatest Classic Legends Film Collection: Errol Flynn (2011) — Director — 32 copies, 1 review
The Doris Day Collection: Volume 2 — Director — 13 copies
Warner Gangsters Collection, Vol. 1 (2005) — Director; Director — 12 copies

Tagged

1930s (34) 1940s (57) action (52) adventure (68) black and white (46) Blu-ray (45) Christmas (114) classic (39) classics (37) Claude Rains (30) comedy (81) drama (229) DVD (582) Errol Flynn (36) fiction (32) film (118) film noir (31) Humphrey Bogart (51) Ingrid Bergman (34) Michael Curtiz (71) movie (128) movies (72) musical (133) mystery (30) romance (136) VHS (48) video (27) war (55) western (43) WWII (72)

Common Knowledge

Legal name
Kaminer, Manó Kertész (birth)
Other names
Kertész, Mihály
Birthdate
1886-12-24
Date of death
1962-04-10
Gender
male
Education
Markoszy University
Royal Academy of Theatre and Art, Budapest, Hungary
Occupations
actor
film producer
film director
Short biography
Michael Curtiz was born Manó Kertész Kaminer to a middle-class Jewish family in Budapest, Hungary. His father was an architect and his mother an opera singer. He made his stage debut as a child in one of his mother's operas. At age 17, Curtiz ran away from home to join the circus, performing as a juggler, acrobat and mime. He later attended Markoszy University and the Royal Academy of Theater and Art in Budapest. He then became an actor and director with the Hungarian National Theatre. He spent six months working on his craft in Denmark, returning to Hungary to serve in the army during World War I. He went back to filmmaking in 1915 and left Hungary four years later, settling in Vienna. There he directed a number of movies and caught the attention of Jack Warner, head of Warner Bros. Studios in the USA. In 1926, Warner brought Curtiz to Hollywood, where he became a prolific filmmaker. He directed four or five films a year in several different genres, among them The Adventures of Robin Hood (1938), Casablanca (1942), Yankee Doodle Dandy (1942), and Mildred Pierce (1945), now considered classics. He was famous for his skill in creating lavish productions on minimal budgets, as well as for his autocratic ways. He directed many Academy Award-winning performances. Curtiz made his last film in 1961, a year before his death at age 74.
Nationality
Hungary (birth)
USA
Birthplace
Budapest, Hungary
Places of residence
Vienna, Austria
Hollywood, California, USA
Place of death
Hollywood, California, USA
Burial location
Forest Lawn Memorial Park Glendale, Los Angeles County, California, USA
Associated Place (for map)
California, USA

Members

Reviews

99 reviews
S.S. Van Dine's Philo Vance has sadly been all but forgotten today, seeming too perfect and erudite for today’s reading audience. The dapper detective was adapted to film several times, however. The Kennel Murder Case is by far the best film adaptation of the highbrow sleuth. Famed director Michael Curtiz used that early 1930s soft focus look and a well-written and witty script to bring Vance to life in the form of William Powell, who proved perfect for the part.

From the opening moments show more of Vance at the Long Island Kennel Club with his dog, Captain McDavish, this is a classy and breezily-paced little mystery. The murder of Hilda Lake’s dog escalates into a human murder with lots of suspects. But how was the murder committed, since the victim is found dead in a room locked from the inside? It’s just the type of puzzle relished by Philo Vance, so he cancels his vacation cruise to lend Detective Heath (Eugene Pallet) a hand.

A young and very stylish Mary Astor stars as Hilda Lake, with a supporting cast which includes Helen Vinson, Ralph Morgan, Frank Conroy, and Paul Cavanagh. James Lee Liang as a cook obsessed with Chinese treasures adds flavor to this delicious little concoction. Vance has a locked room puzzle to solve, which could make this film seem stage-bound. Director Curtiz, however, manages enough flair and visual touches to offset that drawing-room feel many early 1930's mysteries had.

Shady business dealings, spurned affections, and valuable Chinese artifacts all play a part in this tight little mystery. Powell’s Vance is uptown, cool as a cucumber, and fun to watch as he’s always one step ahead of everyone else. In many ways, what makes Van Dine’s written characterization of Philo Vance seem insufferable to modern readers, lends the screen Vance, influenced by William Powell’s charm, almost hip. Vance’s solution to the mystery is unique, but the best part is the fun we have getting there.

