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John Schoenherr (1935–2010)

Author of Owl Moon

15+ Works 11,284 Members 383 Reviews 1 Favorited

About the Author

John Schoenherr was born in New York City on July 5, 1935. He received a B.F.A. from the Pratt Institute in 1956. During his lifetime, he illustrated numerous books for children and adults including The Wolfling and Rascal by Sterling North, Gentle Ben by Walt Morey, The Fox and the Hound by Daniel show more P. Mannix, Incident at Hawk's Hill by Allan W. Eckert, Julie of the Wolves by Jean Craighead George, and The Illustrated Dune by Frank Herbert. He won a Caldecott Medal in 1988 for Owl Moon by Jane Yolen and a Hugo award in 1965 for his science fiction artwork. He died of chronic obstructive pulmonary disease on April 8, 2010 at the age of 74. (Bowker Author Biography) show less

Includes the name: John Schoenher

Works by John Schoenherr

Owl Moon (1987) — Illustrator — 10,873 copies, 376 reviews
Bear (1991) 303 copies, 2 reviews
Rebel (1995) 74 copies, 5 reviews
The Barn (1989) 19 copies
Space Viking 4 copies
The Plague 2 copies
Eulen - Rufe (1994) 1 copy
Novice 1 copy
Lion Loose 1 copy
Subversive 1 copy
Ours (ALBUMS (A)) (1994) 1 copy

