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Hergé (1907–1983)

Author of Tintin in Tibet

553+ Works 59,562 Members 605 Reviews 98 Favorited

About the Author

'Hergé' was born Georges Remi on 22 May, 1907 in Etterbeek, a suburb of Brussels, in Belgium. After leaving school, he worked for the daily newspaper, Le XXe Siècle (The 20th Century). He was responsibe the for the section of the newspaper designed for children. Tintin, the main character in his show more works, was introduced on January 10, 1929 in a story entitled 'Tintin in the Land of the Soviets.' Each story ran as a comic strip in the newspaper and then was published as a book. Some of these books were adapted for the small screen including The Crab With The Golden Claws, Star of Mystery, Red Rakham's Treasure, Black Island, Objective Moon and The Calculus Affair. French TV produced longer versions of twenty of the books in 1992, which have been broadcast in over fifty countries. On 3 March, 1983, he died in Brussels. At the time of his death, he was working on Tintin and the Alpha-Art, which was published in an unfinished form. (Bowker Author Biography) show less

Series

Works by Hergé

Tintin in Tibet (1959) — Author — 2,621 copies, 21 reviews
The Blue Lotus (1946) — Author — 2,411 copies, 26 reviews
The Black Island (1938) — Author — 2,336 copies, 19 reviews
Cigars of the Pharaoh (1955) — Author — 2,335 copies, 31 reviews
The Secret of the Unicorn (1943) — Author — 2,330 copies, 25 reviews
Red Rackham's Treasure (1943) — Author — 2,329 copies, 15 reviews
Destination Moon (1953) — Author — 2,243 copies, 22 reviews
The Crab with the Golden Claws (1941) — Author — 2,224 copies, 21 reviews
Explorers on the Moon (1954) — Author — 2,199 copies, 20 reviews
Tintin in America (1946) 2,140 copies, 32 reviews
Prisoners of the Sun (1949) — Author — 2,131 copies, 14 reviews
The Castafiore Emerald (1961) — Author — 2,063 copies, 18 reviews
King Ottokar's Sceptre (1938) — Author — 2,052 copies, 17 reviews
The Shooting Star (1942) — Author — 2,041 copies, 19 reviews
The Seven Crystal Balls (1946) — Author — 2,040 copies, 15 reviews
The Calculus Affair (1956) — Author — 1,953 copies, 17 reviews
Flight 714 to Sydney (1967) — Author — 1,949 copies, 15 reviews
Land of Black Gold (1950) — Author — 1,944 copies, 17 reviews
The Broken Ear (1943) — Author — 1,939 copies, 21 reviews
The Red Sea Sharks (1956) — Author — 1,914 copies, 10 reviews
Tintin and the Picaros (1976) — Author — 1,874 copies, 16 reviews
Tintin in the Land of the Soviets (1929) — Author — 1,589 copies, 35 reviews
Tintin in the Congo (1946) — Author — 1,484 copies, 27 reviews
Tintin and the Lake of Sharks (1973) — Illustrator — 866 copies, 8 reviews
