Picture of author.

Bohuslav Martinů (1890–1959)

Author of Epic of Gilgamesh

212+ Works 349 Members 6 Reviews 1 Favorited

About the Author

Image credit: Portrait of Bohuslav Martinu

Works by Bohuslav Martinů

Epic of Gilgamesh (1994) 19 copies
Symphonies 3 & 4. CD (1992) 6 copies
The Greek Passion (1990) 4 copies
Martinů: Chamber Music (1996) 4 copies
Juliette (1998) 3 copies
Symphony 6 (1990) 3 copies
First Sonata 3 copies
Flute Trios (1995) 3 copies
Symphony No. 3 2 copies
Madrigals (2018) 1 copy
Short Operas 1 copy
Ariane (1994) 1 copy
Sextet 1 copy
Sonata No.1 1 copy
Lidice 1 copy
Les Jeux De Marie (1993) 1 copy
Martinu: Chamber Music (1998) 1 copy
The Greek passion (2001) 1 copy

Associated Works

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Common Knowledge

Canonical name
Martinů, Bohuslav
Legal name
Martinů, Bohuslav
Birthdate
1890-12-08
Date of death
1959-08-20
Gender
male
Nationality
Czechoslovakia
Birthplace
Polička, Bohemia
Place of death
Liestal, Switzerland
Places of residence
Polička, Czech Republic
Prague, Czech Republic
Paris, France
Nice, France
Education
Prague Conservatory (expelled)
Occupations
composer
classical composer
lyricist
Organizations
American Academy of Arts and Letters (Music, 1955)
Awards and honors
Fellow of the American Academy in Rome (1957)
Short biography
Born in a church tower in the Bohemian country town of Polička, Bohuslav Martinů was a prolific enough composer as a child, before he entered Prague Conservatory as a violin student in 1906. His interest, however, lay in composition. Failing to complete his course at the Conservatory or at the Prague Organ School, to which he had been transferred, he worked as an orchestral player before moving, in 1923, to Paris. The approach of the German armies in 1940 forced him to make his way, as best he could, to the United States, where he was encouraged by commissions from Koussevitzky. Political events in Czechoslovakia prevented his intended return after the war; he spent his final years abroad, dying in Switzerland in 1959.

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Reviews

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VPALib | Mar 6, 2019 |
 
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VPALib | Mar 6, 2019 |
This is a fine introduction to Martinu, though not the best possible, simply because these aren't his greatest scores. Now as to what they may be, I defer for the moment. This collection includesthe THREE PARABLES, the FRESCOS OF PIERO DELLA FRANCESA, and the Sixth Symohony, subtitles "Symphonic fanatsies". Suffice it to say, these three pieces -- beautifully played and recorded -- give a very good sample of the Martinu sound, his characteristic harmonies and orchestral textures. Having said the latter, I must get in a plug ofr his chamber music, though that obvioulsy require s different source-recordings. Meanwhile, for those who believe in a pictorial and/or descriptive component in music -- which I mostly do not -- it can be a pleasant exercise to listen to the FRESCOS in comoarison to the roughly contemporaneous MATHIS DER MALER Symphony of Hindemith and the BOTTICCELLI TRIPTYCH of Respighi.… (more)
 
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HarryMacDonald | Oct 3, 2012 |
FROM 1923 until his death in 1959 the Czech composer Bohuslav Martinu lived abroad, first amid the artistic foment of Twenties and Thirties Paris, later in exile in the United States, and finally back in post-war Western Europe. It was in his exile in the USA that Martinu wrote his symphonies.

Bruckner was forty-two when he completed his Symphony No. 1, Brahms forty-three, and Elgar fifty-one. Martinů was fifty-two. Though he had written for large orchestra in his operas and some of his concertos, he had not composed a major work for large orchestra since La Rapsodie of 1928. Instead, his inclinations, in which his unease with grandeur played a large part, had led him instead to fruitful and lively investigations of the concerto grosso style. Tendering his commission, Koussevitzky had not specified a symphony; that was Martinů's choice.… (more)
 
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antimuzak | Sep 5, 2006 |

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Statistics

Works
212
Also by
2
Members
349
Popularity
#68,500
Rating
4.2
Reviews
6
ISBNs
12
Languages
4
Favorited
1

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