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Amanda Cross (1) (1926–2003)

Author of Death in a Tenured Position

For other authors named Amanda Cross, see the disambiguation page.

Amanda Cross (1) has been aliased into Carolyn G. Heilbrun.

27+ Works 5,980 Members 90 Reviews 14 Favorited

About the Author

Image credit: John Burlinson

Series

Works by Amanda Cross

Works have been aliased into Carolyn G. Heilbrun.

Associated Works

Works have been aliased into Carolyn G. Heilbrun.

The Secret of Red Gate Farm (1931) — Introduction, some editions — 3,903 copies, 27 reviews
A Woman's Eye (1991) — Contributor — 297 copies, 3 reviews
Women on the Case (1996) — Contributor — 228 copies
Women of Mystery (1992) — Contributor — 135 copies, 1 review
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
Malice Domestic 02: An Anthology of Original Traditional Mystery Stories (1993) — Contributor — 111 copies, 1 review
The Oxford Book of Detective Stories (2000) — Contributor — 76 copies, 1 review
Murder Most Cozy: Mysteries in the Classic Tradition (1993) — Contributor — 58 copies, 1 review
A Virago Keepsake to Celebrate Twenty Years of Publishing (1993) — Contributor — 51 copies
Irreconcilable Differences (1999) — Contributor — 34 copies, 2 reviews
Women of Mystery - Book 3 (1998) 25 copies
Dangerous Ladies (1992) — Contributor — 8 copies

Tagged

Common Knowledge

Legal name
Heilbrun, Carolyn Gold
Birthdate
1926-01-13
Date of death
2003-10-09
Gender
female
Education
Wellesley College
Columbia University (M.A., Ph.D.)
Birch Wathen School
Occupations
scholar
feminist
mystery novelist
professor
Organizations
Columbia University
Awards and honors
Guggenheim Fellowship
Bunting Institute Fellowship, Radcliffe College
Rockefeller Foundation Fellowship
National Endowment for the Humanities Senior Fellowship
Short biography
Carolyn Gold was the only child of Jewish immigrant parents. She grew up in Manhattan, attending the private Birch Wathen School and spending hours alone roller-skating around the city or reading voraciously at the library. She went to Wellesley College, where she met her future husband, Jim Heilbrun, then a Harvard student. They married in 1945 and had three children. Carolyn Heilbrun earned her postgraduate degrees at Columbia University, specializing in the works of Virginia Woolf. She taught at Brooklyn College for a couple of years and served as a visiting lecturer/professor at Yale, Princeton, Swarthmore and other colleges, but spent nearly her entire academic career at Columbia. She joined the faculty in 1960 as an instructor of English and comparative literature and retired in 1992 as the Avalon Foundation Professor in the Humanities. Prof. Heilbrun was best known in academic circles as the author of 14 nonfiction books, including Toward a Recognition of Androgyny (1973), Reinventing Womanhood (1979), and Writing a Woman's Life (1988), as well as dozens of scholarly articles that interpreted women's literature from a feminist perspective. Beginning in 1964, she wrote the popular Kate Fansler mystery novels under the pseudonym Amanda Cross. Prof. Heilbrun concealed her identity for six years, even after winning an Edgar Award for best first novel, fearing her (mostly) male colleagues would consider mystery writing too frivolous and that her sideline might jeopardize her chances for tenure. In fact, she became the first woman to receive tenure in Columbia's English Department in 1971. Kate Fansler, like her creator, was a literature professor and a feminist. The novels also served as an outlet for Prof. Heilbrun's views on academic politics and the treatment of women at universities. Carolyn Heilbrun committed suicide at her apartment in New York City in 2003.
Nationality
USA
Birthplace
East Orange, New Jersey, USA
Places of residence
New York, New York, USA
Place of death
New York, New York, USA
Associated Place (for map)
New York, USA