Tintin and Alph-Art (1986) — Author — 695 copies, 11 reviews
The Valley of the Cobras (1976) 184 copies, 1 review
The Adventures of Tintin in the Congo (1931) 133 copies, 1 review
Destination Moon / Explorers on the Moon (1981) 110 copies, 4 reviews
Tintin in America (Facsimile Edition) (1932) 89 copies, 2 reviews
The Black Island (Facsimile Edition) (1988) 65 copies, 1 review
Two of a Kind (1981) 50 copies, 2 reviews
Double Trouble (1985) 41 copies
High Tension (1985) 35 copies
Full Sail (1986) — Author — 33 copies
Popol Out West (1969) 33 copies, 1 review
The Adventures of Tintin - The Complete Collection (1991) — Creator — 31 copies
King Ottokar's Sceptre (Facsimile Edition) (2000) 30 copies, 1 review
It's Your Turn (1986) 28 copies
Totor / Tintin in the Land of the Soviets (1975) 25 copies, 1 review
Archives Hergé (1973) 25 copies, 1 review
Without Mercy (1987) 25 copies
Quik & Flupke: Catastrophe (1988) 24 copies
Excuse Me Ma'am (1987) 21 copies
Long Live Progress (1987) 20 copies
Bluffmasters (1990) 20 copies, 1 review
The Adventures of Tintinvolume 5 (2015) 19 copies, 1 review
Pranks and Jokes (1993) 17 copies
The Secret Ray/Quick and Flupke (1999) 14 copies, 1 review
Archives Hergé (1993) 13 copies
Tintin (1970) 12 copies, 1 review
Ils ont marché sur la Lune (1985) 12 copies
Tintin & Snowy Album 2 (2006) 10 copies
Tintin Poster Book (1986) 9 copies
Kuifje in El Salvador (1984) — Illustrator — 9 copies
Learn Colors with Tintin (1999) 8 copies
Six Adventures of Tintin (2000) 7 copies
Learn Numbers with Tintin (1999) 6 copies
Hergé Werkausgabe 15 (2000) 5 copies
Hergé, correspondance (1989) 4 copies
Tintin volume 1 3 copies
Comment Nait Une Bande Dessinee (1993) 3 copies, 1 review
De automobiel I. Van zijn oorsprong tot 1900 — Illustrator — 3 copies
Hergé archéologue (2011) 2 copies
Tintin filmalbum (2014) 2 copies
LA ERUPCION DEL KARAMAKO (1988) 2 copies
Hergé 2 copies
Tintin noir sur blanc (2009) 2 copies
L'oeuvre intégrale T.9 (1986) 2 copies
Tintim 2 copies
L'éléphant 2 copies
L'Egypte (1999) 2 copies
L'oeuvre intégrale T.7 (1985) 2 copies
Quick & Flupke 2 copies
Tìr an òir dhuibh (2023) 2 copies
A illa Negra (2022) 1 copy
Tajemnica jednorożca (2009) 1 copy
Tintin w Kongo (2017) 1 copy
Il loto blu 1 copy
714 hang ban 1 copy
Perou (Le) (2000) 1 copy, 1 review
Les girafes 1 copy
Vliegtuigen Oorlog 1939-1945 — Illustrator — 1 copy
Le Lion (2006) 1 copy
Lars og Lue på glatis (1981) 1 copy
Kuifje 1 copy
Her kommer Lars og Lue (1981) 1 copy
Fuga Temeraria (2011) 1 copy
Tintin (BBC) 1 copy
Tintin Books 1 copy
FARCE ET ATTRAPES 1 copy, 1 review
VOL 7Y14 POUR SYDNEY 1 copy, 1 review
L'etoile mysterieuse 1 copy, 1 review
Kuifje in Barcelona (2000) 1 copy