This is a great little rainy night mystery for those times you’re in a nostalgic mood. Mystery lovers won’t want to miss this little gem.
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“That's one fight you Yanks didn't win. But take it easy. We'll send the vet right over!” — Tex

Errol Flynn cut a dashing trail through the American West for the first time in Dodge City. Flynn, an Australian, always worried he would not be accepted as a western hero. But rather than mold him to a type, Flynn's charisma and charm helped put his own stamp on the genre, making for a delightful if bit different entry of wagon trains and wild towns. Everything about this western is show more slightly different, from Flynn's wide-brimmed hat, to the film's deceptively easygoing manner, camouflaging the lighting pace of director Michael Curtiz. The original screenplay by Robert Buckner is an enjoyable piece of entertainment. You know you're watching a western, yet it has a different feel than the usual oater. Dodge City was simply Flynn and the WB stock company saddling up, and the results are fabulous.

Th film opens in Kansas after the Civil War. Wade Hatton (Flynn) and his trail pals are helping Colonel Dodge (Henry O'Neil) bring the railroad and the civilization that would follow along with it. It is here that the bitter conflict with Jeff Surrett (Bruce Cabot) and his henchman Yancy (Victor Jory) comes into play for the first time.

Six years later, Wade and his pals, Rusty (Alan Hale) and Tex (Guinn “Big Boy” Williams), are taking their herd to Dodge. They’ve offered protection to a wagon train carrying young and lovely Abbie Irving (Olivia de Havilland). Her rambunctious brother will force a tragedy upon the trail for which she blames Wade. Orphaned and traveling West, she’s delivered to her aunt and uncle in Dodge, a wild and lawless town rife with fun and danger.

Alan Hale has some fun screen moments trying to reform, while Guinn Williams does the opposite, resulting in perhaps the greatest saloon brawl ever filmed. It is fun to watch, as is everything in this film; especially Flynn, who somehow managed to seem more Aussie here than usual, yet create his own niche in the western.

The cheating and killing by the earlier-mentioned Surrett and his man Yancey will finally go too far, however, when a young boy Wade was fond of loses his life during a disturbance. That’s when Wade finally accepts the offer as Sheriff of Dodge City. He cleans up the town with Rusty and Tex, as families begin to return, while the paper Abbie now works for begins exposing Surrett and his hold on the town, leading to an exciting technicolor showdown.

There is a wonderful ending for fans of Flynn and de Havilland, and silent film fans will be glad to catch a glimpse of silent star Monte Blue as Barlow, still kicking around in films in 1939. This one is simply fun, and the perfect film for a Saturday morning when you want to kick back.
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Absolute mess. Predictable yet illogical. You can see where they want things to go from a mile away, yet they use the clumsiest of plot devices to get them there. I don't know why it survived over the years. The Shop Around the Corner should hold its place in the pantheon. At least I've now ticked it off my list and will never have to watch it again. There's also a dose of military propaganda thrown in for good measure. I can't stand Bing Crosby. Self-satisfied air permeates all his roles. I show more used to adore Danny Kaye when I was a kid; now I find him tolerable, but I can't quite feel that childhood spark. Apparently Vera-Ellen was bulimic, and some of her costumes were designed to hide her skinniness. show less
“And what in heaven's name brought you to Casablanca?” — Renault

“My health. I came to Casablanca for the waters.” — Rick

“The waters? What waters? We’re in the desert!” — Renault

“I was misinformed.” — Rick

Any film buff watching this screen classic today will certainly get a sense of having seen this formula over and over. Howard Hawks remade it in a fashion — and actually improved upon it in some ways by putting his distinct spin on it — in To Have and Have show more Not. While it often gets overpraised because it is a beloved favorite of critics, it also doesn’t receive the credit due it. The four strongest performances here, namely Bogart, Rains, Lorre, and Joy Page, who rarely even gets a mention, didn't get the Academy Award. It can be argued that any solid studio director from this period could have made a great film out of the terrific screenplay from Howard Koch and Julius and Philip Epstein, and the fine cast assembled. But it is a film which is more than the sum of its parts, and the reason why it has been copied so often over the years.

Bogart is Rick Blaine, doing okay running Rick’s Cafe Americain in Casablanca, in French Morocco. Everyone must go through Casablanca to get to Lisbon, and freedom from the turmoil brought about by the War’s ever expanding boundaries. Rick runs his cafe and gambling house unencumbered by politics, looking out only for himself and a few close and loyal employees like Sam (Dooley Wilson) and Carl (S.Z. Sakall). Peter Lorre is marvelous as the criminal who worships Rick, and seeks his approval. It is really what happens to Ugarte (Lorre) which turns Rick in favor of the French Resistance; though it won't become evident until the film is nearly over. It is perhaps, the most interesting relationship in the film, made more so due to Lorre’s small amount of screen time.

