James Vanderbilt

It has been 25 years since the Woodsboro killings. Woodsboro high schooler Tara Carpenter is home alone when she gets a phone call that turns out to be from the newest Ghostface killer. Although she's badly wounded, she manages to survive, and Sam, her estranged older sister, comes to see her.

In this movie, Mindy and Chad, the twin children of Randy Meeks' sister, are the huge horror fans, and Mindy theorizes that the newest Ghostface killer is following the rules of a "requel," a franchise show more continuation that draws heavily from the plot of the original. Based on this, Tara's friends figure that the ones most in danger are those who have a direct connection to the original killings. With Tara, the connection lies in a secret her sister Sam has been keeping from her for years.

Based on some searches I've done, I have unpopular Scream opinions. For example, if I were rating all the movies from best to worst, the order would be: Scream (original), Scream 3, Scream 4, Scream (2022), and Scream 2.

From the sounds of things, most folks liked this installment in the franchise more than I did. In terms of killings, it definitely went for the gorier and more brutal side of things - not really my cup of tea, but that's just me. And hey, several of the previous movies had on-screen intestines, so it's not like the gore in this one was that unusual. Big biggest issue with this entry was the whole "requel" thing. I mean, yes, there had to be something tying this movie in with the franchise's "meta" aspect, but this just seemed so...weak.

I say this as someone who recently watched Ghostbusters: Afterlife and literally watched the "requel" rules play out. I just refuse to accept that "requel" is a real thing, so the way it was used in this Scream movie came across like a celebration of being creatively tied down by nostalgia and a reluctance to take risks.

Whereas Scream 3 and Scream 4 felt like an overly extended but still proper "goodbye," this movie just felt tired and unnecessary. In a lot of ways, Dewey was the embodiment of the franchise, worn out and unable to move on.

It boggles my mind that a sixth movie is being made. Just let the franchise go.

(Original review posted on A Library Girl's Familiar Diversions.) show less

Acting: 3.5; Theme: 4.0; Content: 3.5; Language: 3.5; Overall: 3.5

As a young boy, Kyle Walsh (Joshua Anderson; Chaney Kley), was haunted by the personification of an old lady's ghost who was said to torment young children when they lost their last tooth. He must help his childhood friend, Caitlin (Emily Browing; Emma Caulfield Ford), when her young brother, Michael (Lee Cormie), is haunted by the same grotesque figure.

There were several episodes of violence, murder, and horror in this show more picture. There were also at least 10-12 uses of profanity, along with several uses of Jesus' and God's name, used in vain.

***January 4, 2025*** show less

Tras el fin de la II Guerra Mundial, con ocasión de los cruciales e inminentes juicios de Nuremberg contra el derrotado régimen Nazi, el psiquiatra estadounidense Douglas Kelley (Malek), encargado de determinar si los oficiales nazis prisioneros son aptos para ser juzgados por sus crímenes de guerra, se ve inmerso en una compleja batalla de ingenio dialéctico con Hermann Göring (Crowe), mano derecha de Hitler. Basada en el libro 'El nazi y el psiquiatra', de Jack El-Hai.

Elecciones estadounidenses de 2004. Inmerso el país en la guerra contra Iraq y Afganistán, todo parece indicar que George W. Bush será reelegido presidente de los Estados Unidos. La productora de noticias de la CBS Mary Mapes (Cate Blanchett) y su socio, el presentador Dan Rather (Robert Redford), descubren una historia que podría cambiar el curso de las elecciones: Bush había utilizado todo tipo de influencias para evitar ir a la guerra de Vietnam. La emisión de un programa especial show more que saca a la luz este hecho desata una tormenta informativa que hará que Mapes y Rather tengan que luchar para demostrar la veracidad de la noticia, poniendo la verdad por encima de los intereses políticos y económicos que se esconden detrás de los medios de comunicación. show less