Associated Works

Tagged

20th century (306) adventure (1,841) bande dessinée (922) Bandes dessinées (213) BD (1,409) Belgian (264) Belgian literature (219) Belgium (401) cartoons (459) children (518) children's (926) children's literature (261) comic (2,343) comic book (454) comic books (209) comics (5,085) Comics & Graphic Novels (214) fiction (2,469) French (804) graphic novel (2,495) graphic novels (470) Hergé (893) humor (621) mystery (238) read (601) series (413) strip (309) strips (371) Tintin (6,366) to-read (366)

Common Knowledge

Canonical name
Hergé
Legal name
Remi, Georges Prosper
Birthdate
1907-05-22
Date of death
1983-03-03
Gender
male
Occupations
illustrator
author
cartoonist
graphic designer
Organizations
Association des Scouts Baden-Powell de Belgique
Movement d’Action catholique
Association catholique de la Jeunesse belge (A.C.J.B.)
Awards and honors
Musée Hergé, Louvain-la-Neuve, Belgium (2009)
Short biography
[excerpted from Wikipedia]
Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed, but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration.

After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and although no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects.

Hoping to imitate the success of the recent animated films Asterix the Gaul (1967) and Asterix and Cleopatra (1968), Hergé agreed to the production of two animated Belvision films based on the Adventures of Tintin. The first, Tintin and the Temple of the Sun (1969), was based on pre-existing comics, whereas the second, Tintin and the Lake of Sharks (1972) was an original story written by Greg.
Cause of death
cardiac arrest
Nationality
Belgium
Birthplace
Etterbeek, Brussels, Belgium
Place of death
Woluwe-Saint-Lambert, Belgium
Burial location
Cemetery on Dieweg, Uccle, Brussels, Belgium
Map Location
Belgium

Members

Reviews

685 reviews
http://nwhyte.livejournal.com/2354109.html

I remembered this fondly from my childhood - it may even have been the first Tintin book I ever read - and very much hoped that it would live up to my memories. I'm glad to say that it did, and if anything it works even better for me now that I have spent several years in the meantime being closely involved with Balkan politics, and also because I now know Brussels rather better than I did when I was 9. (Apparently it was the first Tintin story to be show more translated into English, though that was some time before I was taking much interest in these matters.)

The story is pretty straightforward - Tintin gets recruited by a Balkan culture expert to travel to the mysterious land of Syldavia, where he crucially averts a plot to deprive the young king of his throne, engineered by an internal revolutionary movement which is a proxy for the neighbouring dictatorship of Borduria. There are lots of lovely Balkan/Slavic touches - although Syldavian spelling is closer to Polish than to the Balkans, the towns clearly have minarets and Cyrillic is used; the landscape and army/police uniforms are clearly drawn from the Balkan kingdoms between the wars. The small countries of south-eastern Europe are an easy target, but sometimes this can be done well.

But in fact the Balkans are mere protective coloration for what Hergé was really writing about. The unusually realistic depictions of the Warandepark and Avenue Louise in the early pages give it away. King Ottokar, running a small democracy in fear of annexation by its authoritarian neighbour through a front organisation, is not (as I have heard some speculate) Michael of Romania, but a slightly romanticised Leopold III of Belgium. The Bordurian plot to invade Syldavia could have been based on the Gleiwitz incident, were it not for the fact that it was published in Le Petit Vingtième in the summer of 1939, shortly before the Gleiwitz incident actually happened. Less than a year after Tintin En Syldavie had finished its original run, Belgium was occupied not by the sinister Bordurian activist Müsstler but by a bloke with a similar name.

And considering the general perception that Hergé was not exactly vigorous in resistance to Nazi occupation, it's a bit redemptive to see this story putting down a marker before it actually happened.

Also, given Tom McCarthy's speculation about Hergé's ancestry, it's amusing that he draws himself into two of the court scenes...

This was a good jumping-off point for my lifelong affection for Tintin, and I think I would still recommend it as a starting point today for people who for whatever reason have never yet tried it. The best of the pre-war albums is The Blue Lotus, but to really enjoy it you have to have read the inferior Cigars of the Pharaoh first. King Ottokar's Sceptre works well as a standalone adventure. (Even without Captain Haddock.)
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My review, as published in Tintin Books:

Another hit for Herge, and a clear indicator that he was entering a golden age of storytelling. There's nothing surprising here - it would be many years before Herge decided to break his own format - but again the story is incredibly well done. Professor Cuthbert Calculus is a wonderful addition to the cast: he's very funny and yet also a competent addition to the team. Like Haddock, he appears at first glance to be simply a plot functionary, but was show more immediately popular and would prove his worth in many stories following this one. (Sure, these days the "deaf man mishears thing" trope is overused, but it remains amusing in the "Tintin" albums)

Hergé published this story as a serial in "Le Soir" over the course of 1943: a successful sequel to his own early favourite, "The Secret of the Unicorn". Remaining apolitical, this album is also the first not to feature a typical villain of any kind. Instead, the emphasis is squarely on the adventure. Perhaps because of this, these two stories would be the first translated into English a decade later, and remain some of Tintin's most popular journeys.

