Hergé (1907–1983)
Author of Tintin in Tibet
About the Author
'Hergé' was born Georges Remi on 22 May, 1907 in Etterbeek, a suburb of Brussels, in Belgium. After leaving school, he worked for the daily newspaper, Le XXe Siècle (The 20th Century). He was responsibe the for the section of the newspaper designed for children. Tintin, the main character in his show more works, was introduced on January 10, 1929 in a story entitled 'Tintin in the Land of the Soviets.' Each story ran as a comic strip in the newspaper and then was published as a book. Some of these books were adapted for the small screen including The Crab With The Golden Claws, Star of Mystery, Red Rakham's Treasure, Black Island, Objective Moon and The Calculus Affair. French TV produced longer versions of twenty of the books in 1992, which have been broadcast in over fifty countries. On 3 March, 1983, he died in Brussels. At the time of his death, he was working on Tintin and the Alpha-Art, which was published in an unfinished form. (Bowker Author Biography) show less
Series
Works by Hergé
The Crab with the Golden Claws / The Shooting Star / The Secret of the Unicorn (1991) 705 copies, 11 reviews
Red Rackham's Treasure / The Seven Crystal Balls / Prisoners of the Sun (1991) 603 copies, 6 reviews
The Adventures of Tintin [1]: Tintin in the Land of the Soviets / Tintin in the Congo (2007) 172 copies, 1 review
The Castafiore Emerald / Flight 714 / Tintin and the Picaros / Tintin and Alph-Art (2007) 116 copies, 1 review
The Secret of the Unicorn (The Adventures of Tintin: Young Readers Edition) (2011) 92 copies, 1 review
The Crab with the Golden Claws (The Adventures of Tintin: Young Readers Edition) (2012) 45 copies, 1 review
Tintin Collection 22-23 (Flight 714/Tintin and the Picaros/Quick and Flupke) (1991) 22 copies, 4 reviews
Hergé : Paris, Grand Palais, Galeries nationales, 28 septembre 2016 - 15 janvier 2017 (2016) 20 copies
The Adventures of Tintin 13-14 (The Seven Crystal Balls/Prisoners of the Sun) (1948) 19 copies, 1 review
Versions originales des albums Tintin : Les Cigares de pharaon (1932) - Le Lotus bleu (1934) - L'Oreille cassée (1935) (1983) 15 copies
La malédiction de Rascar Capac : Le mystère des boules de cristal, tome 1 (2014) 15 copies, 1 review
Tintin Collection 13-14 (The Seven Crystal Balls/Prisoners of the Sun/Quick & Flupke) (1999) 13 copies, 1 review
Tintin Collection 02-03 (Tintin in the Congo/Tintin in America/The Amiable Mr. Mops) (1999) 13 copies
Tintin Collection 11-12 (The Secret of the Unicorn/Red Rackham's Treasure/Quick and Flupke) (1991) 12 copies, 1 review
Tintin Collection 02-03 (Tintin in the Congo/Tintin in America/Biography of Herge) (1996) 11 copies, 1 review
Tintin Collection 09-10 (The Crab with the Golden Claws/The Shooting Star/Quick and Flupke) (1999) 10 copies
Tintin Collection 20-21 (Tintin in Tibet/The Castafiore Emerald/Quick and Flupke) (2000) 10 copies, 1 review
The Blue Lotus: The Adventures of Tintin - Young Reader Edition (Tintin Young Readers Series) (2013) 10 copies
Tintin Collection 08-09 (King Ottokar's Sceptre/The Crab with the Golden Claws/Mr. Bellum) 9 copies, 1 review
