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Gaby Wurster

Author of The Sexual Life of Catherine M.

7+ Works 1,573 Members 29 Reviews 1 Favorited

Works by Gaby Wurster

Associated Works

When Breath Becomes Air (2016) — Übersetzer, some editions — 6,806 copies, 338 reviews
Paneb the Ardent (2000) — Übersetzer, some editions — 362 copies, 2 reviews
The Place of Truth (2000) — Übersetzer, some editions — 335 copies, 3 reviews

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Common Knowledge

Birthdate
1958
Gender
female
Nationality
Germany
Birthplace
Stuttgart, Germany
Places of residence
Tübingen, Germany
Associated Place (for map)
Germany

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Reviews

31 reviews
I only got two-thirds of the way through "The Sexual Life of Catherine M." It's not a good book, but that doesn't mean it's not, in its flawed way, an interesting read. In it, Catherine Millet, the editor of a noted French art magazine, describes her swinging exploits in clear-eyed detail. She describes having carnal relations with hundreds, if not thousands, of men in swinger's clubs, parking garages, bachelor apartments, and just about everywhere else in Paris. She doesn't seem to regret show more her sexual exploits, or, indeed, tell us how she feels about them. Her sexual exploits are presented matter-of-factly: they're just experiences she had. The book has received terrible reviews, both from professional critics and LibraryThing readers, but I think it's this flatness of tone (and perhaps an absence of contrition) that really put readers off. If what I read can be believed, many French folks seem to be able to take sex utterly casually, and this drives a lot of Americans absolutely nuts. Just because orgasms were had doesn't means lessons were necessarily learned: one thing doesn't necessarily follow the other, at least in gay Paree.

There are, in any case, things I genuinely liked about the book. Millet's artistic background shows through in places: she's very cognizant of how she presents her body, and some of the scenes she describes almost are almost reminiscent of artistic tableaux. She also understands what Al Pacino's character in "Glengarry Glen Ross" understood about sex: it's not the orgasms or the mechanical aspect of it that people tend to remember but the fleeting, liminal, ambiguous moments that take place between people in intimate situations: an unexpected caress, a touch, a meaningful glance. "The Sexual Life of Catherine M." contains lots of these little moments, even if the author often follows them up with something like "I had relations with a dozen other men that night as well."

A lot of reviewers here have expressed the opinion that Catherine Millet is an obviously damaged woman, and some have said that they feel sorry for her. I'm undecided on this point. There's a lot that suggests that Catherine did what she did for reasons that weren't altogether healthy: she seems to have used relationships with men to escape her suffocating family life, and she doesn't seem to know how to flirt or seduce her partners. Maybe, like many sex addicts, she got naked and had sex with people because she couldn't figure out how relate to them any other way. But her sexual life also bears an uncanny resemblance to her earliest sexual fantasies and she seldom expresses any regret about what she did or tells the reader that she didn't get what she wanted out of her adventures. It's possible that she's just a highly sexual person and that's all there is to say. And that, really, is the other problem with "The Sexual Life of Catherine M". It lacks any semblance of dramatic structure. It's more of sexual diary than an actual story, so it's not too surprising that it grows tedious after a while, despite all the erotic goings-on. Still, maybe that's the point. The title of this book is "The Sexual Life of Catherine M." However much sex she's had, I suspect that what's described here is just a sliver of her overall experience, and perhaps the only part of herself she intended to show her readers. Reviewers who felt sorry for her might have considered the fact that this lady edits an art magazine, so I'm sure that she's got some other stuff going on in her personality and in her brain. But this book is mostly just about her sex life, and that's both a good thing and a bad thing.
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½
As the title might suggest, this is a very graphic memoir, by turns equally salacious and detached. The critics found it highbrow, claiming it is a feminist statement and a reimagining of feminine sexuality. Personally, I thought it was more likely to be a case of the emperor having no clothes. A memoir detailing Millet's sexual life, from her childhood fantasies to her participation in group orgies and swinging to her open marriage, this is open and unashamed. But it is also deadly dull. show more Yes, a book about sex that makes you want to die a little, and not in the way of la petite mort.

