Mark Torres

I just happened to finish rereading this as I got the news of Richard Matheson's death. Sad news, indeed. His body of work hasn't been consistent, but it has been entertaining, and I suspect I have not read enough of it.

*There are spoilers in the last paragraph of this review.*

The Shrinking Man offers a somewhat contrived what-if scenario: what if a man started shrinking 1/7 of an inch every day? This could have been a gimmicky conceit, but Matheson turns it into a meditation on what it show more means to be a man. The hero's masculinity is chipped away each day by fractions of an inch, and the story chronicles his growing helplessness and frustration as he loses all of the authority he had been so accustomed to -- at first, over his wife; then, his daughter and other children; then, over household pets; and finally, over all animals such as birds and spiders. He is banished from work and his marital bed, then made to live in a dollhouse, and finally condemned to the cellar. The only way he can reassert his masculinity is to devise ways to survive, even though he feels like he has a clear end date.

In a lot of ways, The Shrinking Man reminds me of the much better Matheson novella, I Am Legend. Each stays in the head of a solitary hero, isolated by unnatural events beyond his control, struggling to hold onto his sanity and his sense of self.

The Shrinking Man is clearly a product of its time, an anguished and often cynical view of the emasculation of men in a changing era. Matheson does hold out hope in the end, that the Shrinking Man may not be completely extinguished by the forces around him, but may instead discover new worlds where he can reinvent and reassert himself. Depending on how the reader feels about masculinity, this may or may not be a happy ending. For me, it was an unexpected ending, and one that elevated this short novel well above a mere gimmick. show less

ORIGINALLY POSTED AT Fantasy Literature.

Every day Scott Carey is getting shorter by 1/7 of an inch. The doctors have figured out why -- he was exposed to a combination of insecticide and radioactivity -- but so far they have not been able to make him stop shrinking. Now Scott is only one inch tall and he is trapped in the cellar of his family's rented home with a stale piece of bread, an out-of-reach box of crackers, a sponge, a garden hose, a water heater, and a black widow spider. And in show more seven more days, he'll be gone.

Well, that's enough to make many readers want to hear Scott's story. How did he get in the cellar? Why didn't he prepare for this since he had plenty of time? Where is his wife and daughter? Will the therapies reverse the shrinkage? Will the spider get him?

Readers who are expecting a horror-adventure story will be pleased with Richard Matheson's The Incredible Shrinking Man because there's plenty of scary excitement. Spiders, cats, and sparrows are monsters (and so are toddlers); the oil burner is a giant tower with an unpredictable roaring flame; the garden hose is a viper; the sand pile is a desert; the repairman is a giant; pins are spears and a spool of thread is a rope. That story by itself is fun and fascinating.

But it's the rest of the story -- the flashbacks, marked with Scott's height as he continues to shrink -- that make The Incredible Shrinking Man such an excellent book. For this story is less about the horror of being physically small than it is about the horror of being physically different and, specifically, about losing manhood. Scott was originally 6'2" and he had a good job and a loving wife and daughter. But as he gradually loses height, he also gradually loses his place as an employee, a husband, a father, and a man. It is this change that is horrifying to watch and made me consider what it means to be a man -- the importance of height, strength, respect, the ability to provide, and even the pitch of the voice. And then a heartbreaking scene at a carnival reminds us that "reality is relative" -- much of how we are perceived (and therefore how we perceive ourselves) depends on our position relative to others.

The Incredible Shrinking Man is so much more than an exciting and well-written horror story -- it's a beautiful psychological study of masculinity and loneliness. I listened to Blackstone Audio's version. It's eight hours long and excellently read by Yuri Rasovsky. I highly recommend this version.

ORIGINALLY POSTED AT Fantasy Literature. show less

Sex and science fiction were uncomfortable bed fellows in the 1950's, and I was surprised to find sexual issues addressed with some sympathy in Matheson's story of Scott Carey; The Shrinking Man. Shrinking an inch a week even after 6 months is likely to cause problems in many marital situations and after a year with no sign of a halt to the shrinking then relationships sexual and otherwise would have to be rethought. Scott Carey is a proud individualist and fights for survival until the very show more end; this does not usually sit with a more sensitive soul and after all this is a science fiction novel written in the 1950's when male chauvinistic men of mettle were the norm. Now I do not read science fiction from over 60 years ago for its exploration of sexual mores, but I do "sit up" when personal sexual difficulties are not only discussed, but are integral to the story line. Scott Carey in the prime of life does not lose his sexual appetite with his shrinking, but of course finds it difficult to talk about it to his wife.