Tintin Paperback Boxed Set 23 titles 9 copies
Flight 714 / Secret of the Unicorn / Red Rackham's Treasure (The Adventures of Tintin) (1985) 8 copies
Kuifje collectie : het komplete werk van Hergé. [19]: Hergé, de illustrator en zijn wereld ; De wereld van Hergé gepr (1992) 8 copies, 1 review
"Castafiore Emerald", "Flight 714" and "Tintin and the Picaros" (v. 7): The Castafiore emerald ; Flight 714 ; Tintin and the picaros (Three-in-one volume) 7 copies, 1 review
Kuifje collectie : het komplete werk van Hergé. Hoe ontstaat een avontuur van Kuifje. - Vert. van: Le musé imaginaire 7 copies, 1 review
Kuifje collectie : het komplete werk van Hergé. De guitenstreken van Quick en Flupke. - Vert. van: Les exploits de Quic 7 copies, 1 review
Kuifje collectie : het komplete werk van Hergé. deel 16. De avonturen van Jo, Suus en Jokko. De Najavallei - De Guitenstreken va 6 copies, 1 review
LE PETIT VINGTIEME 5 copies
Tim und Struppi: Tim und Struppi Gesamtausgabe: Alle Comics im hochwertigen Schuber! (2019) 5 copies
Samlade verk Tintin i andra media ; Herg�e: tecknaren och hans verk ; Intervju med Herg�e (2002) 5 copies
Coffret intégral Tintin (2019) (Les coffrets et intégrales des aventures de Tintin) (French Edition) (2019) 4 copies
Herge, 1922-1932: Les debuts d'un illustrateur (Bibliotheque de Moulinsart) (French Edition) (1987) 4 copies
The adventures of Tintin. Volume 1 3 copies
Rackham den Rödes skatt (LP) 3 copies
Tintin Collection 16-17 (Destination Moon/Explorers on the Moon/They Explored the Moon) (2000) 3 copies
Tintin : Samlarguide 3 copies
Jouons avec Tintin à Moulinsart 3 copies
Tintin : Le singe 3 copies
Tintín. El álbum de la película (Las Aventuras De Tintin / the Adventures of Tintin) (Spanish Edition) (2011) 3 copies
Die Abenteuer von Jo, Jette und Jocko: Gesamtausgabe: Comic-Abenteuer für Kinder ab 7 Jahren (2025) 3 copies
Four Further Adventures of Tintin: "Seven Crystal Balls", "Prisoner of the Sun", "Calculus Affair", "Red Sea Sharks" (BBC Radio Collection) (1999) 3 copies
De automobiel I. Van zijn oorsprong tot 1900 — Illustrator — 3 copies
Tintin volume 1 3 copies
Spelen met Kuifje op Molensloot 3 copies
The Adventures of Tintin: Volume 1 3 copies
Quim e Filipe 12 2 copies
Hergé 2 copies
Die Abenteuer von Jo, Jette und Jocko: Gesamtausgabe: Comic-Abenteuer für Kinder ab 7 Jahren 2 copies
Tintim 2 copies
Tintin en noir et blanc, 9 mini albums dans un coffret allongé, de Tintin au Pays des Soviets à Le crabe aux pinces d'or (1990) 2 copies
L'éléphant 2 copies
Quick & Flupke 2 copies
Tintin le petit livre des dangers 2 copies
Het testament van Mr. Pump 2 copies
The adventures of Tintin 2 copies
Tintin i Amerika ur Tintins äventyr 2 copies
L'oeuvre intégrale T.5 2 copies
L'oeuvre intégrale T.4 2 copies
Prisoners of the Sun: Popup 2 copies
Tintin i Kongo (ur Tintins äventyr) 2 copies
Tintin couleur colour 1 copy
Qi ge shui jing qiu 1 copy
Fa lao de xue jia 1 copy
Tai yang shen de qiu tu 1 copy
Tintim rumo à Lua 1 copy
Il loto blu 1 copy
Tintin #07: The Black Island 1 copy
714 hang ban 1 copy
Tintin e l'Alph-Art 1 copy
Ls xarutos de l faraó 1 copy