Associated Works

Dune (1965) — Cover artist, some editions; Illustrator, some editions — 50,283 copies, 801 reviews
Dune Messiah (1969) — Cover artist, some editions — 19,917 copies, 217 reviews
Heretics of Dune (1984) — Cover artist, some editions — 9,971 copies, 70 reviews
Chapterhouse: Dune (1985) — Cover artist, some editions — 9,360 copies, 56 reviews
Julie of the Wolves (1972) — Illustrator, some editions — 8,840 copies, 130 reviews
Rascal (1963) — Illustrator, some editions — 6,334 copies, 51 reviews
Gentle Ben (1965) — Illustrator, some editions — 2,101 copies, 18 reviews
The Stainless Steel Rat (1961) — Cover Artist, some editions — 1,789 copies, 32 reviews
Man Plus (1976) — Cover artist, some editions — 1,639 copies, 28 reviews
Mission of Gravity (1953) — Cover artist, some editions — 1,577 copies, 34 reviews
We Can Build You (1962) — Cover artist, some editions — 1,478 copies, 19 reviews
Incident at Hawk's Hill (1971) — Illustrator, some editions — 1,472 copies, 11 reviews
Galactic Patrol (1950) — Cover artist, some editions — 1,469 copies, 18 reviews
Whipping Star (1970) — Cover artist, some editions — 1,398 copies, 27 reviews
The Dragon in the Sea (1955) — Cover artist, some editions — 1,230 copies, 22 reviews
The Dreaming Jewels (1950) — Cover artist, some editions — 1,222 copies, 26 reviews
Time and Again (1951) — Cover artist, some editions — 996 copies, 20 reviews
Venus Plus X (1960) — Cover artist, some editions — 957 copies, 20 reviews
The Weapon Shops of Isher (1951) — Cover artist, some editions — 948 copies, 18 reviews
From Sea to Shining Sea: A Treasury of American Folklore and Folk Songs (1993) — Illustrator — 805 copies, 2 reviews
The War Against the Rull (1959) — Cover artist, some editions — 725 copies, 12 reviews
Space Viking (1963) — Illustrator, some editions; Cover artist, some editions — 711 copies, 17 reviews
The Heaven Makers (1968) — Cover artist, some editions — 704 copies, 7 reviews
The Beast Master (1959) — Cover artist, some editions — 684 copies, 13 reviews
Man of Two Worlds (1986) — Cover artist, some editions — 618 copies, 2 reviews
The Sword of Rhiannon (1953) — Cover artist, some editions — 464 copies, 14 reviews
Pigs in the Mud in the Middle of the Rud (1997) — Illustrator — 442 copies, 19 reviews
Orbit Unlimited (1961) — Cover artist, some editions — 426 copies, 3 reviews
Quest for the Future (1970) — Cover artist, some editions — 407 copies, 5 reviews
The Universe Against Her (1964) — Cover artist, some editions — 403 copies, 5 reviews
Times without number (1969) — Cover artist, some editions — 388 copies, 6 reviews
The Falling Torch (1953) — Cover artist, some editions — 372 copies, 4 reviews
Children of Tomorrow (1970) — Illustrator, some editions — 362 copies, 5 reviews
Space Opera (1965) — Cover artist, some editions — 349 copies, 7 reviews
The Planet Buyer (1964) — Cover artist, some editions — 340 copies, 4 reviews
The Battle of Forever (1971) — Cover artist, some editions — 330 copies, 4 reviews
Born under Mars (1966) — Cover artist, some editions — 316 copies, 4 reviews
War with the robots : science fiction stories (1956) — Cover artist, some editions — 307 copies, 5 reviews
The Darkness on Diamondia (1972) — Cover artist, some editions — 295 copies, 2 reviews
Catch a Falling Star (1968) — Cover artist, some editions — 262 copies, 4 reviews
The 1972 Annual World's Best SF (1972) — Cover artist, some editions — 255 copies, 2 reviews
The dreaming Earth (1961) — Cover artist, some editions — 213 copies, 5 reviews
World's Best Science Fiction: 1969 (1969) — Cover artist, some editions — 201 copies
Doctor to the Stars (1964) — Cover artist, some editions — 192 copies, 3 reviews
World's Best Science Fiction: 1970 (1970) — Cover artist, some editions — 185 copies, 3 reviews
Brain Twister (1962) — Cover artist, some editions — 172 copies, 5 reviews
Mutiny in Space (1964) — Cover artist, some editions — 144 copies, 6 reviews
Lords of the Starship (1967) — Cover artist, some editions — 144 copies, 6 reviews
Space Wars: Worlds & Weapons (1979) — Illustrator — 135 copies, 2 reviews
The Fox and the Hound (1967) — Illustrator — 132 copies, 4 reviews
Meeting at Infinity (1961) — Cover artist, some editions — 119 copies, 4 reviews
The Winds of Darkover / The Anything Tree (1970) — Cover artist — 104 copies, 2 reviews
The Wall Around the World (1962) — Cover artist, some editions — 103 copies
Empire Star / The Tree Lord of Imeten (1966) — Cover artist, some editions — 102 copies
The Impossibles (1963) — Cover artist, some editions — 97 copies, 2 reviews
The Fall of the Dream Machine / The Star Venturers (1969) — Cover artist — 93 copies, 2 reviews
The Radio Planet (1926) — Cover artist, some editions — 89 copies
Bright New Universe (1967) — Cover artist, some editions — 89 copies
4 for the Future (1959) — Cover artist, some editions — 86 copies, 2 reviews
The Green Rain (1961) — Cover artist, some editions — 81 copies, 1 review
Red Fox (1905) — Illustrator, some editions — 80 copies, 3 reviews
The Rim Gods / The High Hex (Ace Double 72400) (1969) — Cover artist — 76 copies, 1 review
The Space Barbarians (1964) — Cover Artist, some editions — 69 copies, 2 reviews
Supermind (1963) — Cover artist, some editions — 68 copies, 2 reviews
Out of Bounds (1960) — Cover artist, some editions — 66 copies, 1 review
Tower of the Medusa / Kar Kaballa (1969) — Cover artist — 64 copies
The Earth War (2017) — Cover artist, some editions — 62 copies
The Martian Sphinx (1965) — Cover artist, some editions — 62 copies
Ultimatum in 2050 A.D / Our Man in Space (1965) — Cover artist, some editions — 59 copies
Bring Back Yesterday / The Trouble With Tycho (Classic Ace Double, D-517) (1960) — Cover artist, some editions — 58 copies, 2 reviews
To Venus! To Venus! / The Jester at Scar (1970) — Cover artist — 55 copies, 2 reviews
Mars is My Destination (2011) — Cover Artist, some editions — 54 copies, 2 reviews
The Fallen Spaceman (1973) — Illustrator, some editions — 53 copies, 2 reviews
Bogey Men (1963) — Cover artist, some editions — 52 copies
The Proxima Project / Target: Terra (1968) — Cover artist — 51 copies
Ace Science Fiction Reader (1971) — Cover artist, some editions — 49 copies, 2 reviews
The space egg (1958) — Cover artist, some editions — 48 copies
The Weird Ones (1965) — Cover artist, some editions — 43 copies
Twelve Tomorrows 2014 (2014) — Illustrator — 41 copies, 2 reviews
Analog Science Fiction/Science Fact: Vol. LXXXVIII, No. 3 (November 1971) (1971) — Cover artist; Illustrator — 37 copies
Analog Science Fiction/Science Fact: Vol. XCVII, No. 6 (June 1977) (1977) — Cover artist — 36 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCVI, No. 2 (February 1976) (1976) — Illustrator — 33 copies, 1 review
More Macabre (1961) — Cover artist, some editions — 32 copies
Wapootin (1976) — Illustrator — 32 copies
Analog Science Fiction/Science Fact: Vol. XCVI, No. 8 (August 1976) (1976) — Cover artist — 29 copies, 2 reviews
Analog Science Fiction/Science Fact: Vol. XCV, No. 3 (March 1975) (1975) — Illustrator — 28 copies, 1 review
Susy's Scoundrel (1974) — Illustrator, some editions — 26 copies
Analog Science Fiction/Science Fact: Vol. XCVI, No. 3 (March 1976) (1976) — Illustrator — 26 copies, 1 review
Analog Science Fiction/Science Fact: Vol. LXXXVIII, No. 2 (October 1971) (1971) — Illustrator; Cover artist — 26 copies
Analog Science Fiction/Science Fact: Vol. XCV, No. 5 (May 1975) (1975) — Illustrator — 26 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCV, No. 9 (September 1975) (1975) — Illustrator — 24 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCV, No. 7 (July 1975) (1975) — Cover artist — 24 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCV, No. 2 (February 1975) (1975) — Illustrator — 24 copies, 1 review
Fox and the Fire (1976) — Illustrator, some editions — 23 copies
Analog Science Fiction/Science Fact: Vol. LXXX, No. 2 (October 1967) (1967) — Cover artist, some editions; Illustrator — 23 copies
Analog Science Fiction/Science Fact: Vol. XCV, No. 6 (June 1975) (1975) — Cover artist; Illustrator — 22 copies, 1 review
Analog Science Fiction/Science Fact: Vol. LXXXIX, No. 2 (April 1972) (1972) — Illustrator — 19 copies, 1 review
Kangaroo Red (1991) — Illustrator — 19 copies
The Tree Lord of Imeten (1966) — Cover artist, some editions — 17 copies
A bat is born, from The bat-poet (1978) — Illustrator, some editions — 15 copies, 2 reviews
Accidental Death (1959) — Illustrator — 15 copies
Analog Science Fact/Science Fiction: Vol. LXX, No. 3 (November 1962) (1962) — Cover artist; Illustrator — 14 copies
Analog Science Fact/Science Fiction: Vol. LXX, No. 4 (December 1962) (1962) — Cover artist; Illustrator — 12 copies
Analog Science Fact/Science Fiction: Vol. LXXII, No. 3 (November 1963) (1963) — Cover artist, some editions — 11 copies
Analog Science Fact/Science Fiction: Vol. LXXIV, No. 1 (September 1964) (1964) — Cover artist; Illustrator — 9 copies
Galaxy Science Fiction 1957 June, Vol. 14, No. 2 (1957) — Illustrator — 9 copies
Analog 4 (1982) — Illustrator — 9 copies
The Travels of Atunga (1973) — Illustrator, some editions — 8 copies
ULLSTEIN 2000 SF STORIES 33 (1968) — Cover artist, some editions — 6 copies
Galileo Magazine of Science & Fiction March 1978 (1978) — Cover artist, some editions — 5 copies
Ullstein 2000 sf-stories 30. (1973) — Cover artist — 5 copies
The Proxima Project (1968) — Cover Artist, some editions; Cover artist, some editions — 4 copies
The phantom setter, and other stories, (1966) — Illustrator, some editions — 4 copies
Shadrach in the Furnace (Part 1 of 3) [serial] (1976) — Illustrator — 1 copy

