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Terry Jones (1) (1942–2020)

Author of Douglas Adams's Starship Titanic

For other authors named Terry Jones, see the disambiguation page.

83+ Works 19,646 Members 201 Reviews 13 Favorited

About the Author

Terry Jones was born in Colwyn Bay, Wales on February 1, 1942. He was a writer for such BBC programs as The Frost Report and Do Not Adjust Your Set, before joining with Graham Chapman, John Cleese, Eric Idle, and Michael Palin to form the Monty Python comedy troupe. Best remembered as the nude show more organist, Jones co-directed Monty Python and the Holy Grail (1975), and directed Life of Brian (1979) and Monty Python's The Meaning of Life (1983). Along with many Python-related books, screenplays, and records, he has written several non-fiction works including Chaucer's Knight: The Portrait of a Medieval Mercenary, Who Murdered Chaucer?: A Medieval Mystery, and Terry Jones's War on the War on Terror. He also wrote numerous children's books including The Saga of Erik the Viking, which won the Children's Book Award in 1984, Fantastic Stories, The Beast with a Thousand Teeth, The Curse of the Vampire Socks, and Bedtime Stories. (Bowker Author Biography) show less
Image credit: Terry Jones (courtesy of Holly, Terry Jones website)

Series

Works by Terry Jones

Douglas Adams's Starship Titanic (1997) — Author — 2,893 copies, 34 reviews
Lady Cottington's Pressed Fairy Book (1994) 1,916 copies, 26 reviews
Monty Python and the Holy Grail [1975 film] (1975) — Director/Screenwriter/Actor — 1,543 copies, 12 reviews
The Pythons' Autobiography (2003) — Author — 1,424 copies, 13 reviews
Monty Python's Life of Brian [1979 film] (1979) — Director, Screenwriter, & Actor — 811 copies, 8 reviews
Terry Jones' Medieval Lives (2004) 799 copies, 13 reviews
Monty Python's The Meaning of Life [1983 film] (1983) — Director, Screenwriter, & Actor — 568 copies, 6 reviews
Monty Python and the Holy Grail (Book) (1977) 498 copies, 2 reviews
Who Murdered Chaucer?: A Medieval Mystery (2003) 489 copies, 5 reviews
Terry Jones' Barbarians (2006) 470 copies, 12 reviews
The Brand New Monty Python Papperbok (1974) — Author — 444 copies, 2 reviews
The Saga of Erik the Viking (1983) — Author — 403 copies, 7 reviews
Monty Python's Big Red Book (1971) — Author — 378 copies, 2 reviews
Lady Cottington's Fairy Album (2002) — Author — 338 copies, 7 reviews
Fairy Tales (1981) — Author — 264 copies, 3 reviews
The Crusades (1994) 261 copies
Monty Python's Flying Circus: The Complete Box Set (2000) — Writer & Actor — 247 copies, 2 reviews
And Now for Something Completely Different [1971 film] (1971) — Screenwriter and Actor — 172 copies, 2 reviews
Ripping Yarns [book] (1978) — Author — 165 copies
Fantastic Stories (1992) 153 copies, 1 review
Monty Python's The Meaning of Life [book] (1983) — Author — 143 copies
Nicobobinus (1985) 136 copies, 2 reviews
The Knight and the Squire (1997) 102 copies
More Ripping Yarns (1980) 95 copies
The Lady and the Squire (2000) 68 copies
The Complete Ripping Yarns (1990) 66 copies
Fairy Tales and Fantastic Stories (1997) 46 copies, 1 review
Trouble on the Heath (2011) 43 copies, 3 reviews
Erik the Viking [1989 film] (1989) 39 copies
Evil Machines (2011) 36 copies, 2 reviews
Crusades [1995 TV series] (1995) — Screenwriter/Host — 27 copies
Mr. Toad's Wild Ride [1996 film] (1996) — Director — 26 copies, 1 review
Terry Jones' Medieval Lives [2004 TV series] (2008) — writer/presenter — 20 copies
Absolutely Anything [2015 Film] (2015) — Director — 19 copies, 1 review
The beast with a thousand teeth (1981) 16 copies, 1 review
Bedtime Stories (2002) 15 copies
The Monty Python gift boks — Author — 14 copies
Terry Jones' Barbarians [2006 TV series] (2008) — writer/presenter — 11 copies
The Sea Tiger (1994) 11 copies, 1 review
Attacks of Opinion (Plus) (1988) 11 copies
Personal Services [1987 film] (1987) — Director; Director — 11 copies
The Tyrant and the Squire (2018) 10 copies
Catching the Moment (2000) 5 copies
Stroud Valley Childhood (1992) 3 copies
Instant Monty Python CD Collection (1994) — Author — 2 copies
La terra che-non-c'è (1995) 1 copy