Ugarte leaves Rick a letter of transit which can't even be questioned, when in pops Rick’s reason for hiding out in Casablanca — Ilsa Lund (Ingrid Bergman). Rick's bitter disillusionment with love all goes back to what happened in Paris, where Ilsa left him holding his heart in his hands. The flashback montages were in part directed by Don Siegel, who would direct Mitchum and Greer in The Big Steal, and later become well known for Dirty Harry with Clint Eastwood. Ilsa isn't alone, however, bringing along her husband, Victor Laszlo (Paul Henreid). He is the lead figure behind the movement to rid the French of the Germans, who would prefer he never make it to Lisbon.

Caught in between is the pragmatic Captain Renault — Claude Rains in a splendid turn, full of larceny and humor. It is never clear exactly which side he is on. Ilsa wants her husband Victor to escape with his life but Rick isn't so ready to hand over those transit papers; not without some graveling and an explanation for the way he was burned by her.

Bergman proved a good second choice for Ilsa. The viewer knows she’s messed Rick up, and wants it to be righted, while at the same time sensing those two don’t belong together. Her casting opposite Bogart makes the ending easier to take than had someone with more natural chemistry with Bogart been cast in the role. Don’t get me wrong, they are good together in a timeless classic, but that bit of ‘unbelievability’ in their pairing works in the film’s favor at the legendary ending to this film. Howard Hawks had Bogart and Bacall, for example, go off together at the end of To Have and Have Not, which was his own take on Casablanca.

Before we get to the famous ending of Casablanca, however, there are some terrific moments from Joy Page as a young wife fleeing Bulgaria, desperate to get she and her husband out of Casablanca. What Rick does to help her out, and get around her making a mistake with Renault, highlights the effect Ugarte’s killing had on Rick, who at heart is a romantic. Once he knows the reason behind what happened in Paris, he'll come to the same decision the viewer has about where Isla belongs.

Casablanca won the Academy Award for Best Picture, Screenplay, and Direction (Michael Curtiz). Bogart would have won for Best Actor, Rains for Supporting Actor, and Joy Page for Best Supporting Actress in a different time and place. While this isn’t quite the romantic noir masterpiece of Preminger’s Laura, it is one amazingly smooth blend of genres — including noir — which pleases every film buff, and makes it one of the great films of all time. Silent film fans might can even catch a glimpse of star Monte Blue as an uncredited American. Bogart and Bergman fans can enjoy watching this one over and over, as it is one of those films almost universally cherished by movie lovers.
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Lists