Tagged

adventure (49) animals (234) award winner (45) birds (187) Caldecott (395) Caldecott Medal (154) children (92) children's (138) children's literature (56) family (308) father (64) fathers (67) fathers and daughters (113) FIAR (81) fiction (309) imagery (73) moon (231) nature (279) night (155) owl (159) owls (516) patience (53) picture book (600) poetry (90) realistic fiction (207) seasons (71) snow (244) visualizing (50) winter (695) word choice (48)

Common Knowledge

Legal name
Schoenherr, John Carl
Birthdate
1935-07-05
Date of death
2010-04-08
Gender
male
Occupations
illustrator
Organizations
Analog Science Fiction and Fact
Awards and honors
Hugo (Professional Artist ∙ 1965)
Relationships
Schoenherr, Ian (son)
Nationality
USA
Birthplace
New York, New York, USA
Place of death
Easton, Pennsylvania, USA
Associated Place (for map)
USA

Members

Reviews

391 reviews
A young girl and her father set out for the woods one snowy night, in this lovely, contemplative picture-book, the Caldecott Medal winner for 1988. Aware that she must be very quiet, the girl narrator struggles to keep up with her father, and - when they enter the darkness of the woods themselves - to be brave. Both are necessary, she informs the reader, when one is going owling, something she has been waiting a very long time to be allowed to do. Finally, in a moonlit clearing, with snow show more whiter than milk, the pair see what they have come for - a Great Horned Owl. After a moment (or one hundred) of magical connection, the owl flies on, and the tired pair head home...