It's fair to say that this album doesn't quite reach the heights of "The Secret of the Unicorn". Without the integrated plotlines of that story, and without the commanding presence of the historical tale, this becomes a more traditional adventure. What elevates it is: a) the lack of a villain of any kind, making this an exercise in character and ambience alone; b) the feeling of scientific discovery which will typify the next few albums; c) the fabulous interplay between the lead characters; and d) the lush atmosphere - from bustling Belgium and the waves of the Atlantic, to a Caribbean island, an underwater grotto, and finally the bowels of Marlinspike Hall.

It's fair to say that Herge had mastered his art here. In years to come, he would tire of the formula and begin subverting it, but for now he was riding a wave that would yield several classic works.
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My review from Tintin Books:

"As Napoleon said, 'Think of it, soldiers. Forty centuries look down upon you.'"
-- Captain Haddock to Calculus


I hadn't read "Tintin and the Picaros" since I was a kid, so it's arguably the completed album I know least. Returning to it, I found much to love. After the creative misstep that was Flight 714, Herge was very much back on track.

Of all the albums in the "Tintin" ouevre, "Picaros" is less clearly aimed at children. (Even the formula-defying The Castafiore show more Emerald features a great deal of slapstick and mistaken identities.) There is a mature, autumnal feel from the first two frames, as Tintin arrives at Marlinspike in different clothes on his motorbike, amidst the barren, tilled fields, dark skies, dead trees and the constant presence of ravens. And there are SO many words! The early pages, during which Haddock and Tintin ponder their connection to the coup in San Theodoros, and whether to travel there to clear their names, is filled with frame after frame of news bulletin and lengthy debate. It's wonderful to see the two personalities going head to head, and for each to make a decision that truly reflects them. (While Tintin's ultimate desire to join his friends is in character, it feels a bit abrupt, it must be said.)

The sequence where Haddock and Calculus travel to San Theodoros must be the longest without Tintin in the canon, and allows them to shine. Here, Calculus is decidedly more subdued, and Haddock seems to have lost his taste for alcohol. (Incidentally, it's nice that many characters - including Nestor - drink, which evens out Tintin's own teetotalism.) Herge is clearly enjoying himself: the crowd scenes are still lively, and he decorates the jungle landscape much more than other recent works (it wouldn't be "Tintin" without a few encounters with the native wildlife), although - oddly - a lot of time is again spent in confined quarters. (Perhaps still echoing his growing interest in comedies of manners?).

There are many small things to enjoy - the comedy of Tintin and Calculus failing to eat the spicy food of the Arumbayas (themselves making a pleasant return after being the focus of The Broken Ear, and General Alcazar has never been more lively than he is here.

It's in the final third of the work that Herge steps things up a level. At first, he makes a point of how alcoholism has destroyed some native tribes, and continues to redress his characters - with Tintin comically forcing the stoic Alcazar to refrain from killing anyone if he wishes for help with his coup. And then we meet Alcazar's wife Peggy: a brash redhead in curlers (who, naturally, only Calculus finds attractive - shades of La Castafiore). Suddenly, the general is washing dishes in his wife's pink apron, and finding himself henpecked morning and night. Over the last 15 pages, Herge begins to deconstruct his own world. "Picaros" is a very personal story, with Tintin forced to step into the local politics to save his own friends. The alcohol mystery is only solved right near the end (when, in a neat bow, it becomes integral to the climax), and Herge delights with some of the later frames - the fire-lit silhouette of the Picaros' last party; the Viva Tapioca party (with wanted posters of the Thom(p)sons in the edge of the frame!).

There's something neat and perfect in the plotting too. Although not much happens (it takes a full third just to get Tintin to San Theodoros, and another third of chases), the climax genuinely feels climactic. There's a haunting sense in the last few pages, as the Thom(p)sons face death with a moving stoicism, while Alcazar cannot get through to the executioner: it's a scene that has played out in countless movies, only here, the soldier first deliberately dials the wrong number, and then gets a voice saying "The number you have dialled does not exist"!!. The delightful climax, in which Tintin travels in an inflatable parade balloon to save his friends, is breathtaking. And the penultimate page ends with an hysterical frame: Castafiore preparing to sing, and everyone she knows looking terrified. We don't even need to hear her sing anymore (and don't here, except on television): the set-up is now as perfect as the joke itself.

