Series Oxford Textual Perspectives
19 Works
Popularity 40,828 (168 Members)
205 Books
0 Reviews
- The Aesthetics of Island Space: Perception, Ideology, Geopoetics by Johannes Riquet
- Dante's New Life of the Book: A Philology of World Literature by Martin Eisner
- The Globe in Print: The Book of the Play in the Age of Shakespeare by Stephen Orgel
- Guilty But Insane: Mind and Law in Golden Age Detective Fiction by Samantha Walton
- How Romantics and Victorians Organized Information: Commonplace Books, Scrapbooks, and Albums by Jillian M. Hess
- The Idea of the Book and the Creation of Literature by Stephen Orgel
- Imagining Spectatorship: From the Mysteries to the Shakespearean Stage by John J. McGavin
- Intercultural Explorations and the Court of Henry VIII by Nadia T. van Pelt
- Last Words: The Public Self and the Social Author in Late Medieval England by Sebastian Sobecki
- Literature and the Great War, 1914-1918 by Randall Stevenson
- Living Through Conquest: The Politics of Early English, 1020-1220 by Elaine Treharne
- Materializing Englishness in Early Medieval Texts by Jacqueline Fay
- Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones by Francesca Brooks
- The Reader in the Book: A Study of Spaces and Traces by Stephen Orgel
- Reimagining the Past in the Borderlands of Medieval England and Wales by Georgia Henley
- Turn-taking in Shakespeare by Oliver Morgan
- The Visible Text: Textual Production and Reproduction from Beowulf to Maus by Thomas A. Bredehoft
- Work in Hand: Script, Print, and Writing, 1690-1840 by Aileen Douglas
- World Medievalism: The Middle Ages in Modern Textual Culture by Louise D'Arcens
DescriptionsEdit Descriptions
- Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and lesser known works. (English, Publisher)
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