Le 7 sfere di cristallo 1 copy
Hergé, Tintin et les Soviets 1 copy
Kuifje Integraal deel 1 1 copy
Land of Black Gold (Tintin) 1 copy
Tim und Struppi Sammelband 1: Die ersten 3 Abenteuer in einem Band (Tim und Struppi Sammelbandausgabe, Band 1) (2026) 1 copy
Tim und Struppi Sammelband 2: Vier Abenteuer in einem Band (Tim und Struppi Sammelbandausgabe, Band 2) (2026) 1 copy
The Adventures of Tintin, Vol. 1 (Tintin in America / Cigars of the Pharaoh / The Blue Lotus) 1 copy
Tim und Struppi 1 copy
Tintin (various titles) 1 copy
Les Cigares Du Pharaon = Cigars of the Pharaoh (Tintin) (French Edition) by Herge (1999-01-15) 1 copy
Les archives Tintin, tome 12 1 copy
Det hemliga vapnet 1 copy
Les girafes 1 copy
Quelles chutes ! 1 copy
Quelles douches ! 1 copy
Tintin agenda 2004 1 copy
Vliegtuigen Oorlog 1939-1945 — Illustrator — 1 copy
Totor P.L. van de Meikevers 1 copy
Agenda Tintin 2000 1 copy
Blå lotus ur Tintins äventyr 1 copy
Diabruras de Quick e Flupke 1 copy
Kuifje 1 copy
As aventuras de tintim 1 copy
The Adventures of Tin Tin: Tin Tin in The Land Of Soviets and Tin Tin in The Lands of Chicago 1 copy
Drie avonturen van Kuifje: Kuifje in Amerika. De zwarte rotsen. De zaak Zonnebloem — Author — 1 copy
Tintin (BBC) 1 copy
Tintin Books 1 copy
kwik en flupke, 7° reeks 1 copy
L'oeuvre intégrale T.8 1 copy
L'oeuvre intégrale T.6 1 copy
L'oeuvre intégrale T.3 1 copy
The Adventures of TinTin, Vol 8: Flight 714 To Sydney/ TinTin and the Picaros/ TinTin and Alph-Art 1 copy
blue lotus, The 1 copy
Teyrnwialen Ottokar 1 copy
The Sdventures Of Tintin 1 copy
Tim und Struppig 1 copy
Les Aventures de Tintin / Le Crabe aux Pinces d'Or (French edition of the Crab with the Golden Claws) / Book and DVD Package (1974) 1 copy
Tintin i els animals 1 copy
Le "Manitoba" ne Répond Plus 1 copy
L'Éruption du Karamako 1 copy
Tintín 2/6: La Oreja Rota - La Isla Negra - El Cetro de Ottokar - El Cangrejo de las Pinzas de Oro 1 copy
De avonturen van Kuifje 6 1 copy
O Senhor Sanzot ao telefone 1 copy
Pack Tintin 2020 1 copy
Les aventures de Tintin 1 copy
Associated Works
The Adventures of Tintin: The Secret of the Unicorn [2011 film] (2011) — Original story — 340 copies, 7 reviews
Tintin au pays des mots espagnol-frans, frans-espagnol = Tinten el pade las palabras : EspaFranc FrancEspa (1990) — Illustrator — 9 copies
Corriere della Sera - Sette: Sei fumetti per l'estate - 11 Agosto 2011 — Author — 1 copy
Tagged
Common Knowledge
- Canonical name
- Hergé
- Legal name
- Remi, Georges Prosper
- Birthdate
- 1907-05-22
- Date of death
- 1983-03-03
- Gender
- male
- Occupations
- illustrator
author
cartoonist
graphic designer - Organizations
- Association des Scouts Baden-Powell de Belgique
Movement d’Action catholique
Association catholique de la Jeunesse belge (A.C.J.B.) - Awards and honors
- Musée Hergé, Louvain-la-Neuve, Belgium (2009)
- Short biography
- [excerpted from Wikipedia]
Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed, but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration.
After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and although no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects.