Associated Works

The Wind in the Willows (1908) — Narrator, some editions — 27,759 copies, 368 reviews
The Restaurant at the End of the Universe (1980) — Foreword, some editions — 20,178 copies, 227 reviews
The Salmon of Doubt: Hitchhiking the Galaxy One Last Time (2002) — Foreword, some editions — 7,086 copies, 71 reviews
The Hitchhiker's Guide to the Galaxy: A Trilogy in Five Parts (1979) — Foreword, some editions — 4,620 copies, 47 reviews
Sir Gawain and the Green Knight / Pearl / Sir Orfeo (1330) — Narrator, some editions — 4,164 copies, 24 reviews
King of Shadows (1999) — Reader, some editions — 1,396 copies, 24 reviews
Labyrinth [1986 film] (1986) — Screenwriter — 1,007 copies, 13 reviews
The Mammoth Book of Comic Fantasy (1998) — Contributor, some editions — 537 copies, 1 review
The Mammoth Book of Seriously Comic Fantasy (1999) — Contributor — 350 copies, 2 reviews
Bruce Coville's Book of Monsters: Tales to Give You the Creeps (1993) — Contributor — 282 copies, 3 reviews
Jabberwocky [1977 film] (1977) — Actor — 123 copies, 1 review
Dinotopia [2002 TV miniseries] (2002) — Actor — 99 copies, 1 review
The Eliza Stories (1984) — Introduction, some editions — 83 copies, 5 reviews
The Kingfisher Treasury of Witch and Wizard Stories (1996) — Contributor — 73 copies
Monty Python's Tunisian Holiday: My Life with Brian (2008) — Foreword — 65 copies, 3 reviews
Utterly Utterly Merry Comic Relief Christmas Book (1986) — Contributor — 53 copies, 1 review
Dan Dare Pilot of the Future: Voyage to Venus Part 2 (2004) — Introduction — 35 copies
Across Time and Space: The Chronologies of Babylon 5 (2008) — Contributor — 35 copies
Monty Python's Personal Best [2006 TV series] (2006) — some editions — 22 copies, 1 review
Help I'm a Fish [2000 film] (2000) — Actor — 13 copies
Pearl and Sir Orfeo: Unabridged (1997) — Narrator — 10 copies
Hundreds and Hundreds (1984) — Contributor — 8 copies
The Secret Policeman's Balls — Actor — 1 copy

Tagged

art (329) autobiography (96) biography (177) British (159) children's (130) comedy (707) DVD (622) faeries (130) fairies (199) fairy tales (85) fantasy (632) fiction (780) film (219) hardcover (96) history (542) humor (1,988) illustrated (135) John Cleese (81) medieval (172) Michael Palin (82) Monty Python (667) movie (155) movies (87) non-fiction (393) read (161) science fiction (511) script (216) television (513) Terry Jones (124) to-read (396)

Common Knowledge

Canonical name
Jones, Terry
Legal name
Jones, Terence Graham Parry
Birthdate
1942-02-01
Date of death
2020-01-21
Gender
male
Education
St. Edmund Hall, Oxford (BA|1961)
Royal Grammar School, Guildford, England, UK
Occupations
comedian
screenwriter
actor
film director
author
television host (show all 7)
medieval historian
Organizations
Monty Python's Flying Circus (1)
Awards and honors
BAFTA Cymru Lifetime Achievement award (2016)
Short biography
Fellow Python John Cleese said: “It feels strange that a man of so many talents and such endless enthusiasm, should have faded so gently away,” adding: “Of his many achievements, for me the greatest gift he gave us all was his direction of Life of Brian. Perfection.” (From the Guardian Obituary)
Cause of death
complications of dementia
Nationality
UK
Birthplace
Colwyn Bay, Denbighshire, Wales, UK
Places of residence
Surrey, England, UK
Place of death
Highgate, London, Middlesex, England, UK
Burial location
cremated
Map Location
Wales, UK

Members

Discussions

Terry Jones changes tack again, and again in Pro and Con (September 2010)