Awards

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Associated Authors

Julius J. Epstein Screenwriter
Howard Koch Screenwriter
Robert Buckner Screenwriter
Ranald MacDougall Screenwriter
Casey Robinson Screenwriter
Norman Reilly Raine Screenwriter
Seton I. Miller Screenwriter
Norman Panama Screenwriter
Norman Krasna Screenwriter
Melvin Frank Screenwriter
Iving Berlin Composer
James Edward Grant Screenwriter
Gene Kelly Actor, Director
Raoul Walsh Director
Orson Welles Director
William Nigh Director
Mervyn LeRoy Director
Terry O. Morse Director, Director
H. C. Potter Director
Garson Kanin Director
Claude Binyon Screenwriter, Writer
Irving Reis Director
Edmund Joseph Screenwriter
William Wyler Director
Clair Huffaker Screenwriter
Stanley Donen Director
Warren Duff Screenwriter
Roy Del Ruth Director
John Huston Director
Irving Pichel Director, Actor
William Berke Director
Roy Del Ruth Director
Eugene Vale Screenwriter
Ernest Hemingway Screenwriter
Irving Berlin Composer
Robert N. Lee Screenwriter
Karl Freund Director
George Sidney Director
John Wexley Screenwriter
Edgar Ulmer Director
John Rawlins Director
Byron Haskin Director
James V. Kern Director
John Cromwell Director
Lynn Shores Director
Phil Karlson Director
Graham Cutts Director
Rudolph Maté Director
Arthur Lubin Director
Lewis Allen Director
Norman Foster Director
Fritz Lang Director
Herbert Baker Screenwriter
John C. Moffitt Screenwriter
Kathryn Scola Screenplay
Boon Collins Director
Henri Charr Director
Zoltan Korda Director
William Katt Director
Stefan Scaini Director
Carl Foreman Screenwriter
Don Mullally Screenwriter
Carl Erickson Screenwriter
David Butler Director
Jules Dassin Director
Michel Jacoby Screenwriter
B. Reeves Eason Second Unit Director
Philip Dunne Screenwriter
Ray Nazarro Director
Joseph Kane Director
David Heeley Director
Harry Kurnitz Screenwriter
Dane Lussier Screenwriter
Howard Hughes Director
Jack Rose Screenwriter
Melville Shavelson Screenwriter
Roland Gillett Screenwriter
Arthur T. Horman Screenwriter
Bess Meredyth Screenwriter
Tod Browning Director
Robert Rossen Screenwriter
Joseph Petracca Screenwriter
Cy Endfield Director
Lillie Hayward Screenwriter
Ted Tetzlaff Director
Nando Cicero Director
Buzz Kulik Director
Albert Band Director
Delmer Daves Director
Earl Bellamy Director
Alan Crosland Director
David Burton Director
Archie Mayo Director
Earl Baldwin Screenwriter
Robert Tasker Screenwriter
Everett Freeman Screenwriter
Brown Holmes Screenwriter
Douglas Morrow Screenwriter
Wilson Mizner Screenwriter
Ewart Adamson Screenwriter
Lenore J. Coffee Screenwriter
Nicholas Ray Director
Mark Rydell Director
Don Siegel Director
Burt Kennedy Director
John Sturges Director
Tenny Wright Director
Edward Ludwig Director
John Farrow Director
John Ford Director
Frank Tashlin Director
Charles Vidor Director
Jack Donohue Director
Ray Taylor Director
George Cukor Director
Tim Whelan Director
Nelson Gidding Screenwriter
David Howard Director
John Rich Director
Craig Clyde Director
Lew Ayres Director
Norman Taurog Director
Ben Hecht Screenwriter
Leo McCarey Director
Walter Lang Director
R. John Hugh Director
Ford Beebe Director
Hal Walker Director
Lloyd Bacon Director
Sig Herzig Screenwriter
Hal B. Wallis Producer
Max Steiner Composer
Owen Marks Editor
Murray Burnett Original play
Joan Alison Original play
Joy Page Actor
Curt Bois Actor
Sol Polito Cinematographer
Henry Blanke Producer
Eve Arden Actor
Doris Day Actor
George Amy Producer
Tony Gaudio Cinematographer
Edith Head Costume Designer
Ernest Haller Cinematographer
Jerry Wald Producer
W. Howard Greene Cinematographer
Ann Blyth Actor
William V. Skall Director of Photography
Myrna Loy Actor
Charles Hoffman Screenwriter
Alan Ladd Actor
John Baer Actor
Aldo Ray Actor
Pat Duggan Producer
Loyal Griggs Cinematographer
Albert Husson Original play
Ray Rennahan Cinematographer
Ludwig Von Wohl Original book
Peverell Marley Cinematographer
Howard Lindsay Original play
Emma Dunn Actor
Russel Crouse Original play
James Lee Actor
Leo Townsend Screenwriter
Peverell Marley Director of Photography
William Bowers Screenwriter
Cole Porter Composer
Lee Tracy Actor
John Wray Actor
Maxwell Anderson Orginal play
Ted Healy Actor
Walter Scharf Composer
Charles Nordhoff Original novel
James Norman Hall Orginal novel
James Wong Howe Cinematographer
Bernhard Kaun Composer
Gene Markey Screenplay
Tom Tully Actor
Charles S. Belden Original story
Lon Poff Actor
Ray Heindorf Composer
Ted D. McCord Cinematographer
Guy Usher Actor
Cliff Hess Composer
Alfred Newman Composer
Burt Lancaster Actor, Contributor
Fritz Freleng Animation sequences
Wilfrid M. Cline Cinematographer
vohsjoan Actor
Grace Le Boy Composer
Gus Kahn Lyricist
Ralph Blane Lyricist
Harry Warren Composer
Bob Evans Actor
Francis Wallace Original story
Lya Lys Actor
Jack London Original novel
Woody Bredell Cinematographer
Charlotte Armstrong Original novel
Lee Katz Writer
Franz Waxman Composer
Ned Marin Producer
Lewis E. Lawes Original book
Barney McGill Cinematographer
Howard W. Comstock Original play
Allen C. Miller Original play
Al Mejia Actor
Tom Dugan Actor
Mae Busch Actor
Lola Lane Actor
Fannie Hurst Orginal story
Paul Muni Actor
Gale Page Actor
William Rees Cinematographer
Joseph Edward Davies Original book
Frank Fay Actor
Ronald Neame Director
Jack Lord Actor
Sidney Hickox Cinematographer
Sean Phillips Cover artist
towerrichard Cinematographer

Statistics

Works
134
Also by
17
Members
4,569
Popularity
#5,500
Rating
3.9
Reviews
80
ISBNs
217
Languages
5
Favorited
1

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