I found it a little (okay, a lot) disturbing that Millet claims that some of her earliest memories are her sexual fantasies about group sex. It certainly makes one wonder what sorts of things a child her age had been exposed to in order to know enough to have these vivid and detailed fantasies at such a young age. The casualness of the sexual encounters surprised me, including the complete lack of worry about mundane things like protection or disease (condoms are mentioned once while male partners' proclivities for seeing others' bodily fluids and contributing to them are mentioned as if unprotected sex is par for the course. Obviously clap was a common occurrence as she mentioned alternative outlets when she was suffering from it. And there was never a thought for the significant others of some of her more frequent partners, only a few of whom (the significant others, I mean) are mentioned as participants in the casual, free sex world that Millet inhabits. Obviously this is not a book for the squeamish or the prudish. The language used in the book, whether as a choice of the translator or true to the original, is fairly slang-y and confrontational but ironically, even the shocking use of casual terms for sexual organs and actions can't save this book from snoozeville.

Millet tries to draw some parallels to the art world in her discussion of space and number and in her description of scene but it all falls flat. This particular edition contains an afterwod where she tackles the criticism that her writing about something so personal is detached and unengaging, suggesting that those who make this criticism are missing the point. But her argument that the only way to write about or observe sex is in a detached manner, even if the author is the person indulging in it herself, rings false. As a matter of fact, it suggests that sexual encounters with Ms. Millet are probably fairly unemotional, unfulfilling experiences all the way around, despite her assertion that she is complimented all the time on her prowess. But technical prowess doesn't always equate to satisfaction. And this book proves it. Technically adept writing-wise, the reading offered no satisfaction, emotionally or intellectually. Oh, and color me a prude because the repeated graphic depictions of entangled bodies indulging in group sex, flashed kaleidoscopically throughout the text, first horrified me, then numbed me, and finally bored me to apathy. And I've just recently read there is a sequel either in the works or recently published. I plan on turning a blind eye to what I suspect is more intellectual masterbation (ironic given that it is over group and free sex, eh?) in book form.
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Imagine a person who is a gourmand, obsessed with food. They note every single ingredient in every dish, how they were mixed together and how that felt. Then every detail about how those ingredients were cooked and what it smelt like, what it tasted like, what it felt like to eat it and then what it felt like after the meal too. Now imagine that person is also a glutton.

Now substitute food for sex and you have the thread of this book. There is so much descriptive graphic sex in this book show more that it stood up on its own on the bedside table.

Sounds sleazy I guess but let me assure you that it is anything but. It is really well written and perceptive and engaging. You won't learn any new tricks from this book but you will recognise some honesty and let's face it, honesty about sex is pretty damn rare.

If you are caught up in morality, or even worse sexual politics, you will find much to feed your prejudices here. In fact there is so much to object to here that the church has had to employ eunuchs to read it, not me though!

I once read a very long article by the food critic, A.A. Gill. The article wasn't about food but it was about him going to LA to make a porn film with the industry professionals. Never a man to be afraid to take a wrong step it too was a revelation about the reality and the sheer physical endurance of those he worked with. He described them as athletes. To make a parallel from there to this book is no great step. This woman was gifted at the kind of sex she enjoyed.

Initially there was some much sex that I actually got splashed while reading it. But after a while the sex just fades away and her voice becomes much clearer and a clear voice it is too. I was touched by her bravery and her honesty.

Give how "weirded up" sex is in the media is really surprised me that such a book exists at all. You now what I mean, advertising is full of sex but you wont see and nipples and if anyone actually lets them slip, why, the entire media has a collective ejaculation about it.

This book is a real breath of fresh air and I guess you could say that it is one woman's way of normalising something that has long since ceased being normal and she did that by a most unusual form of sex to boot.
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Modern art critic Catherine M. here details her sexual life, both in acts and in thought, from childhood to marriage in a way which provokes more thought than titillation.

I can understand the frustrations of people who have read this book and found it tedious in the extreme, however coming from a background of studying sociology and focusing especially on the sexual, I found it fascinating. Catherine's level of detachment allows for a more nuanced appraisal of her own sexual experiences, show more bringing in things from pseudo-psychoanalysis through to postmodern concepts of space. The ability to bring all this into a book centring on her own experiences of group sex and swinging is a feat in itself.

I would urge people to restrain themselves from running their own psychological profiling on Catherine M. in favour of accepting her own perceptions and accounts. I certainly felt I got a lot from this book simply by reading with an open mind.

In short, I wouldn't recommend this to someone simply for a thrill, however I would suggest it to anybody with a deeper interest in human sexuality.
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Associated Authors

Kiki Coumans Translator
Adriana Hunter Translator
Martine Vosmaer Translator
Sergi Matarín Translator

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Works
7
Also by
4
Members
1,573
Popularity
#16,417
Rating
4.0
Reviews
29
ISBNs
63
Languages
18
Favorited
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