I feel like I've said a lot and yet not much. Well, in short, this is never going to be the most remembered "Tintin" album. So much relies on previous events, and - as biographer Michael Farr would argue - the involvement of Herge's studio assistants means that the frames sometimes lose just a little something. (Dialogue scenes, particularly, seem a little less artistically dense than they once were). But truthfully there's very little to criticise: all the supporting cast play roles here, but none overtake the picture. Tintin has developed considerably as a character, with his bike, his yoga and his peace symbol. The politics are clever, the guest cast amusing, and the logic taut.

Of course, it wouldn't be a review without commenting on how things end. Jolyon Wagg has shown up amidst a tour bus headed for the festivities, and Herge has a lot of fun showing these clueless tourists interacting with genuine people, but treating them as if they are some kind of cultural exhibit (perhaps reflecting a little on how readers of "Tintin" could portray themselves as post-racial, while accepting stereotypes and half-truths without question?). On the final page, though, things reach their most terrifying. As Tintin and friends jet off back to the safety of Belgium, they've re-instated Alcazar as General of San Theodoros. In reality, he's already being henpecked by Peggy while - in the album's penultimate frame - Alcazar's grim-faced soldiers patrol a garbage-strewn slum. A happy ending indeed.
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My review, as published in Tintin Books:

"Prisoners of the Sun" is a memorable 'Tintin' story, full of attention-grabbing set pieces, and there's no surprise it has been adapted so many times. But, it's not one of the greatest 'Tintin' albums, at least in my opinion.

Tintin, Haddock and Snowy set sail for Peru to find the missing Professor Calculus. There, they travel to isolated towns and through the Andes in search of a lost Inca temple. This is a beautifully drawn album, with Herge show more revelling in his research into Peruvian culture. There's a lot of colour, depictions of native wildlife, and movement between lush greens and browns to the whites of the mountains. There's plenty of amusing comedy here - particularly in Haddock's battle with the South American animals, and Calculus' inability to grasp the severity of their situation - and some of the earlier sequences, such as the journey aboard a runaway train, are bracing and thrilling.

Things drag a bit, however, once our heroes reach the Andes. As in many of his middle period albums, Herge was fascinated by the research and spent a lot of time padding his stories. The excursions are lovingly crafted and enjoyable, but not much really happens between Tintin's arrival in Peru and his discovery of the temple. Interestingly, Herge had to cut out page after page of story when he transferred the original comic strips into book form, but most of it was diversions from the narrative anyway. A lot is still left in - including several pages of animal attacks in the Andes. (That's not to say it isn't worthwhile reading, it just doesn't teach us anything new).

Similarly, the period in captivity is not exciting at all. We don't learn anything about the Inca captors, nor about Tintin and his friends. Instead, for several pages, Haddock and Snowy continue to doubt Tintin and wonder how they can escape. It must've played really well to the original readers, I'm sure (!). On the other hand, the cutaways to the Thom[p]sons - who are searching the globe unsuccessfully for Tintin - are hysterical.

The climax of the story - in which Tintin successfully tricks an entire culture using science - always felt a little backward to me, even as a child. Apparently, Herge himself doubted the believability of this story (which was passed down from Christopher Columbus himself), but decided it would make a good climax. In the end, though, the Inca and Tintin come to understand each other, and accept that neither one was entirely right. Herge humours himself a little bit with further dream sequences, and an occult-based resolution to the plot, but his Inca are sincere and well-meaning people who don't come across too much as stereotypes, so it's forgivable.

Reading back on my review, I realise that I sound quite undecided about my feelings. At the end of the day, this is an enjoyable read and uses Herge's characters well, with appropriate emotional resonances and lovely artwork. Unfortunately, it's quite predictable and seems to go on far too long without much to tie things together for the middle third of the story. Not the best, but a welcome addition to the series nonetheless.
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Statistics

Works
553
Also by
5
Members
59,562
Popularity
#243
Rating
3.9
Reviews
605
ISBNs
2,785
Languages
49
Favorited
98

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