Hoping to imitate the success of the recent animated films Asterix the Gaul (1967) and Asterix and Cleopatra (1968), Hergé agreed to the production of two animated Belvision films based on the Adventures of Tintin. The first, Tintin and the Temple of the Sun (1969), was based on pre-existing comics, whereas the second, Tintin and the Lake of Sharks (1972) was an original story written by Greg. - Cause of death
- cardiac arrest
- Nationality
- Belgium
- Birthplace
- Etterbeek, Brussels, Belgium
- Place of death
- Woluwe-Saint-Lambert, Belgium
- Burial location
- Cemetery on Dieweg, Uccle, Brussels, Belgium
- Map Location
- Belgium
Members
Reviews
My review, as posted in Tintin Books
I very much enjoyed rereading this album. Herge got the balance right here between real-world politics and the 'lighter' espionage and chase elements of the adventure. The chase sequences don't feel as gratuitous as they did in The Black Island, because they're tied in to the sceptre as the album's overarching plot device. And the realisation of Syldavia is marvelous: as a child, I'm sure I was mistaken into believing these were real countries. The crisply show more drawn avenues, the rich crowd scenes, the national traditions: all combine to create a truly worrying political situation, which of course was Herge's intention coming as it did in 1938. (The serial's final strip was published less than a month before Hitler invaded Poland)
I'm glad we'll meet Captain Haddock soon, but this album feels perfect as is - it's good to have Tintin and Snowy on the run, being both aided and abetted by those around them. This is probably for me the first 'pinnacle' of the series, as the first five were very much experiments with finding the formula, and numbers six and seven were very well-done but had their fair share of faults. show less
I very much enjoyed rereading this album. Herge got the balance right here between real-world politics and the 'lighter' espionage and chase elements of the adventure. The chase sequences don't feel as gratuitous as they did in The Black Island, because they're tied in to the sceptre as the album's overarching plot device. And the realisation of Syldavia is marvelous: as a child, I'm sure I was mistaken into believing these were real countries. The crisply show more drawn avenues, the rich crowd scenes, the national traditions: all combine to create a truly worrying political situation, which of course was Herge's intention coming as it did in 1938. (The serial's final strip was published less than a month before Hitler invaded Poland)
I'm glad we'll meet Captain Haddock soon, but this album feels perfect as is - it's good to have Tintin and Snowy on the run, being both aided and abetted by those around them. This is probably for me the first 'pinnacle' of the series, as the first five were very much experiments with finding the formula, and numbers six and seven were very well-done but had their fair share of faults. show less
Tintin's first science fiction adventure is a great one, although Hergé's better with the fiction than with the science! Nonetheless, the story is exciting and atmospheric, particularly the initial "Armageddon" sequence. There's a real feeling of desperation at the impending destruction of civilization. Was this an expression of Hergé's angst at the Nazi occupation of Belgium? However that may be, it's certainly his most effective piece of work in Tintin's adventures to this point.
The show more story has resonances with H.G. Wells's The Food of the Gods and Jules Verne's Journey to the Center of the Earth and The Mysterious Island: giant growths of vegetation and animals; scientific expeditions in search of strange lands, etc. I don't know that Hergé had these books in mind, but I'd be surprised if he wasn't at least aware of the works of Wells and Verne, and the correspondences are there.
Although only introduced in the previous album, The Crab With The Golden Claws, Captain Haddock already seems to be a well-established part of Tintin's world and he adds an extra dimension of unpredictability to the adventures. Hergé relegated Thomson and Thompson's roles to a single-panel cameo, which was a good decision as it gave him the opportunity to get the Captain well bedded-in.
I did feel, however, that Tintin's use of whisky to manipulate the alcoholic Captain was morally suspect, but I guess we're dealing with a story written in simpler times as far as attitudes to substance abuse is concerned. show less
The show more story has resonances with H.G. Wells's The Food of the Gods and Jules Verne's Journey to the Center of the Earth and The Mysterious Island: giant growths of vegetation and animals; scientific expeditions in search of strange lands, etc. I don't know that Hergé had these books in mind, but I'd be surprised if he wasn't at least aware of the works of Wells and Verne, and the correspondences are there.
Although only introduced in the previous album, The Crab With The Golden Claws, Captain Haddock already seems to be a well-established part of Tintin's world and he adds an extra dimension of unpredictability to the adventures. Hergé relegated Thomson and Thompson's roles to a single-panel cameo, which was a good decision as it gave him the opportunity to get the Captain well bedded-in.
