Aya Nakahara

Once again I was impressed by not only how fresh the story was, but also how balanced and [comparatively:] realistic it was; especially considering it is not only a romantic comedy, but also a comic book.

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This is a series review.

Once again, upon reread, I’m finding that this manga isn’t quite as amazing as I remembered. It’s funny how much of a difference familiarity with a genre can make, sometimes for better or worse. I loved a lot of the first manga series I read unreservedly and Love*Com was no exception. I still admire this series quite a bit and it definitely stands out in my memory more than a lot of others. show more Love*Com is a perfect example of why there need to be so many different types of romances.

First off, let me get this out of the way: I cannot explain the name Lovely*Complex to you. I just can’t. If you’re going to be a manga/manhwa/jdrama/kdrama fan, you need to just roll with the strange names, my friends. Lovely*Complex is a love story, surprising no one. What sets Lovely*Complex apart is that it’s the love story of a tall girl and a short boy. Koizumi Risa is almost 20 centimeters taller than Otani Atsushi. This isn’t something that happens often in pop cultural romances, which tend to reinforce the idea than men should be taller than their girlfriends.

The romance of Koizumi and Otani has a nice slow arc, which follows, if not hate to love, at least annoyance to love. The two have been paired up for all of high school, viewed as a comedy duo. They’ve got a lot of similar interests, but are both sensitive about their irregular heights and do not appreciate having their heights highlighted by being next to one another. The romance comes on them slowly, and sort of in spite of themselves. Even better, being a couple doesn’t change either of them once it happens. They pick on each other just as mercilessly as they did before, only with a new awareness of the fact that it is a joke. There aren’t enough couples who snark each other constantly in my opinion, so I love this aspect.

That said, on my read through, I wasn’t really feeling the romantic connection quite as much as I had in the past. This is partly because of how chaste the series is, but they’re together largely because of shared interests. It would have been nice to have some more kissing scenes or to watch them mature their relationship. Much as I love the way they fight and banter, I would have liked to see them have more actually romantic moments. Despite how hard they both fight for the relationship, I’m not really seeing the passion.

On top of that, there are the traditional absurd romantic obstacles in the form of people trying to break up their relationship for one reason or another. It’s like manga law that it can’t be real love unless people are trying to break you up. Also, both people in the relationship should have people crushing on them to prove how desirable they are. Obviously, without this, 17 volumes would be tricky, but I would have liked to see more internal problems, especially since all of this undercuts my love for neither Koizumi or Otani being ludicrously attractive. I like it as a story about normal people living normal lives, and the elements of the absurd were largely not appreciated.

Love*Com is a delightful and humorous manga that I recommend for readers who want something outside of the traditional romance dynamics. show less

As the chronological end to the series (since the next/final volume, is more of a prequel), this volume was for the most part disappointing. The majority of the story deals with the aftermath of Kohori's bad luck in relationships, but resolves it in a deus ex machina fashion by introducing a never before seen character (who also attends Otani and Koizumi's school) at the eleventh hour. Although this might work well as a standalone storyarc, as it sort of parallels the All Hanshin/All Kyojin show more relationship in a nutshell, but as an end to a series, with everyone graduating, it just feels like it's taking up what little space there is to this volume.

Speaking of space, what also didn't help was the fact that a third of this volume was devoted to a standalone, non-LoveCom story/biography of the actor who played Otani in the LoveCom movie. As a general rule, I don't think comics and biography really work, unless it's given a creative license to make it overall interesting. Putting reality in a manga spin gives it a weird vibe, and Nakahara's artstyle looks odd by giving people a more realistic look. Of course, making the character more 'manga/anime-like' also doesn't work too well either, I think.

Although, the next volume is basically a prequel, I still hope it somehow redeems this volume and end the series in a higher note. show less

Entertaining as usual, with the conclusion of the Otani College Exams storyarc completing (with a hilarious dream sequence by Koizumi).

The one thing that was odd with this volume that I noticed was how the translation notched up the slang in the dialogue. Things like 'straight up', 'no dice', and 'props' just makes me wonder exactly what decade the editors were from. I know the Japanese text probably has tons of slang too, plus the fact that technically everybody is speaking in a Kansai show more dialect (sort of like if everybody was speaking with a Bronx accent), but just throwing the odd word to make the dialogue 'cool' just throws off the flow of the pattern of dialogue that's been established so far. Still overall the volume is still worth reading for the characters and for the humor. Gotta love the humor.

This volume also includes a non-Love Com standalone story, "I'll Love You Even If I Become A Star". show less