Sean Rainbird
Author of Kandinsky : The path to abstraction
About the Author
Works by Sean Rainbird
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1959-03
- Gender
- male
- Education
- University College London (art history and German)
Kingston University (management administration) - Occupations
- art historian
museum director
Curator, then Senior Curator at Tate (1987-2006)
Director, Staatsgalerie Stuttgart (2006-11 - 2012-03)
Director, National Gallery of Ireland (2012-04 -) - Nationality
- UK
- Birthplace
- Hong Kong
- Associated Place (for map)
- Hong Kong
Members
Reviews
Max Beckmann edited by Sean Rainbird, published by Tate Publishing in conjunction with the Centre Georges Pompidou and the MoMA. ISBN 0870702416 clothbound, ISBN 0870702426 Paperbound. 296pp, 11.5”x9.75” (29x25cm).
The dust-jacket flap describes this as “the first comprehensive English language catalogue on the artist published since … 1984. It contains new research by German, British and American scholars.” The book comprises thirteen essays, including several by practising show more artists; it concludes with an extensive and detailed Chronology, a Select Bibliography, List of Works and an Index.
The many essays make fascinating reading, some deal with more general subjects or a period in the Beckmann’s development including the difficult times of his exile; others discuss perhaps a specific work. There are extensive Notes for each essay. It illustrated profusely throughout in full colour (174 illustrations), including many of the drawings; the images are of a good size with many full page or larger. In addition there are 40 black and white illustrations which include examples of the work of other artists, a few of Beckmann’s drawings, and many photographs of the artist. The illustrations run with the text and appear on or close to the page upon which they are discussed, this rule appears at time to be followed so closely that some works appear more than once.
It is a very well produced book; the illustrations are of high quality and reveal the texture of the paint surface and the colours are rich and bold. It is a worthy book providing a broad coverage of the artist, his work and his life. show less
The dust-jacket flap describes this as “the first comprehensive English language catalogue on the artist published since … 1984. It contains new research by German, British and American scholars.” The book comprises thirteen essays, including several by practising show more artists; it concludes with an extensive and detailed Chronology, a Select Bibliography, List of Works and an Index.
The many essays make fascinating reading, some deal with more general subjects or a period in the Beckmann’s development including the difficult times of his exile; others discuss perhaps a specific work. There are extensive Notes for each essay. It illustrated profusely throughout in full colour (174 illustrations), including many of the drawings; the images are of a good size with many full page or larger. In addition there are 40 black and white illustrations which include examples of the work of other artists, a few of Beckmann’s drawings, and many photographs of the artist. The illustrations run with the text and appear on or close to the page upon which they are discussed, this rule appears at time to be followed so closely that some works appear more than once.
It is a very well produced book; the illustrations are of high quality and reveal the texture of the paint surface and the colours are rich and bold. It is a worthy book providing a broad coverage of the artist, his work and his life. show less
Catalogo mostra, RAINBIRD Sean (a cura di), Max Beckmann, Parigi, Centre Georges Pompidou, 10.9.2002 - 6.1.2003, Londra, Tate Modern, 12.2.2003 - 5.5.2003, New York, MoMA QNS, 25.6.2003 - 30.9.2003
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Associated Authors
Statistics
- Works
- 12
- Also by
- 1
- Members
- 186
- Popularity
- #116,757
- Rating
- 4.4
- Reviews
- 2
- ISBNs
- 10
- Languages
- 1