Owl Moon is yet another of those classic picture-books that have long been "on my radar," but that I'd somehow never read, so I'm glad it was chosen as one of our "Winter Themed" selections, over in the Picture-Book Club to which I belong. I loved so many things about the book, from Jane Yolen's simple but evocative text, to John Schoenherr's beautiful watercolor artwork. The idea that sometimes the best and most magical experiences in life require effort and discipline, is worked seamlessly into the story, as is the notion that long awaited "treats" are especially delightful. The enchantment of the winter landscape is perfectly captured by both word and image here, and I particularly appreciated the fact that, even before they have seen the owl, the girl and her father are not alone, as a variety of woodland creatures observe their journey. The two-page spread in which the owl is depicted is simply breathtaking, allowing the reader to feel, with the two in the story, that sense of joyous culmination.

All in all, a delightful winter picture-book, one I highly recommend to all young nature and owl lovers, and to anyone who loves the cold enchantment of this season!
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Owl Moon offers a reading experience that reflects the quiet story it’s telling and makes you want to read it aloud in a hushed voice. Yolen’s descriptions are tactile and atmospheric, and coupled with Schoenherr’s illustrations both show and tell you what the characters are seeing and feeling. I love that the story doesn’t have capture or conquest as a goal, but instead observation and appreciation of a fleeting experience with the natural world. C clearly feels the anticipation of show more the story and eagerly waits to come face to face with an owl. show less
Owl Moon was a great book on so many levels. It is a free verse poem that paints such vivid mental images of a young girl and her father who go owling on a dark night. The little girl has been waiting forever to be old enough to go. It is everything she expects and more.
One of the reasons that I like the book is the descriptive language. It is a great book for visualization. For example, “I could feel the cold, as if someone’s icy hand was palm-down on my back.” It made me shiver show more just thinking about it. The little girl talks about the how “the shadows were the darkest things she had ever seen” and that the “snow was as white as milk in a cereal bowl.” This type of language really helps the story come alive in my mind. I believe that if I had just listen to the book read out loud I could illustrate this story by just listening to different parts.
Another thing that goes hand in hand with the language is the illustrations. The illustrations match the words exactly. The dark shadows, the tall dark trees, and best of all, the incredible picture of the owl when they finally see him and make eye contact for several seconds. The combination of both is amazing.
Finally, reading the poem from the little girl’s point of view. You can feel the excitement and awe as soon as the story begins that really helps you to connect with the character. “I’ve been waiting to go owling with Pa for a long, long time.” As they go farther into the woods her father stops to call the owl and it does not respond but the little girl is not disappointed because her brothers told that sometimes there wasn’t an owl. Then she talks about how things were a little scary in the woods but that she had to be brave to go owling. Finally, at the end of the story when she could finally talk she did not, “I was a shadow as we walked home.” Reading it from her point of view really help you go through the experience with her, feel her feelings, and think about the same things she is thinking,
Owl Moon is a great heart felt story to that shows a relationship between father and daughter and the celebration of tradition. It also expresses the relationship between people and nature.
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I really liked this book for many reasons. One reason I really enjoyed this book was because of the type of language that the author used. The authors language was very descriptive and he used things such as similes and metaphors. For example when the author was trying to explain the snow on the ground the book said, the snow didn't look like snow at all it rather looks like smooth milk. I liked that a lot because when I was reading it and looking at the pictures I was thinking about milk show more and the way that the snow was made me compare the two. This book made me really think, compare and connect. I loved the characters in the book because they were so realistic and easy to relate to. Since the book describes and child and their father going on a trip to find owls like the child's father and brothers do every year. When reading the book you can tell that the child has never been on this trip before because they always said "my brothers told me about this" and "I was so excited to go owling", Children who are reading this can easily relate to a time they went somewhere or did something special with their parent or a member in their family. Lastly I really enjoyed the pictures in the book . The illustrations were not very vibrant but the colors used went along with what was being written about for example when the author wrote about the dark forest, the illustrations used colors like black, or grey. The illustrations were also very detailed and fun to look at when reading. I would say that the big idea of this book would be that if you are patient, things will come to you over time. That is the message of the book because since the father and child waited and waited for the owl to come at the end it finally came. show less

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Statistics

Works
15
Also by
159
Members
11,284
Popularity
#2,084
Rating
4.0
Reviews
383
ISBNs
57
Languages
4
Favorited
1

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