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It's totalitarian, it's fearful, it's deceitful, it's violent, it censors the people and turn them into objects, its rhetorical, it advocates eugenics, and its egotististical--as Plato seems to ironically put Philosophers like himself in the master's throne. It's a horrific nightmare that betrays the author's master, Socrates. Why the five stars? Because it has managed to influence every nook and cranny of politics and its vicious underbelly-- it is essential for that reason. Anyone who has read The Republic knows the score.
½
Fascism sucks, but props to this text for laying out what it is all about. Anyone interested in learning about fascism needs to read this.
It is a piece of work plagued by many, many bad ideas... as Communism is a flawed and sickening idea of stagnation and intellectual poverty so open to corruption it is impossible to envision a working society based under it. However, the score isn't at a half star mark for the sole sake that, all things considered, the book did its JOB and did it well. It revealed the "spectre of Communism" and what it is all about, even if it a silly thing. Really though, even for what it is, Marx's Capital is far more important a work on this subject.
The unabashed racism and just flat-out ignorant ideals in this book make it a generally stupid read. I suppose one could say that if the book weren't by Hitler no one would take notice, but since it IS by the mighty Führer it gains points simply for historical value and also the general entertainment one might garner from reading the ravings of a mad man. However, as an auto-biography it is painfully written to be as slow and grueling as possible. As a part of fascist literature it comes off as even more useless because, as Mussolini put it, it is "little more than commonplace clichés." If you're particularly fascinated by this period of history, I wouldn't necessarily drive you away from reading it, because it's relevant to see just how STUPID these ideas were.
½
I'm not even a fan of Harry Potter, really, but I found this to be amusing and cute (especially with Harry and Ron's notes). Nothing deep or compelling, just something to pick and peruse. Definitely a must-have for the Potter fanatic, which is probably who it was made to exploit anyway.
I find myself sort of going back and forth between a 3.5 and 4 star rating, what we have here is a brilliant little novella... but it would help if it were longer. I can't help but feel it would have benefited greatly from a little more material, would have made it feel far more complete. I still enjoyed this book tremendously, it was an incredibly interesting read. I also recommend picking up the edition with essays and analysis on the book, it really helps you better understand The Metamorphosis.
Essentially what happens when you walk into Hot Topic, pick out the first twelve year old you see, and then have her write an Anne Rice novel. Twilight is a shallow blunder, and it sure is proud of it. The book reads like fan-fiction from a horny teenager (though that phrase may be redundant) with a mental problem, instead of providing any form of good writing we get every vampire cliché known to man until you're guaranteed every scene-fag that reads it will adore it. It is truly astounding how Meyer is able to say so, SO little in the course of 500 pages.

More than half of Twilight is just characters giving wry smiles, chuckling, hissing, glaring, flaring nostrils and raising eyebrows during some vapid, angsty conversation. The whole thing is narrated by some chick named Bella Swan, someone so lacking in human characteristics that it is more than easy to forget [i]this is your main character.[/i] Reading this book makes it no surprise the only people who like this are around thirteen years old, both the main characters are covered in disgusting gloss and teenage perfection. Bella Swan and Edward Cullen are two of the dullest characters I've ever become acquainted with.

Bella is just another "average, ordinary, everyday girl" typical of romance novels. She is the "new girl in school" cliché and instantly becomes popular by doing nothing. She is made essentially perfect in every manner, but in an attempt to hide this the author decides to make her clumsy. The problem is show more that anyone familiar with these stereotypes knows that when it comes to these characters this is actually a "plus". It also doesn't help she spends a large amount of time I could have spent hammering a nail into my foot whining about how she always falls down. That is, of course, when she isn't using insane amounts of adjectives to describe the "dreamy" vamp of her life, Edward Cullen.

Oh, Edward Cullen. How I loathe thee. This talking mannequin is spoken about for pages upon pages with what looks like a late-night session on fanfiction.net with a teenager and a thesaurus. Like Boring Bella, Ennuyeux Edward is without depth and without flaw. Know what else Bella and Edward are without? CHEMISTRY. This is pretty much the book version of Neo and Trinity from the Matrix, except even worse. A third of the book is spent with these two Barbie dolls enjoying fake, unrealistic sexual tension akin to an episode of InuYasha until an awful plot forms. The important thing is that it ends with Cullen and Bella at the prom... AWWWWWWWWW, NO ONE SAW THIS COMING. AWWWW.

There is a lot more to say about this offense against literature, but this is just a quick little review from me. Despite all of this bullshit, the most infuriating thing about this 4-part story is that it isn't rotting on LiveJournal where it belongs. It is out there making millions with people who wouldn't know quality if it punted them in the vagina. It offers nothing to the reader. Just some clever marketing, some clever abuse of the masses. It is a superficial story that leaves readers with the image of a girl who discovers her own worth and gets all she ever wanted, by giving up her identity and throwing away nearly everything in life that matters. For this reason, Twilight's fame is far more understandable. For this sacrifice of self for the shallow and meaningless truly captures the spirit of the generation it's written for, or at least, the lack thereof.
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½