Paul Smith (16) (1953–)
Author of JSA: The Golden Age
For other authors named Paul Smith, see the disambiguation page.
About the Author
Image credit: Comic Book Resources
Series
Works by Paul Smith
Leave it to Chance, Book Two: Trick or Threat & Other Stories (1998) — Illustrator — 86 copies, 2 reviews
X-Men: In the Savage Land (Spider-Man) (Marvel Comics) (Marvel Fanfare) (1988) — Illustrator — 50 copies, 1 review
X-Men Forever, Vol. 2: The Secret History Of The Sentinels (2010) — Illustrator — 16 copies, 1 review
The New Avengers (Vol. 1) #24: New Avengers: Disassembled, Part 4 (2006) — Illustrator — 6 copies, 1 review
Marvel Fanfare #4 — Illustrator — 2 copies
She-Hulk [2005] #09 - The Big Reveal — Illustrator — 1 copy
Nexus Omnibus Volume 4 1 copy
Iron Lantern 1 copy
Associated Works
Grimjack #24 — Illustrator — 1 copy
Tagged
Common Knowledge
- Birthdate
- 1953-09-04
- Gender
- male
- Occupations
- comic book artist
animator - Nationality
- USA
- Birthplace
- Kansas City, Missouri, USA
- Associated Place (for map)
- Missouri, USA
Members
Reviews
Despite the fact that this story is labeled "Elseworlds," I'm not sure why it wouldn't work as a prequel to the DC universe as seen in Robinson's Starman series; in fact, it has a number of elements in common with it. This follows DC's World War II superheroes as they adapt back to life post-war, in a world that seems to be leaving them behind. Like the best of superhero stories, it thus becomes universal, telling a story about how anyone would adjust to life in what the 1950s brought. With show more a sprawling cast that's sometimes hard to keep straight, it feels big, and the conspiracy at the story's heart unravels audaciously.
Paul Martin Smith's artwork is good, but Richard Ory's colors bring them to life; this book wouldn't be half so good without the additional subtleties and tones they deliver. show less
Paul Martin Smith's artwork is good, but Richard Ory's colors bring them to life; this book wouldn't be half so good without the additional subtleties and tones they deliver. show less
Unfortunately, the cosmic stories in this volume are just not that interesting (the X-Men in space are never as interesting as Claremont thinks they are) and while Paul Smith's run as artist helps (because his art is amazing), the stories don't make much sense. And then we begin to see the stylistic dialogue, where every character speaks in the same cadence, emerge from Claremont's pen and the series just begins to bog down.
2.5 stars. This collection of issues from 1985 doesn’t hold a candle to the graphic art of today. It does, however represent the stylistic differences between then and now.
I picked this up after seeing the movie, and reading it many months later just makes me want to see the movie again.
Here are my issues: sexism and racism. The kick-butt heroine wins her battle and is suddenly less clothed. She just wants Strange to hang out and be her consort, because she’s not confident she can rule show more now that she’s won. Blech. Couldn’t the men creating this comic just giver her the victory without making her so dependent on a man.
I was also offended by the racist portrayal of Strange’s employees/servants. Wong is so stereotypical it is just wrong. Although these issues don’t address it, I think Sara is meant to be Native American. She wears feathers and has red skin. Ya think? Again, it’s just wrong. Even In the 1980s when these were originally published, that was inappropriate.
Aside from all that, the stories of Doctor Strange battling evil throughput the dimension were fun. Not Earth shattering, but okay.
Now where’s that movie? show less
I picked this up after seeing the movie, and reading it many months later just makes me want to see the movie again.
Here are my issues: sexism and racism. The kick-butt heroine wins her battle and is suddenly less clothed. She just wants Strange to hang out and be her consort, because she’s not confident she can rule show more now that she’s won. Blech. Couldn’t the men creating this comic just giver her the victory without making her so dependent on a man.
I was also offended by the racist portrayal of Strange’s employees/servants. Wong is so stereotypical it is just wrong. Although these issues don’t address it, I think Sara is meant to be Native American. She wears feathers and has red skin. Ya think? Again, it’s just wrong. Even In the 1980s when these were originally published, that was inappropriate.
Aside from all that, the stories of Doctor Strange battling evil throughput the dimension were fun. Not Earth shattering, but okay.
Now where’s that movie? show less
Paul Smith's art is always beautiful, and James Robinson has created a wonderful world here. It's a perfect all ages book, and would be especially appreciated by little girls, although anyone can enjoy it.
Awards
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Associated Authors
Statistics
- Works
- 36
- Also by
- 15
- Members
- 1,424
- Popularity
- #18,066
- Rating
- 3.7
- Reviews
- 38
- ISBNs
- 383
- Languages
- 9
- Favorited
- 1









