Ellsworth Kelly (1923–2015)
Author of Ellsworth Kelly: A Retrospective
About the Author
Image credit: Ellsworth Kelly [credit: Museum of Modern Art]
Works by Ellsworth Kelly
Ellsworth Kelly, recent paintings and sculptures: The Metropolitan Museum of Art, New York, April 26-June 24, 1979 (1979) 9 copies, 1 review
Ellsworth Kelly : a special exhibition celebrating his 85th birthday, Art 39 Basel, June 4-8, 2008 (2008) 3 copies
Of Absence and Presence 3 copies
Ellsworth Kelly, Twelve leaves 3 copies
Recent paintings by Ellsworth Kelly : opening 4-7 Wednesday, November 3, 1971 thru November 27 at Sidney Janis (1971) 2 copies
Spécial Ellsworth Kelly 2 copies
Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture Volume 2: 1954–1958 (2021) 1 copy
Tablet 1 copy
Artist's Choice Ellsworth Kelly, Fragmentation and The Single Form; June 15- September 4, 1990 1 copy
Un Coup de Dés 1 copy
Associated Works
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings (1995) — Contributor — 420 copies, 1 review
Tagged
Common Knowledge
- Birthdate
- 1923-05-31
- Date of death
- 2015-12-27
- Gender
- male
- Education
- School of the Museum of Fine Arts, Boston
- Occupations
- painter
sculptor
printmaker - Organizations
- American Academy of Arts and Letters (Art, 1974)
- Awards and honors
- National Medal of Arts (2013)
- Agent
- Parsons, Betty (art dealer)
- Nationality
- USA
- Birthplace
- Newburgh, New York, USA
- Places of residence
- New York, New York, USA
- Place of death
- Spencertown, New York, USA
- Associated Place (for map)
- New York, USA
Members
Reviews
A facsimile reproduction of an iconic and revelatory Kelly notebook, in a custom clothbound case
Made between 1954 and 1956―when Ellsworth Kelly (1923–2015) returned to New York after six formative years in France―Sketchbook #26 represents the artist at his most innovative. Across 36 pages of a spiralbound Strathmore sketchbook, he wielded pencil and felt-tip pen in a bold, saturated palette to explore forms that are at once geometric and iconic.
MoMA's deluxe facsimile edition, produced show more in a limited run of 500 copies, represents an extraordinarily faithful reproduction of the sketchbook, including pages with cut-outs and collage elements, and is accompanied by a booklet with an introductory essay and an analysis of the sketchbook. The facsimile and booklet are housed together in a custom clothbound clamshell case. Sketchbook #26 is published as part of a centennial celebration of the artist. show less
Made between 1954 and 1956―when Ellsworth Kelly (1923–2015) returned to New York after six formative years in France―Sketchbook #26 represents the artist at his most innovative. Across 36 pages of a spiralbound Strathmore sketchbook, he wielded pencil and felt-tip pen in a bold, saturated palette to explore forms that are at once geometric and iconic.
MoMA's deluxe facsimile edition, produced show more in a limited run of 500 copies, represents an extraordinarily faithful reproduction of the sketchbook, including pages with cut-outs and collage elements, and is accompanied by a booklet with an introductory essay and an analysis of the sketchbook. The facsimile and booklet are housed together in a custom clothbound clamshell case. Sketchbook #26 is published as part of a centennial celebration of the artist. show less
Beautiful abstract black and white minimal and high contrast pictures from one of the most relevant artist from the American Minimalist Movement. Everyday slices of the world from a very insigthful eye.
Published to conincide with a major exhibition to tour both the US and Europe. this volume offers a survey of the artist's paintings, sculptures, works on paper and photographs. The catalogue spans five decades, beginning in the late 1940s when Kelly formulated a visual language that he has continued to elaborate and explore throughout his artistic career. Interested in the work of Arp, Matisse and other European artists, Kelly developed his own style of abstraction while working in Paris show more after the Second World War. Following his arrival in New York in 1954, Kelly continued to work independently, creating flatly painted geometric works at odds with the gestural brushwork of Abstract Expressionism, the dominant style of American abstraction. show less
A beautiful book overrun with design devices on a subject of exquisite refinement and simplicity - Ellsworth Kelly’s chapel in Austin, Texas.
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Associated Authors
Statistics
- Works
- 78
- Also by
- 2
- Members
- 776
- Popularity
- #32,779
- Rating
- 3.5
- Reviews
- 14
- ISBNs
- 51
- Languages
- 2
