Members

Reviews

93 reviews
Kate Fansler is at a bit of a loose end having just published her more recent academic work, so when a publisher invites her to lunch in order to pitch a new investigative job to her, she is intrigued. Particularly so once she learns that the publisher wants her to delve into the life of the wife of a Great Author of the modernist period, a man who achieved high acclaim by centering a novel on the interior life of a woman, who most people suppose was modeled on the wife. As she begins to show more contemplate the work, Kate is eager to meet and talk with three women whose lives were all intertwined with the Foxx family, but they all have secrets of their own to keep…. I’ve been reading the Kate Fansler mysteries a bit at a time, sometimes feeling exasperated with the character and sometimes cheering her on. This, the 10th (of, I think, 14 in total) in the series is actually far and away my favourite so far, largely because Kate meets her match in the three women she encounters and so her tendency toward archness is sharply curbed. I also liked the second part of the novel, which is in the form of a memoir of one of the three women and which is completely different from the usual tone in these books. I don’t know that it’s necessary to have read the earlier books in the series, but certainly a basic knowledge of the myth of Ariadne and Theseus is helpful; very highly recommended! show less
Professor Kate Fansler takes over a house in the countryside to sort through the correspondence between a deceased publisher and the luminaries he published, including James Joyce. She also reluctantly takes on her nephew, a troubled young boy who, it is hoped, will thrive with the undivided attention of a tutor. She also has an assistant in her literary work, and a visitor in the shape of assistant district attorney Reed Amhearst, along with two invited guests, both female professors at the show more end and the beginning of their careers respectively. When a local woman who is notorious for her unpleasant personality dies, accidentally shot to death by the tutor using a gun that had never previously held live bullets, Kate feels that she must find out who loaded the gun in order to save her household from ignominy at the very least….This is the second Kate Fansler mystery, published in 1967, and it’s quite a delight, especially in terms of the language. The characters spend pages chatting about obscure stories by James Joyce, the realm of academia and other esoteric matters. At the same time, the difference in attitudes between the 1960s and the 2020s is striking: for example, after Reed has proposed to Kate (and been turned down), and they have an argument about how best to deal with the legal situation, he notes that they should marry because “if it’s not exactly legal to beat your wife, it’s less illegal than to beat a woman to whom you’re not related in any way.” This is presented as banter, but it is also an example of how such treatment of women was condoned in the United States in 1967. Chilling. Such commentary on my part aside, however, this is quite a fun read; recommended, keeping in mind that the world was indeed a different country then. show less
Patrice Umphelby, a history professor and novelist, has killed herself by walking into a lake with stones in her pocket. Unfortunately this occurred on the campus of an East Coast women’s college, which is unhappy about the notoriety ithas caused, and Kate Fansler is recruited to look into this event with an eye toward restoring the school’s reputation. When Kate learns that Patrice was indeed planning to commit suicide, only not just *then*, she decides that something rather more show more sinister must have been going on…. As usual, this seventh novel in the Kate Fansler series is replete with quotations and pithy moments, especially with regard to the need for women’s colleges, the pros and cons of womens’ studies programs, and the overarching theme of death and perceptions about death. I especially enjoyed the discussions of womens’ studies because so many of the rants against the idea ring so hollow (and did when this book was written in the early 1980s). Kate herself is always engaging and although I’m getting tired of the frequent drinking/smoking scenarios, at least the author acknowledges those by making wry comments about how old-fashioned Kate’s habits are! Quite fun overall; recommended. show less
Professor Kate Fansler is flattered and curious when her friend, the urbane and extremely snobbish Max Reston (“younger son of a younger son of a duke”) asks her to accompany him to the home of a recently deceased literary author, whose literary executor he has become; it turns out that neighours have sighted intruders at the cottage and Max is afraid to go by himself. When they reach the Maine house by the sea, Kate is determined to climb the rocks down to the beach, but her show more determination is shattered when she comes across a corpse in a tidepool; worse, it turns out to be the body of a student she knew, who was working on a doctorate somewhat related to the deceased author. In spite of herself, Kate is drawn to further inquiries to resolve the matter, even if she must travel to Oxford to do so…. This is, I think, the fifth novel in the Kate Fansler series, and as ever it gleams with tidbits about the academic life, along with feminism in the 1970s - and, in this case, we also get a look into prep-school level basketball! I enjoyed this outing, although the actual mystery didn’t require much work to figure out; as a slice of life in that time period, it’s a very compelling and enjoyable read. Recommended! show less

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Statistics

Works
27
Also by
17
Members
5,980
Popularity
#4,124
Rating
½ 3.4
Reviews
90
ISBNs
269
Languages
12
Favorited
14

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