Reviews

224 reviews
I liked this book because it changed the way in which I saw Chaucer. Actually, it tainted everything I read from Chaucer, once I finished Jones’ book. I am grateful to him for encouraging that. The book is controversial in the literary world. English professors downplay its message due to its de-emphasis on literary associations. I myself found a clear argument that Chaucer was being far more playful in the Tales than I had ever imagined. Jones uses the Knight’s Tale as a claymore sword show more to wreak havoc over all the other accepted interpretations of the other Tales. For the English major looking to put Chaucer into a wide context, this book will challenge that project. I found that after reading Jones’ book, I preferred the Chaucer I discovered afterwards than the monumental Chaucer who lacked any fiery impulse. show less
Terry Jones of Monty Python fame is also a medieval scholar and this book is a companion to his BBC documentary history. Each chapter focuses on a different type of person in medieval times from peasant to damsel to outlaw to king. Jones' challenges popular misconceptions of medieval history and turns them on their head with evidence of the period being one of great change with innovation and more opportunity for the lower sorts than typically imagined. It's a well-written guide to the show more medieval past with doses of humor and lots of historical evidence.

Favorite Passages:
Perhaps the most surprising example of that distinctiveness is that in England, uniquely in Europe, bold robber outlaws were necessary for the effective functioning of the kingdom.



England now had an extraordinary and unique legal structure, entirely invented by an ingenious and desperate monarchy. Its most remarkable feature was the amount of power, however messily administered, it placed in the hands of the local community. English law was quite unlike that on the Continent. There, law was run from above and was based on Church law (canon law) and Roman law. In England, it was totally dependent on a popular understanding of law, and the job of the courts was to enforce ‘common law’. The juries who laid accusations and tried cases were made up of people who supposedly knew what had happened. This meant they consisted very largely of people who were legally in various degrees of servitude. This would have a very striking effect on the development of the law. It meant that the ordinary Englishman, even though he was a villein or even a serf, was familiar with the law and the courts, not as a victim but as a participant in the legal process.



These were not maps. Mappa simply means ‘cloth’ and a mappa mundi is not a ‘map of the world’ but a ‘cloth of the world’. The fact that we have derived our word ‘map’ from these cloths is not the fault of the people of the Middle Ages. If there’s any blame to be apportioned it’s our fault for forgetting where the word comes from. And a cloth of the world had an entirely different purpose from an atlas (a seventeenth-century idea). A mappa mundi is a depiction of the world as a place of experiences, of human history, of notions and knowledge. It’s more like an encyclopaedia. It’s certainly not – and was never intended to be – a chart to be followed by travellers.



In the United States medical treatment is the third highest cause of death (iatrogenic death) after cancer and heart disease. So, despite our undoubted progress in understanding the chemistry and biological structure of the body, and great advances in the techniques of medical intervention, we are not exceeding the achievements of medieval doctors as much as we might expect. In their terms we are doing worse, because the objective of their care was not necessarily to save the body (which would, of course, be wonderful) but to help save the soul by allowing patients to know the hour of their death, and prepare for it. This was itself a genuine medical skill and, again, one that depended on seeing the patient as a human being.



The fact is, there is little reference to genuinely helpless high-born maidens in medieval literature. Perhaps this is not too surprising as the stories were often commissioned by noblewomen, to be read to their friends and family. We do not have enormous knowledge of their lives, but there is enough to show that the lady’s bedchamber was, in many cases, more like a salon, elegantly decorated, where she amused herself entertaining her women friends (generally her retainers, ‘damsels’ married to men of status in her husband’s service) and male visitors, and where they would ‘drink wine, play chess and listen to the harp’.*2 They would also read and be read to – silent reading was regarded as highly suspect, a sign of being antisocial or melancholy, suitable only for scholars.
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The Brand New Monty Python Bok [sic] is the second book to be published by the British comedy team. Edited by Eric Idle, it contains more text based humour than the first book, Monty Python's Big Red Book.

The hardback version was originally published with a white dust jacket that was deliberately designed to appear grubby, with realistic looking smudged fingerprints on the front, which fooled enough booksellers to complain to the publishers when it first hit the shelves in the 1970s. This show more was just the beginning of the real gag however. Should the offended parties attempt to dislodge the grubby dust cover, they were met with an even more 'grubby' mock pornographic magazine cover underneath which purported to be titled 'Tits 'n Bums - a weekly look at church architecture', with articles such as "Are you still a verger?". Just imagine the shriek of embarrassment from browsers in WH Smiths, innocently slipping off the dust cover out of curiosity and then going red in the face with panic as they fumbled to stuff the book back into its sleeve as tits and bums, blazoned across the cover, caught the attention of opinionated bystanders in the shop. Mutterings of 'pervert' and disdainful glares following them as they 'leg it' out the door before they are recognised! (Or, at least, I like to imagine such a scenario). I laughed myself to tears before I'd even opened the cover - which is a good way to start a comedy book.
If you did not find that offensive enough, then the first page contains a glued in school library fly sheet containing a list of all the students who withdrew the book; incl. J.P. Sartre, S. Davis Jr., Shirley Bassey, and lastly a certain 'M. Thatcher'.
Once again, I fell onto the floor visualising this crude porn cover sitting proudly on the shelves of Ferndean School Library. What a thing to suggest! At this point I was crying so hard with shame and laughter that I could barely read the words on the first page. I don't think there has ever been a funnier T.V. Tie in comedy book released before or since!