I did feel, however, that Tintin's use of whisky to manipulate the alcoholic Captain was morally suspect, but I guess we're dealing with a story written in simpler times as far as attitudes to substance abuse is concerned. show less
For Tintinologists and casual fans alike, the adventures of Jo, Zette, and Jocko, are fascinating excursions into the embryonic narrative styles of Herge. For many, however, they remain simply unknown.
Created shortly after Tintin became a success throughout Belgium and France, "Jo, Zette and Jocko" were made for a slightly different type of readership. The weekly 'Coeurs Vailliants' was founded on principles of traditional values, and Herge was asked to provide a traditional family as the show more centre of his new adventures. Enter Jo and Zette, children of an engineer and his domestic wife, and their lovable pet monkey, Jocko.
It's perhaps no surprise that this scamps never became as popular as the boy reporter. While Tintin has agency on account of his age and profession, Jo and Zette are only children, and can never be as active protagonists as the blonde one - at least, not for more than a few adventures. There's also more didactism present, given the younger age group Herge was writing for, meaning there are moments of pure science or instruction. (A few of these elements seep into some of the weaker 'Tintin' installments, but they're more prolific here.) And, finally, the book shows its origins as a weekly serial, much as the early 'Tintin' works do. The first third is just set-up and continuous attempts at sabotage by a villain who threatens to become as comically inept as Wile E. Coyote. Indeed, the whole piece has a "Boys' Own" feel about it, with Jo or Zette constantly getting near the truth, only to find themselves in terrible danger.
To speak ill of this adventure, however, is to short-change it. Herge's humour abounds throughout the volume, from the very first page which creates the absurd and complex idea of the millionaire John Archibald Pump and his requirement for a butler who can roller skate. Everything about Pump's "Modern Times"-esque lifestyle is hysterical, and the misadventures of the monkey Jocko easily live up to those of his more famous canine cousin. (In the naughtiest frame of this 'family friendly' adventure, the culprit of a missing bottle of champagne is revealed to be Jocko, sleeping drunkenly behind some barrels.)
More to the point, Jo and Zette show a fair amount of chutzpah and insight, with Herge treating them equally. (It's thoroughly refreshing to see Zette get just as much action as her brother.) While the adventures rarely rise above standard chase-escape-chase fare, it's done with a level of panache and humour that equate with the increasingly complex 'Tintin' albums of the late '40s. Herge plays with our point-of-view, as when Jocko embarks on his own adventure to save Zette, even though we already know she's been saved.
There are a few other issues I had with 'Mr. Pump's Legacy', particularly the lack of dimensions to the villains, and the inadequate characterisation of poor Mrs. Legrand. However, as these are rectified in the second volume ('Destination: New York'), I retract them immediately!
It's clear that "Jo, Zette and Jocko" will never be a series esteemed as "Tintin" was. There are only five completed albums, and the first two (a two-part story entitled 'The Secret Ray') have never been translated into English. While the trio could have occasional adventures, their lifestyle didn't allow for such globetrotting as Tintin. Sure, Enid Blyton could make the English countryside a playground for decades, but Herge was never as attracted by bucolic tales. Unlike the many great works in the 'Tintin' oeuvre, 'Jo, Zette and Jocko' reveals its serialised origins far more often, and this inevitably tarnishes its reputation. Still, the album features some enjoyable characters, rip-roaring chase sequences, and an egalitarian attitude to its heroes - boy, girl, man, and monkey - which is admirable. For anyone who's enjoyed Herge's albums, it's worth a look. show less
Created shortly after Tintin became a success throughout Belgium and France, "Jo, Zette and Jocko" were made for a slightly different type of readership. The weekly 'Coeurs Vailliants' was founded on principles of traditional values, and Herge was asked to provide a traditional family as the show more centre of his new adventures. Enter Jo and Zette, children of an engineer and his domestic wife, and their lovable pet monkey, Jocko.
