Simon Cutts

an illustrated essayette and correspondence with Donal Sarsfield about a very special musical (and athletic) performance that took place in 1934 at the Sydney Town Hall; “a history of the rehearsed dash made by the pianist and composer Percy Grainger, to arrive at the entry of the pianoforte in the second movement, the Adagio, of Grieg's Piano Concerto”, with endpapers showing sheet music of the Concerto modified to reflect this particular performance,

Published to coincide with the On Loan exhibition ( an exhibition of borrowed art lent by artists ), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart show more Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. show less

Published on the occasion of “Fo(u)ndlings: an exhibition of ‘found’ art” at Coracle Press (London) in 1978. Featured artists include Glen Baxter, Thomas A. Clark, Les Coleman, Simon Cutts, Richard Long, Len McComb, Eduardo Paolozzi, Tom Phillips, and many others.

Exhibition catalogue published in conjunction with show held at Coracle Press, London, in 1977.
Catalogue consists of 71 loose cards each one devoted to an artist in the exhibition with a black-white-image of their work one side and caption information on the other, housed in a printed paper slipcase.