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Berkely Mather (1909–1996)

Author of Dr. No [1962 film]

23+ Works 749 Members 20 Reviews

About the Author

Disambiguation Notice:

Berkely Mather was the pseudonym used by John Evan Weston-Davies.

Series

Works by Berkely Mather

Dr. No [1962 film] (1962) — Screenwriter; Writer — 467 copies, 4 reviews
The Pass Beyond Kashmir (1975) 40 copies, 2 reviews
Snowline (1973) 33 copies, 1 review
The Gold of Malabar (1967) — Author — 29 copies, 1 review
The Springers (1968) 29 copies, 1 review
The Achilles Affair (1982) 23 copies, 2 reviews
The Terminators (1971) 18 copies, 1 review
The Pagoda Tree (1979) 14 copies, 2 reviews
With Extreme Prejudice (1975) 14 copies, 1 review
The Road and the Star (1986) 13 copies, 1 review
The Break in the Line (1970) 13 copies, 1 review
The White Dacoit (1974) 12 copies, 1 review
The Midnight Gun (1981) 11 copies, 1 review
Genghis Khan (1976) 8 copies
The Hour of the Dog (1982) 7 copies, 1 review

Associated Works

Stories to Be Read with the Lights On (1973) — Contributor — 239 copies, 4 reviews
Crimes of Cymru: Classic Mystery Tales of Wales (2023) — Contributor — 68 copies
Masterpieces of Mystery : More from the Sixties (1979) — Contributor — 19 copies
John Creasey's Crime Collection : 1983 (1983) — Contributor — 10 copies
Crime Writers' Choice (1964) — Contributor — 4 copies
John Creasey's Mystery Bedside Book (1973) (1972) — Contributor — 3 copies
John Creasey's Mystery Bedside Book (1971) (1970) — Contributor — 3 copies

Tagged

Common Knowledge

Canonical name
Mather, Berkely
Legal name
Weston-Davies, John Evan
Other names
Weston-Davies, Jasper
Birthdate
1909-02-25
Date of death
1996-03-07
Gender
male
Education
University of Sydney
Occupations
soldier
novelist
Nationality
UK
Birthplace
Gloucester, Gloucestershire, England, UK
Place of death
Brede, Rye, East Sussex, England, UK
Disambiguation notice
Berkely Mather was the pseudonym used by John Evan Weston-Davies.
Associated Place (for map)
England, UK

Members

Reviews

29 reviews
Rating: 4* of five

Again rating the film from 1962. Cannot read the books, they haven't aged at all well.

And in so many ways, neither has the film. Ursula Andress, the most-remembered woman in the cast, plays Honey Ryder (!), and she is the last of three women to find 32-year-old Connery irresistible. (Well DUH.) But her role as eye candy for the straight boys is all she does. Her emergence from the sea in what was for the day a teensy bikini, but for today's audiences might as well be a show more burqa, led to the current Bond iteration's scene with Halle Berry splashing up out of the sea in, basically, nothin' much. How things have changed in 50 years.

I found myself drooling over the decor. (Hey, the story's ridiculous and the effects are risible, had to look at something!) Midcentury Modern for days! Gorgeous copper-plated doors and beautiful leather-upholstered walls! OOO AAAH. Bond driving that adorable Sunbeam convertible was fun for me too...and the tank with fins! Ha!

So yeah, I give it four camp-stars and enjoy it for what it now is: the birth of a cultural phenomenon, interesting more for what it says about our progress than for any intrinsic merits it has.
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A lot happens. Ross Stafford helps a transported convict to escape the penal colony of New South Wales, travels by junk to China, where he is caught up in the opium wars, is press ganged into the East India Company army under another man's name, joins a rajah's army commanded by a giant Sikh in a kilt, saves the last defenders of a British garrison from mutinying sepoys......

The plot was ludicrous, but I kept reading. 3*
A British intelligence agent investigates a colleague's disappearance.

I loved most of this movie. It's loaded with beautiful mid-century pulp-book-cover-illustration style, the score is crazy fun, and of course Sean Connery is cool. Unfortunately, it's also riddled with racism. And the plot starts to fall apart in the last 15 minutes or so. For instance, why does a tube that carries large amounts of water lead to the lobby? And why does no one care that almost all of the bad guys got show more away?

Concept: B
Story: C
Characters: C
Dialog: C
Pacing: B
Cinematography: B
Special effects/design: A
Acting: B
Music: A

Enjoyment: B

GPA: 2.9/4

(Oct. 2012)
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½
It's the sixties. China has taken over Tibet: the Dalai Lama has escaped to India. The situation in Kashmir is explosive. Add a hero, pair of volatile knife-wielding Pathans, an alcoholic ex-major, an assortment of spies, a little romance, the magnificent Himalayas and you have a first-rate adventure.

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Awards

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Statistics

Works
23
Also by
8
Members
749
Popularity
#33,950
Rating
½ 3.7
Reviews
20
ISBNs
81
Languages
6

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