Inside:
Learn the secret Welsh art of self defence Llap-Goch, acquaint yourself with the Python Book of Etiquette, read the comic adventures of Walter the Wallabee, learn how to cook rat, learn to play Cheeseshop - an exciting new word game for two based on real life retailing, Hamsters: a warning, Teach yourself surgery, and many, many other ridiculous and amusing notions...

Its all good smutty fun. Naughty school-boy humour really; with one foot just over the line of decency which made this troop of comedians so cutting edge at a time when businessmen still wore bowler hats and rubbed shoulders on the tube with the first punk rockers. Strange days indeed!

p.s. Look out for page 71 !!!
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Having read Trolls earlier this year, it is clear that Froud was trying out a new format presentation with the Goblin Companion., as it was a big departure from the Lady Cottington series and the Runes of Elfland. Froud presents us with a compendium (compact of course to reflect his small subject matter) that introduces a variety of the goblins of the labyrinth. Each has their own unique personality and story, even though there is a certain stylistic unity among the creatures. As per usual, show more the illustrations were top-notch, as Froud clearly found a lot of interest among his goblin variations, bu I would hae enjoyed slightly more robust textual content, as many of the creatures barely got an introduction! show less

Lists

Awards

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Associated Authors

John Cleese Author, Screenwriter & Actor, Screenwriter and Actor, Writer & Actor, Actor, Screenwriter/Actor, Voice
Michael Palin Author, Screenwriter & Actor, Screenwriter and Actor, Writer & Actor, Screenwriter/Actor
Eric Idle Author, Screenwriter & Actor, Screenwriter and Actor, Writer & Actor, Screenwriter/Actor
Terry Gilliam Author, Screenwriter & Actor, Animator, Writer & Actor, Voice, Director
Graham Chapman Screenwriter & Actor, Screenwriter and Actor, Writer & Actor, Screenwriter/Actor, Director
Brian Froud Illustrator
Michael Foreman Illustrator
David Muir Director of Photography
Monty Python Composer
Aubrey Powell director
David Wallace Director
Nigel Miller director
Paul Bradshaw director
D. J. MacHale Director
David McNab director
David Wilson director
Ethan Coen Director
Joel Coen Director
Paul Weitz Director
Hazel Pethig costume design
Neil Innes Actor, Contributor
Terry Bedford Cinematographer
Michael White Producer
Denis O'Brien Producer
Peter Biziou Cinematographer
William Pierce Costume Department
Tim Hampton Producer
Roger Christian Art Direction
John Goldstone Production.
John Case Actor
George Harrison Actor & Producer
Arthur Wicks Props Department
John Du Prez Composer
Kate Hepburn Designer
John Hurst Illustrator
Gary Marsh Illustrator
Martin Honeysett Illustrator
Amy Lune Photographer
Bertrand Polo Photographer
Walter Junge Illustrator
James Campus Designer
Clive Coote Photographer
Strat Mastoris Photographer
David Appleby Photographer
Graham Thompson Illustrator
Peter Brookes Illustrator
Roger Perry Photographer
Reinholdt Binder Photographer
Roger Last Photographer
David Leland Screenwriter
Dave Howman Producer
Alan Bailey Producer
Simon Hopkins Producer
Connie Booth Contributor
Otto Sander Narrator
Samuel Weiss Narrator
Nina Weniger Narrator
Stanisław Lem Translator
Benjamin Schwarz Translator
Sam J. Lundwall Translator
Oscar Chichoni Cover artist
Péter Kollárik Translator
Bill Nighy Narrator
Jacek Spólny Translator
stcklefrank Narrator
Özden Arıkan Translator
Bet Ayer Designer

Statistics

Works
83
Also by
28
Members
19,646
Popularity
#1,106
Rating
4.0
Reviews
201
ISBNs
521
Languages
17
Favorited
13

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