It's perhaps no surprise that this scamps never became as popular as the boy reporter. While Tintin has agency on account of his age and profession, Jo and Zette are only children, and can never be as active protagonists as the blonde one - at least, not for more than a few adventures. There's also more didactism present, given the younger age group Herge was writing for, meaning there are moments of pure science or instruction. (A few of these elements seep into some of the weaker 'Tintin' installments, but they're more prolific here.) And, finally, the book shows its origins as a weekly serial, much as the early 'Tintin' works do. The first third is just set-up and continuous attempts at sabotage by a villain who threatens to become as comically inept as Wile E. Coyote. Indeed, the whole piece has a "Boys' Own" feel about it, with Jo or Zette constantly getting near the truth, only to find themselves in terrible danger.
To speak ill of this adventure, however, is to short-change it. Herge's humour abounds throughout the volume, from the very first page which creates the absurd and complex idea of the millionaire John Archibald Pump and his requirement for a butler who can roller skate. Everything about Pump's "Modern Times"-esque lifestyle is hysterical, and the misadventures of the monkey Jocko easily live up to those of his more famous canine cousin. (In the naughtiest frame of this 'family friendly' adventure, the culprit of a missing bottle of champagne is revealed to be Jocko, sleeping drunkenly behind some barrels.)
More to the point, Jo and Zette show a fair amount of chutzpah and insight, with Herge treating them equally. (It's thoroughly refreshing to see Zette get just as much action as her brother.) While the adventures rarely rise above standard chase-escape-chase fare, it's done with a level of panache and humour that equate with the increasingly complex 'Tintin' albums of the late '40s. Herge plays with our point-of-view, as when Jocko embarks on his own adventure to save Zette, even though we already know she's been saved.
There are a few other issues I had with 'Mr. Pump's Legacy', particularly the lack of dimensions to the villains, and the inadequate characterisation of poor Mrs. Legrand. However, as these are rectified in the second volume ('Destination: New York'), I retract them immediately!
It's clear that "Jo, Zette and Jocko" will never be a series esteemed as "Tintin" was. There are only five completed albums, and the first two (a two-part story entitled 'The Secret Ray') have never been translated into English. While the trio could have occasional adventures, their lifestyle didn't allow for such globetrotting as Tintin. Sure, Enid Blyton could make the English countryside a playground for decades, but Herge was never as attracted by bucolic tales. Unlike the many great works in the 'Tintin' oeuvre, 'Jo, Zette and Jocko' reveals its serialised origins far more often, and this inevitably tarnishes its reputation. Still, the album features some enjoyable characters, rip-roaring chase sequences, and an egalitarian attitude to its heroes - boy, girl, man, and monkey - which is admirable. For anyone who's enjoyed Herge's albums, it's worth a look. show less
My review, as posted in Tintin Books:
Ah, "Destination Moon". As a child, I didn't have a particular affinity with the moon albums. I guess I was more interested in character stories and less in science at the time, but I have to say looking back this - and its second half Explorers on the Moon - is quite an achievement.
Briefly, the cons: "Destination Moon" is all set-up and little pay-off since it was designed from the start as the first half of an adventure. On top of this, there's a fair show more bit of filler since obviously Herge didn't want his heroes leaving Earth until the final pages. But unlike some of the earlier albums, where every page is a cliffhanger despite how ridiculous it may seem, this story is deliberately paced, filled with suspense and a genuine feeling of discovery.
On top of this, all the characters are given plenty to do. Calculus - who seems to have been the driving force in most of the albums from this era - has an ear trumpet to help him hear better (which of course, it rarely does) and his relationship with Captain Haddock is gorgeous. Note the scene where Haddock claims Calculus is "acting the goat". People love to draw Tintin and Haddock as a secret couple, but if anything it's these two!
Snowy also gets a lot of great sight gags, spending the first third of the album in an oversized outfit as he struggles to walk around the compound. And the Thompsons too, incompetence tempered by a genuine interest in the subject matter, are handled well. There's a lot of beautiful artwork evident in Herge's later middle period - the full-page shot of the rocket being prepared for take-off, for instance.
Sure, there are a few wrong notes: Tintin being mobbed by baby bears and then tricking them over a cliff seems both an unnecessary addition and a cruel resolution. But by and large, this is gold. (My favourite moment is Snowy somewhat self-referentially turning to the reader to join our excitement at the "sensational appearance of the Thompson twins!".