In I Am Legend: Matheson first successful novel there was an overwhelming feeling of claustrophobia along with an increasingly desperate battle against impossible odds. This formula is largely repeated here: when we meet Scott Carey he is an inch high and is running across a desert, being pursued by a spider. As the book unfolds we learn through flashbacks that Scott has been trapped in the cellar for the last two and a half months and that his world has shrunk with his size. He is an inch tall and is resigned to shrinking one seventh of an inch per 24 hours and so by the end of the week he will cease to exist. We learn that a toxic mixture of radiation and insecticide has caused his condition and despite many weeks of treatment no cure has been found. He has remained at home being supported by his wife and his young daughter to the best of their abilities, but after he loses his job then the family face an increasingly difficult financial situation. The flash backs are interspersed with Scotts battle to stay alive in an increasingly hostile environment for the last seven days of his life. Finding water and food sets him off on climbing expeditions that test his physical abilities to their limit as well as extreme problem solving. These sections of the story are an adventure wonderland, but the interspersions of the back story are no less intriguing. They are mostly skilfully done and reveal aspects of Scotts character as well as an increasing alienation from a world that has grown too big for him.

One of the most poignant episodes is before eventually being trapped in the cellar, he is banished there by his wife who has to employ a child minder while she goes out to work. Scott has dealt badly with the publicity caused by his condition and does not wish to expose himself any further hence he must hide in the cellar. He fantasises about a beautiful 17 year old female child minder and when he finally catches sight of her he sees a dumpy teenager, but he still cannot control his desire and risks his life for glimpses of her from the high cellar window. This exploration of an inner life, conscious and unconscious puts this book firmly in the category of a novel, albeit a fantasy novel. Matheson has created a fantasy world that is full of realism and although the science is pure gobbledygook, his world is one of wonder. The Shrinking Man was published in 1956 and is now part of the science fiction masterwork series. The book has of course been made into a successful film "The Incredible Shrinking Man" scripted partly by Matheson.
This is a fantasy novel, although a dark and brooding one with gothic elements that might appeal to a crossover readership, Matheson has also made a name for himself in the horror genre and as a genre novel I rate it as a five star read. show less

Lo que hace Richard Matheson con ‘El increíble hombre menguante’ no es nada fácil. El mérito de Matheson radica en hacer creíble una historia a todas luces fantástica, la de un hombre que va menguando día a día; y lo hace tan bien que sufres con el protagonista y con todos los obstáculos y padecimientos por los que pasa, en una gran labor por parte de Matheson en la construcción psicológica del personaje.

La historia comienza con una especie de nube radiactiva (un recurso muy de show more moda en los años 50 del siglo pasado; pero no se trata de una novela de ciencia ficción, sino más bien de una obra enmarcada en el fantástico) que baña a Scott Carey. A partir de este momento, nota que va perdiendo altura y peso, unos milímetros cada día. Mediante flashbacks iremos asistiendo a los sufrimientos por los que va pasando Carey en el sótano en el que está encerrado cuando mide unos centímetros, y a los problemas por los que fue pasando con su familia hasta llegar al sótano.

Ambas partes están muy logradas, en una estructura perfecta. Vamos viendo cómo se deteriora la relación con su mujer, que parece pasar de amante a figura materna, y cómo Carey sigue teniendo impulsos sexuales, que no puede satisfacer; así como también se muestra lo difícil que es relacionarse con su pequeña hija, sobre todo cuando esta lo sobrepasa en altura. Son igualmente destacables los enfrentamientos a los que ha de enfrentarse con personas que lo atacan por su condición de monstruo, incluso cuando intenta pasar por un niño más.

En cuanto a lo que va aconteciendo en el sótano, es el corazón de la novela, donde se aprecia realmente el terror y la soledad del protagonista, su imposibilidad de huída y comunicación con el exterior. Y tendrá que hacer frente a peligros y dificultades sin límite: el gran enfrentamiento con una viuda negra, la búsqueda de comida y agua, el frío… Y todo ello en completa soledad, y no nos olvidemos, menguando día a día. El final, absolutamente memorable.

El libro se completa con cuatro relatos cortos:

La prueba. Gran relato, donde Matheson especula sobre un futuro distópico, en el que la sociedad ha decidido terminar con los viejos, teniendo que pasar por una prueba para saber la condición en la que se encuentran. Se trata de un cuento que no deja indiferente.

Mantage. Extraño cuento en el que asistimos a la vida de un escritor como si del montaje de una película se tratase. Y es que 85 minutos pueden dar para mucho.

El repartidor. Leyendo este cuento es inevitable pensar en la gran influencia que Matheson ha sido para Stephen King. Esta historia parace el germen de ‘La tienda’ de King.

El diablo sobre ruedas (Duel). Breve relato que dio pie a la película de Steven Spielberg, que cuenta el duelo entre un conductor que se dirige tranquilamente a San Francisco por negocios y un misterioso camionero.

Resumiendo, se trata de un libro donde se puede degustar ese sabor a historias clásicas, bien contadas, de uno de los maestros de la literatura fantástica. show less