In some ways, these two albums are the end of Herge's middle period in which his insane amount of research was both the series' biggest blessing and its greatest curse. On the one hand, Herge's love for the subject matter really shines through - notably in the final few pages which feature several large drawigns of the rocket. In a possibly unique move, he donates an entire page to the rocket's blueprint! Because of this knowledge, the long stretches of dialogue in the early parts of the album are all the more meaningful and we come to feel the same level of anticipation and hope that the characters do, pushing us further into despair at the moments when all seems lost.
But countering this is the fact that, because he had so much knowledge to impart, Herge occasionally lets his storytelling skills lag. Even the Cold War villainy at play here is in the background, as most time is spent on discovery and knowledge. I should reiterate that the good elements far outweigh the bad, but one gets the impression that Herge had a long list of exciting facts and moments he just needed to convey, and plot could damn well come second.
All in all, "Destination Moon" is a labour of love for the artist. One could argue that a lot of the discovery (e.g. Haddock's testing of his spacesuit) had more weight in the '50s before this kind of thing was common-place. True, but Herge's passion bounces off the page, and I still feel genuinely enthralled by the politics and the sense of discovery. Four and a half stars. show less
Ah, "Destination Moon". As a child, I didn't have a particular affinity with the moon albums. I guess I was more interested in character stories and less in science at the time, but I have to say looking back this - and its second half Explorers on the Moon - is quite an achievement.
Briefly, the cons: "Destination Moon" is all set-up and little pay-off since it was designed from the start as the first half of an adventure. On top of this, there's a fair show more bit of filler since obviously Herge didn't want his heroes leaving Earth until the final pages. But unlike some of the earlier albums, where every page is a cliffhanger despite how ridiculous it may seem, this story is deliberately paced, filled with suspense and a genuine feeling of discovery.
On top of this, all the characters are given plenty to do. Calculus - who seems to have been the driving force in most of the albums from this era - has an ear trumpet to help him hear better (which of course, it rarely does) and his relationship with Captain Haddock is gorgeous. Note the scene where Haddock claims Calculus is "acting the goat". People love to draw Tintin and Haddock as a secret couple, but if anything it's these two!
Snowy also gets a lot of great sight gags, spending the first third of the album in an oversized outfit as he struggles to walk around the compound. And the Thompsons too, incompetence tempered by a genuine interest in the subject matter, are handled well. There's a lot of beautiful artwork evident in Herge's later middle period - the full-page shot of the rocket being prepared for take-off, for instance.
Sure, there are a few wrong notes: Tintin being mobbed by baby bears and then tricking them over a cliff seems both an unnecessary addition and a cruel resolution. But by and large, this is gold. (My favourite moment is Snowy somewhat self-referentially turning to the reader to join our excitement at the "sensational appearance of the Thompson twins!".
In some ways, these two albums are the end of Herge's middle period in which his insane amount of research was both the series' biggest blessing and its greatest curse. On the one hand, Herge's love for the subject matter really shines through - notably in the final few pages which feature several large drawigns of the rocket. In a possibly unique move, he donates an entire page to the rocket's blueprint! Because of this knowledge, the long stretches of dialogue in the early parts of the album are all the more meaningful and we come to feel the same level of anticipation and hope that the characters do, pushing us further into despair at the moments when all seems lost.
But countering this is the fact that, because he had so much knowledge to impart, Herge occasionally lets his storytelling skills lag. Even the Cold War villainy at play here is in the background, as most time is spent on discovery and knowledge. I should reiterate that the good elements far outweigh the bad, but one gets the impression that Herge had a long list of exciting facts and moments he just needed to convey, and plot could damn well come second.
All in all, "Destination Moon" is a labour of love for the artist. One could argue that a lot of the discovery (e.g. Haddock's testing of his spacesuit) had more weight in the '50s before this kind of thing was common-place. True, but Herge's passion bounces off the page, and I still feel genuinely enthralled by the politics and the sense of discovery. Four and a half stars. show less
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